Wyniki wyszukiwania - Biblioteka Nauki

1

Mass Media and Professional Sport

100%

Zbigniew D. , Krzysztof W. J. , Michał L. , Julia M. , Piotr R.

Baltic Journal of Health and Physical Activity

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2012

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tom 4

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nr 4

284-294

EN

The goal of this paper is to show the relationship between the mass media and professional sport, with special focus on both the positive and negative impact the mass media might have on the development of sport, complete with changes which the mass media trigger in sport as such. In order to do so, the paper employs a range of theories, including the structural-functional theory, symbolic interactionism and, to a certain extent, the theory of social conflict. Several research methods have been used as well, including the inductive and deductive methods, the idiographic and nomothetic methods and an analysis of publications dealing with the subject. The links and interrelations between sport and the mass media are many and multilayered and opinions on them differ greatly. It is not possible to unequivocally decide whether they are good or bad as far as contemporary people and the modern civilisation are concerned. Like most social and cultural phenomena, they certainly can be both. The mass media and sport are two domains which influence each other and each of them has changed because of the other. One could say that nowadays, the mass media and sport form an almost perfect union.

2

Gra słów i spojrzeń: „PokaZ”

88%

Piniewska A.

Didaskalia. Gazeta Teatralna

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2024

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nr 179

139-164

EN

The article presents a poetological analysis of PokaZ (ShoW), a performance directed by Justyna Wielgus that refers to the practices of freak show. Piniewska discusses the compositional strategies used in PokaZ to subversively crip the oppressive form of a freak show. Adopting the perspective of critical disability studies, she reflects on the popular cultural images of disability (a victim, a hero, an eternal child, and a medical specimen) and discourses thereof (the discourse of pity and the medical discourse) addressed in the performance. Her analysis centres on the ways of talking about and looking at disability that shape artistic communication with an audience.

3

SPOŁECZEŃSTWO SIECIOWE: Perspektywy teatru w sieci w Polsce

75%

Fudala-Barańska A.

Miscellanea Anthropologica et Sociologica

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2015

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tom 16(2)

51-64

PL

Spektakle teatralne w sieci są zjawiskiem stosunkowo nowym. W Polsce przedstawieniaw internecie pojawiły się zaledwie przed siedmioma laty, a wraz z nimi szereg pytańo zasadność takiej prezentacji sztuki. Pojawiły się wątpliwości: czy internet nie okaże sięgrabarzem klasycznych teatralnych scen? Czy dostępność spektakli w sieci nie doprowadzido opustoszenia teatralnych sal? I wreszcie, jak i na ile sieć internetowa zagwarantujeochronę praw autorskich twórców oraz wykonawców? A może teatr w sieci otworzy przednami nowe możliwości dotarcia do widzów, zwłaszcza młodych oraz tych spoza dużychaglomeracji, mających utrudniony dostęp do placówek kulturalnych? Czy sieć jest szansąna ocalenie od zapomnienia sztuk i aktorskich kreacji, które na klasycznej scenie skazanesą na niepamięć już po kilku sezonach?Niniejszy artykuł stanowi próbę odpowiedzi na te pytania, poprzedzoną przedstawieniemzarysu historii teatru w sieci w Polsce z uwzględnieniem przełomowych wydarzeńi instytucji stanowiących o polskim e-teatrze. To także próba analizy zagadnienia, czyspektakle prezentowane przez internetowe łącza, dające twórcom nowe możliwości, a widzom– nieograniczony dostęp do sztuki teatralnej, to nieunikniona przyszłość, czy teżzjawisko przejściowe.

4

Lidový hudebně-taneční projev jako scénický tvar – folklorní soubory v českých zemích v péči jedné instituce

75%

Stavělová D.

Národopisná revue (Journal of Ethnology)

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2015

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tom 25

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nr 4

294 - 306

EN

The study is a probe into the world of contemporary folklore creation in the Czech lands – quite a young stage genre focused on stage adaptation of folk songs, instrumental compositions and dance, and their transition to the language of the theatre setting. The study is based on the assessment of a series of six biennial shows of folklore ensembles. This series was assessed by means of an analysis of video-records and programme brochures from the perspective of a participant and assessor of the particular years. We were interested in which directions the artistic creation of ensembles, inspired by folklore, is going, which transformations can be observed within this period of twelve years altogether and which issues have remained unchanged from the first attempts to demonstrate folk musical and dance culture on stage. The study is not aimed at an unequivocal classification of all these ways of stage work and topics. In contrast, the author tries to point out the overlaps of diverse views of the same matter, the combination of more approaches which can intersect within a single creative efforts. She tries to capture the tendencies that are safeguarded, transformed or newly discovered within this creative environment. The role of an appropriated institution (the National Information and Consulting Centre for Culture NIPOS-ARTAMA) is emphasized here. This institution provides the participants with an environment perceptive to their utterance, offers various feedback and motivates the participants for their further deeds.

5

NETWORK SOCIETY: An outlook of the theatre in the network in Poland

75%

Fudala-Barańska A.

Miscellanea Anthropologica et Sociologica

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2015

|

tom 16(2)

51-64

EN

Theatre in the network is a relatively new phenomenon. In Poland, the first shows appearedon the internet only seven years ago, and along with them – a series of questionsabout the legitimacy of such a presentation of art. There were doubts as to whether the internetwill not cause the demise of the classic theatre scenes. Will the availability of showson the network not lead to the emptiness of theatre halls? And finally, how and to whatextent will the internet ensure the protection of creators’ and performers’ copyrights? Onthe other hand, maybe theatre in the network will make it possible to reach more viewers,especially young ones and those from outside the big cities, with limited access to cultural institutions? Is the network an opportunity to save the shows and performances fromoblivion which they would be doomed to on the traditional stage after just a few seasons?This article is an attempt to answer these questions, preceded by an outline of the historyof theatre network in Poland, including the ground-breaking events and institutionsdefining the Polish e-theatre. It is also an attempt to answer the question whether theatrepresented by the internet connection, giving limitless possibilities to the creators, and unlimitedaccess to the audience of a play, is inevitable future or just a passing phenomenon.

6

Estimation of conformation traits in purebred Arabian horses taking part in Polish National Shows in the years 2001-2005, according to damlines

75%

Chmiel K. , Gajewska A.

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nr 2

7

Szopka z lalkami z okolic Padwi Narodowej – tradycyjne widowisko i jego repertuar muzyczny

63%

Rokosz T.

Roczniki Humanistyczne

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2022

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tom 70

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nr 12

105-120

EN

This article presents and analyses the genesis, performance context and musical repertoire of The Nativity Scene with Dolls. The phonic material analysed, deposited in The Archive of Music Religious Folklore (AMFR) at the Institute of Musicology of the John Paul II Catholic University of Lublin (KUL), was registered in 1974 in Padew Narodowa (Rzeszow Region), and research in the form of a field interview was repeated in 2022. The musical analyses include 27 pieces for which musical transcriptions were made. A detailed description and interpretation of The Nativity Scene with Dolls may be key to understanding local communities. The show reflects the folk world of values, prohibitions and orders, of attitudes to religious and ethnic minorities, to issues of the state, the perception of certain professions, etc. It also shows the image of the world of small communities, elevated to the symbolic level of acting and music.

PL

W artykule przedstawiono i przeanalizowano genezę, kontekst wykonawczy i repertuar muzyczny szopki z lalkami. Analizowany materiał foniczny, zdeponowany w Archiwum Muzycznego Folkloru Religijnego KUL (AMFR), zarejestrowano w 1974 r. w Padwi Narodowej (Rzeszowskie), badania w formie wywiadu terenowego powtórzono w 2022 r. W analizach muzycznych uwzględniono 27 utworów, dla których wykonano transkrypcje muzyczne. Szczegółowy opis i interpretacja szopki z lalkami może być kluczem do zrozumienia lokalnych społeczności. W widowisku odzwierciedlono ludowy świat wartości, zakazy i nakazy, stosunek do mniejszości religijnych i etnicznych, problematykę stanową, postrzeganie określonych zawodów itd. Ukazuje ona obraz świata małych wspólnot, wprowadzony na symboliczny poziom sztuki aktorskiej i muzycznej.

8

Festiwale sztuki ulicznej. Przedmiot instytucjonalizacji i forma uspołeczniania miasta

63%

Połeć M.

Zarządzanie Mediami

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2016

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tom 4

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nr 1

23-38

EN

The article presents the most important festivals of street art in Poland in 2014: the reasons of uprising, distinctive features, the ways of organizing and being held. Festival is shown as typical urban phenomenon, with the character referring to carnival’s parade and with the roots reaching the ancient times. These days, the performances in urban space are becoming a common way of getting to the new viewers, showing heretofore existing kinds of performance in another context – full of immediacy and unpredictability. The materials were collected with usage of the Internet sources and also by ethnographical methods – directly from the participants.

9

Estimation of racing performance of Polish purebred Arabian horses winning title shows

63%

Chmiel K. , Sobczuk D.

Roczniki Naukowe Polskiego Towarzystwa Zootechnicznego

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2010

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tom 06

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nr 1

10

Po co rozkopywać?

63%

Derwich T.

Nowoczesne Budownictwo Inżynieryjne

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2006

|

tom Nr 4

26

11

Glamorous Education as a Phenomenon

51%

Schelkunov M. D.

Dialogue and Universalism

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2014

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nr 3

131-135

EN

The glamorous culture affecting education gives rise to the phenomenon of glamor-ous education (glam-education). The main features of glam-education, concerning its substantial, communicative, valuable, organizational components, are discussed in this article. Glam-education is proved to be a demonstration of the personality’s existential crisis in the postmodern society. A brilliant package of glam-education camouflages the death of original thinking, the necrosis of genuine emotions and the lack of a productive imagination of a person.

12

Kukurydza w Szepietowie

44%

Szyndel B.

Agrochemia

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2003

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nr 11

18-20

13

Towarzystwo Zjednoczonych Ziemianek na północnym Mazowszu (1892–1939)

38%

Mysiakowski M.

Studia Mazowieckie

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2021

|

tom 16

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nr 1

29-54

EN

Established in 1892, the society under the statutory name of ”The Society of the United Landwomen” [Pol. Towarzystwo Zjednoczonych Ziemianek], with its future headquarters in Warsaw, was the fi rst, and therefore the oldest, women’s institution of this type and of such impetus, with a socio-educational, economic and agricultural profi le, on the basis of which subsequent organizations were established, including the fi rst one in Canada, then in England, building their statutes on the Polish model.

PL

Założone w 1892 r. stowarzyszenie pod statutową nazwą Towarzystwo Zjednoczonych Ziemianek z przyszłą siedzibą główną w Warszawie było pierwszą, a zatem najstarszą tego typu i o takim rozmachu organizacją-instytucją kobiecą o profilu społeczno-oświatowo-gospodarczo-rolnym, na podstawie której powstawały kolejne organizacje, w tym pierwsze w Kanadzie, potem w Anglii, budujące swoje statuty na wzorze polskim.

14

Auction and show of Arabians in Janow Podlaski

38%

Polish Food

|

2008

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nr 3

22-23

15

Interdyscyplinarność sztuk projektowych

32%

Gibała-Kapecka B.

inAW Journal – Multidisciplinary Academic magazine

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2021

|

nr 2

173-196

EN

The text takes up the problem of interdisciplinarity of fashion, architecture, exhibition, activities bordering on theatre or multimedia, pointing to the multifaceted relationship between fashion and broadly understood art. It shows that clothing design is a multi-media art.

PL

Tekst podejmuje problem interdyscyplinarności mody, architektury, wystawiennictwa, działań z pogranicza teatru czy multimediów, wskazując na wielopłaszczyznowe związki mody i szeroko pojętej sztuki, pokazuje, że projektowanie ubioru jest sztuką wielomedialną.