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Książki się czyta, a biblioteki zwiedza. Adolf Pawiński i portugalskie księgozbiory

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Bąk M.

nr 8(11) cz.2

97-108

The aim of the article is to present the way in which Adolf Pawiński describes Portuguese libraries he visited. He distinguishes between the “idea of reading” and the “figure of library”.Reading refers to an intertextual dialogue and is essential in recognising and creating the image of Portugal in Pawiński’s book. Library, on the other hand, is regarded only as a place which can be admired.

„Polska Południa”? Wizerunek Portugalii w "Czterech powstaniach" Karola Hoffmana

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Bąk M.

tom 21

100-111

The aim of this article is to analyse the image of Portugal as presented by Karol Hoffman in his book 'Cztery powstania czyli krótki wykład sposobów jakimi dobijały się o niepodległość Grecja, Holandia, Portugalia i Polska' [Four insurrections that is how Greece, Holland, Portugal, and Poland were fighting for their independence] (1837). Hoffman creates an analogy between the situation of Poland in the partition era and the situation of Portugal when it was united with Spain under the Iberian Union (1580-1640). Comparing Polish efforts with the efforts of the representatives of other European nations,Hoffman tries to revealthe causes ofthe defeat of Poles. However, he has also managed to create an interesting image of the Portuguese that influenced the way the Polish readers regarded this nation in the 19th century.

W magicznym świecie utworów Tadeusza Nowaka

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Bąk M.

nr 3

IN THE MAGICAL WORLD OF TADEUSZ NOWAK’S WORKSThe goal of the article is to highlight the links between Tadeusz Nowak’s novel A jak królem, a jak katem będziesz (When You Are a King, When You Are a Hangman), with the trend known as magical realism. Pointing out to the connections with this trend, which is very much alive in the contemporary world literature, allows one to survey the writings of the Polish author from a new, broader perspective. One is able to perceive the whole richness of the author’s prose, where realism and the miraculous seem to grow out of reality and are equivalent to one another. The elements of magical realism distinguished by the authoress (the element of magic in the realistically constructed depicted world, the permeation of two worlds and two separate realities, the refl ection of the magical mentality etc.) are also present in Nowak’s other works, and particularly in his short-stories dating back to different periods, such as Przebudzenia (Awakenings), W puchu alleluja, In the fluff of the hallelujah? or Półbaśnie (Half-Fairy Tales).