Wyniki wyszukiwania - Biblioteka Nauki

1

Muzykowanie z fińskim akcentem. Edukacja muzyczna w nauczaniu początkowym w Finlandii

100%

Adamczewski J.

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nr 55

259-270

PL

The article highlights the meaning of music activities in early childhood education. All the personalthoughts and information are mostly based on the Finnish educational system and the examples comingfrom my teaching practice at Vasa Övningsskola. Music education has an enormous impacton the child’s development at early school age. The way we teach and the teacher’s personality playa key role in the process of self-learning. This article contains both theoretical and practical aspects ofmusic education in Finnish primary schools. The conclusion is supported by personal experience andobservations from a Finnish primary school, which help to precisely describe music education in thisparticular system. The speaker will present activities and ideas used in the music education in earlyschool age based on the national curriculum from 2016.

2

Narodziny i rozwój polskiej teorii wychowania estetycznego

100%

Gogłuska-Jerzyna M.

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tom 60(3 (237))

21-33

PL

The polish conception of aesthetic education began in the 1960s. The grounds of this theory were formulated by Bogdan Suchodolski, who recognised it as an integral part of general education. According to this theory, aesthetic education encompasses two areas: education for art, i.e. education for aesthetic sensibility and aesthetic culture, and education through art, i.e. development of full personality, also in the intellectual, moral, social, educational, imaginative and creative areas. Essential for the Polish theory of aesthetic education are the proposals and conclusions presented by Irena Wojnar, particularly her recognition of education through art as a creating an “open mind” attitude. A distinctive feature of Irena Wojnar’s pedagogical reflection on art is its interdisciplinary nature, which takes into account not only the educational one, but also the aesthetic, psychological and social perspective on the educational values and functions of art. The conceptions of visual art and musical education developed within the “general” theory of aesthetic education have been used in designing the music and visual arts curricula. The contemporary Polish theory of aesthetic education joined the stream of new educational thinking, in the perspective of cultural pluralism and new ethical and social obligations to individuals and to the world. The so perceived aesthetic education, recognised by UNESCO as an important part of education for culture, including the so-called human culture, deserves both the attention and interest of theorists as well as innovative practical solutions.

3

Associations between music education, intelligence, and spelling ability in elementary school

100%

Hille K. , Gust K. , Bitz U. , Kammer T.

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tom 7

1-6

EN

Musical education has a beneficial effect on higher cognitive functions, but questions arise whether associations between music lessons and cognitive abilities are specific to a domain or general. We tested 194 boys in Grade 3 by measuring reading and spelling performance, non verbal intelligence and asked parents about musical activities since preschool. Questionnaire data showed that 53% of the boys had learned to play a musical instrument. Intelligence was higher for boys playing an instrument (p< .001). To control for unspecific effects we excluded families without instruments. The effect on intelligence remained (p< .05). Furthermore, boys playing an instrument showed better performance in spelling compared to the boys who were not playing, despite family members with instruments (p< .01). This effect was observed independently of IQ. Our findings suggest an association between music education and general cognitive ability as well as a specific language link.

4

DIGITAL MUSICIANSHIP IN THE LATE MODERN CULTURE OF MEDIATION: THEORIZING A NEW PRAXIS FOR MUSIC EDUCATION FROM A PRAGMATIST VIEWPOINT

100%

Väkevä L.

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nr 1

38-47

EN

In this article, author examines how digital mediation may change the way musicianship is conceived in the late modernity. Author will discuss the theoretical implications of confronting this change in music education, suggesting that recognizing its creative potential may offer a renewed theoretical perspective in music education. Author will also argue that Deweyan pragmatism can offer a fruitful way to frame the central role of mediation in music education in the late modernity. The aim of this study is to discuss some ideas related to digital mediation and digital musicianship from the perspective of late modernity, as well as argue for a pragmatist theoretical approach for these issues. The article is philosophical; its main materials are literature of digital culture, mediation and music education.

5

Złote czasy radia. Edukacyjne i wychowawcze funkcje radiowych audycji umuzykalniających

99%

Forecka-Waśko K.

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tom 10

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nr 2

215-230

EN

The article attempts to present the specificity of radio music broadcasts as a form of didactic method used while teaching children about music. The Polish Radio music broadcasts created by Maria Wieman from 1946 to 1976 were used as a research material. The author shows the historical background in which educational radio programmes were made in Poland. The state of kindergarten education after the war and the methodology of music education is also adressed. The paper attempts to present the reconstruction of the formation of music broadcasts for children based on the literature dedicated to the subject, recordings of the broadcasts, and radio documents. The author also wanted to present the profile of Maria Wieman, the brodcast creator. Her methodological and didactic achievements played a key role in forming the modern way of thinking about music education in kindergarten.

6

ПСИХОКОРИГУЮЧИЙ ПРИНЦИП МУЗИЧНОГО НАВЧАННЯ ДІТЕЙ ДОШКІЛЬНОГО ТА МОЛОДШОГО ШКІЛЬНОГО ВІКУ З ВИКОРИСТАННЯМ МУЗИКОТЕРАПІЇ

86%

Малашевська І.

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nr 2(46)

250-258

EN

The article addresses the problem of optimization of the system of musical education of preschool and primary school children by means of additional kinds of educational activities in health-caredirection. The aim of the article is to examine the nature and peculiarities of psycho-corrective influence of music therapy of preschool and primary school age in the process of their musical and educational activity. The study used the methods of the theoretical analysis of psycho-educational, philosophical and art criticism literature. The innovative technique based on using the ideas or separate elements of musical-rational psychotherapy of V.I. Petrushyna, author’s system of psycho-corrections by V. M. Draganchuk, methodology of development and complex correction of different sides of preschool and primary school children’s psyche of M. I. Chistyakova, music-therapeutics direction of musical education by system of Waldorf pedagogics. The article examines the mechanisms of psycho-corrective influence on children’s personality by means of music games, sound toning and singing songs, musical-dancing activities, rhythmic exercises, contact and contactless massage, autogenous training, breathing exercises, activation of visual images and ideas, music-improvised creativity, etc. The practical significance of the article is to develop the innovative methods of teaching music using music therapy in the system of preschool and primary school education. Considering the possibility of corrective action of music art on physical, emotional and intellectual sphere of the organism, it is understood that music is the language of nonverbal communication. As a result the main influence is made on the mood, emotions and feelings of a person. However, understanding the person as an inseparable unity of all three spheres, it is worth noting some influence on the physical and intellectual sphere, but in a different perspective. The person who interacts with music after this process becomes a qualitatively different person. The conclusions of the study indicate the efficacy and the effectiveness of the psycho-corrective influence of the music therapy on mental, emotional and volitional area of children’s personality, that leads to optimization of musical and educational process and the development of musicality in particular. A next trend of the study is seen in the implementation of music therapy in the system of training of future music teachers.

7

Folklore Values Education in the Context of Cultural System and Current Trends of Music Pedagogy

86%

Kusák J.

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tom 16

187-192

EN

The paper deals with axiological aspects of folklore as intersubjective and intrasubjective communication and the folklore values education with regard to current trends of music pedagogy, in particular the integrative music pedagogy, polyaesthetic education and humanistic-creative paradigm of music pedagogy. Currently, we can see a shift in the semantic understanding of folklore – from the “diachronic-contextual” folklore towards the folklore in the modern updated application intention. The inclusion of folklore elements in the modern educational strategy may adumbrate, in a wider context, future motivating stimuli to life-long musical or cultural cultivation of an individual, to adequate hermeneutic analysis of folk art attributes, understanding its complexity, structure, connections and communication aspects.

8

World music jako element międzykulturowej edukacji muzycznej — na przykładzie Przedszkola Artystyczno-Teatralnego „Dorotka” w Olsztynie

72%

Michalak M.

|

tom 8

173-201

PL

Artykuł stanowi próbę przyjrzenia się wybranym aspektom edukacyjnego wykorzystania gatunku world music w Przedszkolu Artystyczno-Teatralnym „Dorotka” w Olsztynie jako elementu międzykulturowej edukacji muzycznej. Wgląd w badane zagadnienie umożliwiły wywiady przeprowadzone z 6 pracującymi tam nauczycielkami. Postawione problemy badawcze dotyczą: kryteriów doboru utworów z obszaru world music, jej walorów edukacyjnych oraz celów edukacji międzykulturowej, które są lub mogą być realizowane poprzez wykorzystanie muzyki świata w przedszkolu. Interpretatywne analizy wypowiedzi respondentek ujawniły, że dobór repertuaru z obszaru world music jest uwarunkowany pozytywnymi reakcjami dzieci, ich możliwościami rozwojowymi, preferencjami muzycznymi nauczycielek, dzieci i otoczenia, a także sugestiami obecnych w placówce wolontariuszy. Obecność muzyki świata podczas zabaw lub na zajęciach muzyczno- ruchowych wzmacnia motywację do nauki i wywołuje spontaniczne reakcje ruchowe i wokalne u przedszkolaków. W opiniach nauczycielek wartości world music można podzielić na muzyczne (np. walory brzmieniowe, egzotyczne instrumentarium), poznawcze (uwrażliwienie na specyfikę danej kultury muzycznej), społeczno-kulturowe (np. pozytywne nastawienie do otoczenia), ogólnorozwojowe (np. zdolności manualne, ekspresja emocji) oraz relaksacyjno-terapeutyczne (np. wyciszenie). Wykorzystanie world music w przedszkolu wpisuje się w zakres celów edukacji międzykulturowej: w sferze świadomości (np. poznawanie i zrozumienie różnic kulturowych oraz muzyki jako wspólnej wartości), umiejętności (zwłaszcza komunikacyjnych) oraz postaw (otwartość, tolerancja, interakcyjność).

EN

The article is an attempt at exploring the selected aspects of the educational use of world music genre in “Dorotka” Artistic and Theatrical kindergarten in Olsztyn as an element of intercultural musical education. The insight into the researched issue was enabled by the interviews with 6 teachers working there. The research problems raised pertain to: the criteria for the selection of pieces from the field of world music, its educational values, as well as aims of intercultural education, which are or can be implemented by using the music of the world in kindergarten. The interpretative analyses of the respondents` statements revealed that the selection of the repertoire from the world music field is conditioned by the children`s positive reactions, their developmental possibilities, musical preferences of their teachers, the children themselves and their environment, as well as the suggestions of volunteers visiting the establishment. The presence of the music of the world during playtime or music and movement classes strengthens the preschoolers’ motivation to learn and evokes their spontaneous kinesthetic and vocal reactions. In the teachers’ opinions the benefits of world music can be divided into musical (e.g. sound values, exotic instruments), cognitive (sensitization to the specificity of a given musical culture), social and cultural (e.g. positive attitude to the environment), those related to general well-being (e.g. manual abilities, expression of emotions), as well as relaxation and therapeutic ones (e.g. calming down). Using world music in kindergarten fits into the scope of the aims of intercultural education: in the sphere of consciousness (e.g. learning and understanding cultural differences and music as a common value), skills (in particular, communication-related), and attitudes (openness, tolerance, interactivity).

9

Kołysanka –wstęp do świata muzyki

72%

Forecka-Waśko K.

|

tom 14

215-225

EN

The article is devoted to the lullaby, a unique piece of music that has developed, in the semantic and musical layers, the characteristic features of a highly emotional style. Scientific research shows that the lullaby is a song recognizable for its function all over the world, and that babies react to it more strongly than to the mother’s speech. The article attempts to indicate the place of the lullaby in the musical education of children and parents as well. Difficulties limiting its use were also indicated, which are related to the disappearance of the transmission of folk culture, the lack of making music at home, as well as the shortcomings of formal music education.

PL

Artykuł poświęcony jest kołysance, wyjątkowemu utworowi muzycznemu, który wykształcił w warstwie semantycznej i muzycznej charakterystyczne cechy stylu o silnym zabarwieniu emocjonalnym. Badania naukowe wskazują, że kołysanka jest utworem rozpoznawalnym z uwagi na funkcję bez względu na szerokość geograficzną, zaś niemowlęta reagują nań silniej niż na mowę matki. W artykule podjęto próbę wskazania miejsca kołysanki w edukacji muzycznej dzieci i rodziców. Wskazano także na trudności ograniczające jej wykorzystanie, które związane są z zanikiem transmisji kultury ludowej, brakiem muzykowania w domu, a także ułomnościami formalnej edukacji muzycznej.

10

ВИХОВНИЙ ВПЛИВ МУЗИЧНОГО МИСТЕЦТВА НА ФОРМУВАННЯ ОСОБИСТОСТІ ДИТИНИ

72%

Картава Ю.

Педагогічні науки: теорія, історія, інноваційні технології

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2015

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nr 3(47)

276-283

EN

This article presents a theoretical analysis of the problem of educational influence of musical art in the formation of the child’s personality of the preschool age. The author notes that the development of a preschooler, his formation as a person - a cardinal problem for preschool education. Musical art has an inexhaustible potential impact on the internal world of the child, it is a kind of means of communication, promotes self-knowledge and self-expression of a personality, the formation of his world, as repeatedly told the writers, composers, teachers, psychologists, art historians, scientists in various spheres. In the direction of humanistic education through the art of music it is transformed into personal human values that are essential in human life. Aesthetic education of preschool children by means of music is aimed at developing the ability to perceive, feel and understand beauty, notice the good and bad, act independently, joining thus to different types of artistic activity. The author stresses that I. Gazina in her study has noted that the Ukrainian folk music and song that are easy to comprehend, highly emotive and full of meaning, reflecting the traditional Ukrainian national culture, undoubtedly the best educational factors impact on preschool children. Music for them is natural ambience that evokes creativity, develops artistic and aesthetic abilities of the individual, specifically affect the underlying processes of the internal world of the child, the formation of patriotic feelings and the formation of interest in the Ukrainian national values which, in turn, is a sure foundation for further formation of the citizen-patriot with wide national consciousness and identity. National culture is the basis of formation of a fully developed personality and its implementation. Musical activity creates the necessary conditions for the moral education of the individual, the formation of his moral qualities, education foundations of general culture. National education by means of music aimed at the formation of patriotic feelings and interest in Ukrainian national values, in turn, is a reliable foundation for the further formation of a citizen-patriot. Thus, the art of music has a great educational potential, the use of which contributes to the formation of the child’s personality of the preschool age.

11

Umuzykalniający potencjał aplikacji TikTok w kontekście instytucjonalnej edukacji muzycznej

72%

Juda Ł.

|

nr 4

55-66

EN

The article addresses the potential for musical development through contemporary audiovisual social media. It also takes into account the state of music education in schools. The author of the article asks whether applications in which concise video forms circulate (e.g., the TikTok application) can contribute to the musical development of young people. For this purpose, the author provides specific examples of musical practices that take place in these spaces. As the main point of reference, he examines the relationship between institutionally conducted music education and pop culture, which is at the center of the content circulating in contemporary media.

PL

Artykuł traktuje o umuzykalniającym potencjale, jaki kryją w sobie współczesne audiowizualne media społecznościowe. Uwzględnia też stan systemowej edukacji muzycznej prowadzonej w szkołach. Autor weryfikuje tezę, czy aplikacje, w których cyrkulują lapidarne formy wideo (np. aplikacja TikTok) mogą przyczyniać się do umuzykalnienia młodzieży. W tym celu przytacza konkretne przykłady praktyk muzycznych, które mają miejsce w tych przestrzeniach. Jako główny punkt odniesienia traktuje relacje instytucjonalnie prowadzonej edukacji muzycznej z popkulturą, stojącą w centrum treści cyrkulujących we współczesnych mediach.

12

СПІЛЬНЕ ТА ВІДМІННЕ У ВІЗАНТІЙСЬКІЙ І ДАВНЬОКИЇВСЬКІЙ ХРИСТИЯНСЬКИХ ТРАДИЦІЯХ МУЗИЧНОГО ВИХОВАННЯ

72%

Марина Л.

|

nr 8(62)

65-74

EN

The article tells about Christian traditions of music education in the context of “a dialogue” of two cultures – Byzantine and Old Kyivan Rus. After analyzing common and different features in upbringing and professional preparation of choristers of both countries the author proves, due to comparative-historical method, that Byzantine music education was not mechanically “transplanted” or “transferred” on Kyivan basis. Correspondence of music education contents to general level of Byzantine and Old Kyivan development of society, government’s requirements concerning preparation of choristers, differences in structure of educational establishments in Byzantine Empire and Kyivan Rus prove mutual enrichment of both cultures. It is stated in the article that music education and choir service were very important in both Byzantine Empire and Kyivan Rus. At the beginning Christian communities and then monasteries and government started to be concerned about high professional preparation of choristers. Although education in Byzantine Empire and Kyivan Rus has lots of common tendencies, the one in Byzantine Empire was more complicated, multilevel and it was planned not only for demands of the Church but for public requirements too. Prerogatives of ecclesiastic non-multilevel education can be seen in Kyivan Rus. It is difficult to define a character of “domestic yard” school. The contents of music education corresponded to general level of development of societies in both states. However, Byzantine Empire was an accumulator of culture and its bearer for young European barbarian countries. The contents of music education in Kyivan Rus were directed at Graeco-Christian religious tradition. It also absorbed Syrian and Jewish tunes, which were easier for perception due to texts written in the native language. Certain differences in Byzantine and Kyivan Rus spiritual singing can be seen from the origin of Bizatine liturgy in Kyivan territories, for example stress changes in cantorials.

13

Dziecko w świecie dźwięków – wychowawcze aspekty metody rytmiki Emila Jaques-Dalcroze’a

72%

Forecka-Waśko K.

|

nr 608(3)

35-45

EN

The article presents educational aspects of Emile Jaques-Dalcroze's Eurhythmics method, a commonly used method of musical education in Poland. The aim of the article is to show the potential of the impact of eurhythmics activities on the emotional, social, physical and intellectual development of a child. Thus, the article presents the essential values of music education of the young generation, the aim of which is not only to educate conscious recipients of music and art, but also sensitive and open-minded, creative people with broad social competences. The subject of the considerations was also the role of the teacher in the Eurhythmics method, his/her methodological workshop and the ability to use the language of music to improve communication with students. The considerations are the result of an analysis of Emile Jaques-Dalcroze's works as well as the published theoretical works and research on the use of the Eurhythmics method.

PL

W artykule zaprezentowano wychowawcze aspekty metody rytmiki Emila Jaques-Dalcroz’a, będącej w Polsce powszechnie stosowaną metodą wychowania muzycznego. Celem artykułu jest ukazanie potencjału oddziaływania zajęć rytmicznych na rozwój emocjonalny, społeczny, fizyczny i intelektualny dziecka. Tym samym w artykule ukazane są istotne walory edukacji muzycznej młodego pokolenia, której celem jest nie tylko wykształcenie świadomych odbiorców muzyki i sztuki, lecz także osób wrażliwych i otwartych, twórczych, o szerokich kompetencjach społecznych. Tematem rozważań uczyniono również rolę nauczyciela w metodzie rytmiki, jego warsztat metodyczny i umiejętności wykorzystania języka muzyki do lepszej komunikacji z uczniami. Podjęte rozważania są wynikiem analizy zawartości treści dzieł Emila Jaques-Dalcroze’a oraz opublikowanych prac teoretycznych i badań dotyczących zastosowania metody rytmiki.

14

Innowacyjność edukacji muzycznej w projektach Edwina E. Gordona. Raport z przeprowadzonych badań uczniów klas początkowych

72%

Bonna B.

|

2017

|

nr 2

193-208

EN

This article concentrates on the innovative music education implemented according to the assumptions of Edwin E. Gordon’s Music Learning Theory and the insights gained from the casual observation conducted by the author within the framework of experimental studies. The observation which early education pupils underwent focused on their reactions to the undertaken actions resulting from Gordon’s concept. E.E. Gordon’s Theory of Music Learning, music education, audiation, reactions of pupils to the actions resulting from Gordon’s concept.

PL

Treść artykułu koncentruje się na innowacyjnej edukacji muzycznej realizowanej według założeń teorii uczenia się muzyki Edwina E. Gordona i spostrzeżeniach wynikających z prowadzonej przez autorkę obserwacji swobodnej w ramach badań eksperymentalnych. Podstawą obserwacji, której poddano uczniów z klas początkowych, były ich reakcje na podjęte oddziaływania wynikające z koncepcji Gordona.

15

Praktyka edukacji muzycznej w klasach początkowych w opiniach studentów pedagogiki – kandydatów na nauczycieli edukacji wczesnoszkolnej

72%

Majzner R.

|

2014

|

nr 1

143-154

EN

The author of the following study discusses the role of music education in early stages of primary education in the opinion of students of pedagogy. He also presents opinions of candidates for primary school education teachers on realization of music education classes in practice, as well as the teachers’ approach to music education within the frames of the model of integrated education. Furthermore, research issues presented in the article refer to forms of music education and didactic means applied by teachers.

16

AN INDIVIDUAL IN UNDERSTANDING SOUNDING SPACE OF OBJECTIVE REALITY: EXPERIENCE OF SOCIAL AND PHILOSOPHICAL ANALYSIS

72%

Sherbakova A. I.

|

nr 1

25-37

EN

The article covers the problem of comprehension of music as a sounding space of Genesis, the phenomenon comprising a spiritual meanings and values accumulated by mankind in the process of its formation and development. The author refers to the social-philosophical analysis of this phenomenon, offers a comprehensive methodology, which allows revealing its contents and mechanisms of influence on the processes in the space of culture

17

Muzyczne języki bajek Walta Disneya w procesie edukacji międzykulturowej

58%

Forecka-Waśko K. M.

|

tom 20

|

nr 1

196-207

PL

Muzyka z bajek wytwórni Walta Disneya jest elementem popkultury. Nie jest to jednak świat ograniczony do muzyki popularnej, ale tworzący przestrzeń mariażu muzyki etnicznej z nowymi brzmieniami. Świat muzyki współczesnej wchodzi w dialog z muzyką źródeł, stając się jej nowym tłumaczem. Wielokulturowa edukacja muzyczna dzięki produkcjom filmowym Walta Disneya otwiera się na nowy wymiar, w którym globalizacja staje się sprzymierzeńcem kultury lokalnej. W artykule omówiono, w jaki sposób zarówno dźwięk, jak i słowo wykorzystane są w celu prezentowania odmiennej kultury. W przywołanych przykładach język wraz ze swoją rytmiką i melodyką potraktowany jest jako interesujące tworzywo muzyczne. Analizie poddano wybrane filmy Walta Disneya – powstałe do nich ścieżki dźwiękowe, jak również artykuły i recenzje, blogi dotyczące muzycznych produkcji wytwórni. W rozważaniach wiele miejsca poświęcono piosence, która jest nośnikiem głównych treści filmu i najczęściej odtwarzanym elementem obrazu filmowego, starano się wskazać na jej funkcje w edukacji międzykulturowej, ale także sposoby jej wykorzystania w edukacji dziecka.

EN

Music from Walt Disney’s animations is an element of pop culture. However, it is not a world limited to popular music but a space where ethnic music meets new sounds. The world of contemporary music enters a dialogue with the music of the sources, becoming its new translator. Thanks to Walt Disney’s film productions, multicultural music education opens up a new dimension in which globalization becomes an ally of local culture. The article addresses how both sound and word are used to present a different culture. In the cited examples, the language with its rhythm and melody is treated as an interesting musical material. Selected Walt Disney films were analyzed – their soundtracks as well as articles and reviews, blogs about the studio’s musical productions. In the considerations, a lot of attention was devoted to the song, which is the carrier of the main content of the film and the most frequently played element of the film image. Some attempts were made to indicate its functions in intercultural education, but also the ways of its use in child education.

18

Analiza możliwości doskonalenia kompetencji muzycznych studentów kierunku pedagogika przedszkolna i wczesnoszkolna na wybranych uczelniach wyższych w Polsce

58%

Kowalska M. , Tęczyńska-Kęska M.

|

tom XI

187-200

EN

The article reviews the subjects of music in the field of pre-school and early school education proposed by selected universities. The characteristics of selected courses with a music profile were carried out, taking into account the number of hours devoted to their implementation, and the objectives and curriculum content included in the course cards were also discussed. Attention is paid to the components of pedagogical qualifications necessary in conducting music education classes – the teacher is the key to the proper functioning of the educational system and the future of the pupils depends on their competences, motivation and personality. Conclusions from the conducted analysis are presented in the end.

PL

W artykule dokonano przeglądu proponowanych przez wybrane uczelnie wyższe przedmiotów o profilu muzycznym na kierunku pedagogika przedszkolna i wczesnoszkolna. Przeprowadzono charakterystykę wybranych kursów o profilu muzycznym z uwzględnieniem liczby godzin przeznaczonych na ich realizację, omówione zostały również cele i treści programowe zawarte w kartach kursów. Zwrócono uwagę na komponenty kwalifikacji pedagogicznych niezbędne w prowadzeniu zajęć umuzykalniających – nauczyciel bowiem jest kluczem do właściwego funkcjonowania systemu edukacyjnego i to od jego kompetencji, motywacji i cech osobowościowych zależy przyszłość wychowanków. W zakończeniu przedstawiono wnioski z przeprowadzonej analizy.

19

Sztuka jako narzędzie poznawania artystyczno-kulturowej przestrzeni – omówienie prac „Ars inter Culturas”

58%

Chaciński J.

|

nr 9

5-10

EN

In the current issue of the journal „Ars inter Culturas”, scholarly articles have been gathered and arranged into several thematic groups. Most of the issue is devoted to music, its analysis and to musical education, both conceptual and historical studies, as well as research into its effects. The articles in the first section are arranged chronologically, covering musical space from ancient Egypt to contemporary times. The second section includes historical research on music education, from the perspective of both Eastern European and Polish experiences. The third section maintains a multicultural profile, showing the interpenetration of various musical concepts between countries and their national adaptations.Traditionally, space is set aside in „Ars inter Culturas” for fields that round out the theore-tical area of other aspects of multiculturalism. This time, these were texts offering theological analysis as well as in teaching religious education for young people. The last part of this issue are references to other arts – ballet, design, as well as historical and contemporary interpreta-tion of literature, and sport.

20

Śpiew i piosenka a edukacja do starości w kształceniu zintegrowanym

58%

Trzcionka-Wieczorek A. M.

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nr 1(59)

41-51

EN

The aim of the article is to draw our attention to the role and place of music education in the life and development of students in grades 1-3 of the primary school. The author describes the musical development of an early school child, she lists various functions of early music education, and she describes five forms of musical activity in which students should regularly participate. Due to the topic of this article, the author emphasizes that singing songs has many values connected with the overall development of pupils. The next part of the article is a reflection on demographic changes and aging of the Polish society. Referring to the books on the subject, the author emphasizes that education until old age should be promoted in school education. She writes that teachers at school should stimulate correct and comprehensive development of pupils during classes, show the positive aspects of aging and old age, and shape proper attitudes towards seniors. This is possible, e. g. during music classes, with particular emphasis on singing and songs. The authors confirms it through the analysis of selected children's songs the lyrics of which are related to old age and seniors.

PL

Celem artykułu jest zwrócenie uwagi na rolę i miejsce edukacji muzycznej w życiu i rozwoju uczniów klas I–III szkoły podstawowej. Autorka opisuje rozwój muzyczny dziecka w wieku wczesnoszkolnym, wymienia szereg funkcji wczesnej edukacji muzycznej oraz pięć form aktywności muzycznej, w których powinni regularnie uczestniczyć uczniowie. Ze względu na podjęty temat, autorka szczególnie zwraca uwagę na śpiewanie piosenek oraz związane z tym walory ogólnorozwojowe. Dalszą część artykułu stanowi refleksja na temat przemianach demograficznych i postępującego procesu starzenia się polskiego społeczeństwa. Odnosząc się do literatury przedmiotu, autorka zwraca uwagę na realizację w szkole ogólnokształcącej treści związanych z edukacją do starości. Podkreśla ona, że nauczyciele w szkole powinni na zajęciach stymulować prawidłowy, wszechstronny rozwój wychowanków, ukazywać pozytywne strony starzenia się i starości oraz kształtować postawy wobec seniorów. Jest to możliwe między innymi na zajęciach muzycznych, ze szczególnym uwzględnieniem śpiewu i piosenek. Dowodem tego jest przedstawiona analiza wybranych piosenek z repertuaru dziecięcego oraz występujących w nich treści związanych ze starością i osobami w podeszłym wieku.