Wyniki wyszukiwania - Biblioteka Nauki

1

“The Navigators”. Mediterranean Cities and Urban Spaces in the Passage from Late Antiquity to the Early Middle Ages (ca. 600 – ca. 850 CE)

100%

Zavagno L.

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2022

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tom 13

165-187

EN

The aim of the paper is to reassess urban trajectories in the Mediterranean during the passage from Late Antiquity to the early Middle Ages. This will be done by focusing on the sites of Amorium, Gortyn, Eleutherna, and Comacchio, places which transcend both the terrestrial and maritime, and the political and military frontiers of the Byzantine empire and the Umayyad Caliphate. Archaeology and material culture will be used – in a comparative perspective – to dissect urban bodies in terms of use of space and function of spatial relationship. This is in order to document the construction of urban models, structures, and infrastructures, which, although often stemming from diverse centralized political and administrative policies, nevertheless accommodated common, cross-cultural developments, including the creation of commercial and artisanal facilities, construction or restoration of religious buildings as foci of settlement, and resilience of local elites as a catalyst of patronage and levels of demand. Particular attention will be given to the role of public spaces as the frame of reference. Indeed, such spaces will be used to show how artistic and architectural displays operated, cultural assumptions could be (re-) discussed, and different types of buildings coexisted. In this respect, the paper will also explore the continuous importance of civic infrastructures and religious buildings as pillars of a yet coherent urban fabric, representatives of the power and wealth of local city-oriented elites, and conveyors of political, artistic, and spatial symbolism, as mutually recognized and experienced by the communities frequenting seventh-to-ninth century eastern Mediterranean urban spaces.

2

Metafora ruchu i jej urzeczywistnienie w muzyce przestrzennej XX wieku

100%

Dąbek K.

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nr 4(47)

177-196

EN

The article concerns the issue of experiencing spatial music. While discussing movement and space in music, Bohdan Pociej draws attention to two types of the spatiality of a musical work: the “inner” and “outer” spatiality.The first one comes from the nature of the sound material and the interaction of elements, it stays in the sphere of impressions, metaphors. The second one involves the physical parameters and the actual performance of the piece. The author notes that the works of composers of the 20th century tend to break through from the internal space, transforming it into the external one. The issue of the body as a centre is present in the works of Edmund Husserl, Yi-Fu Tuan, Edward Hall, and others. The metaphor of movement – concerning language and music – has become the subject of cognitive science. In the context of spatial music, the metaphorical level is combined with the physical level. During the performance of a composition, the listener may be have various relations with sound sources but always locates them concerning the location of their own body, which they treat as the centre. The two basic types of outer spatiality – the perspective of the observer and the perspective of the participant – correspond to the types of understanding of the metaphor of movement in music (internal spatiality) proposed by Steve Larson and Mark Johnson.

3

The time and the space of the city

86%

Kantarek A. A.

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tom R. 111, z. 1-A

105--125

EN

How do we understand the life of the city, its time and its space? What requirements do we impose on the space we live in? What does the future mean to us? Today, answers to these questions are marked with a reflection upon the dynamic and scope of changes which affect us and our cities. What is and should remain the same; what changes or should change? Instead of presenting answers and visions, we ought to ask a number of questions which will define probable directions for the evolution of the form of the city. Is Kazimierz Wejchert’s spatial city – a kind of spatial, pedestrian continuum – the answer?

PL

Jak rozumiemy życie miasta, jego czas i przestrzeń? Jakie wymagania stawiamy przestrzeni, w której żyjemy i czym jest dla nas przyszłość? Dziś odpowiedzi na te pytania w sposób szczególny naznaczone są refleksją nad dynamiką i zakresem zmian, jakie dotykają nas i nasze miasta. Co jest i powinno zostać takie samo, a co się zmienia i powinno ulec zmianie? Zamiast odpowiedzi i wizji należy postawić pytania, które określą prawdopodobne kierunki ewolucji formy miasta. Czy odpowiedzią jest miasto przestrzenne Kazimierza Wejcherta, rodzaj przestrzennego, pieszego continuum?

4

Spatiality, Focalization and Temporality in Horror Games

86%

Jancsovics K.

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nr 2

72-85

EN

The horror genre can be found both in books and movies to shock and scare the audience. In digital games, players have to survive, they try to progress while they have to overcome frightening obstacles, otherwise they cannot be successful. The paper analyses three main topics: spatiality (where closed, open and looping spaces are in the centre), focalization (based on G. Genette’s term., We shows how the different angles could contribute to the narrative and what unique methods exist), and temporality (where traumatic experience and looping time is at the focal point, and E. Husserl’s protentions and retention terms will be important as well). We also argue that these games are unusual if we take a look at M. Csíkszentmihályi’s skills-challenges diagram and see if they fit in the flow zone. The paper aims to extend our understanding of horror games.

5

Reanimując neoliberalizm: procesualne geografie neoliberalizacji

71%

Peck J. , Theodore N.

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tom 6

349-365

EN

The article is a direct response to the previous voices in the debatededicated to historicity of the neoliberal state. Facing with Loïc Wacquant’s andMathieu Hilgers’ contributions, the authors try to complement them with the oftenneglected dimension of spatiality. This procedure allows one to treat neoliberalisation,distinguished from the more static and above all discursive concept of neoliberalism,as a variegated and context-dependent process. The concept of “reanimation” ofneoliberalism serves here to capture its mobile character and different varietiesconceptualized in opposition to the unified vision of inevitable project of neoliberalrestructuring. It is grounded in the methodological via media that leads us “betweenparadigmatic truth spots on the one hand, and spaces of exception on the other,towards an understanding of the complex spatiality of actually existing neoliberalismand its co-evolution with neoliberal doctrines”.

PL

Artykuł stanowi bezpośrednią odpowiedź na wcześniejsze głosy w debacie na temat historyczności państwa neoliberalnego. Mierząc się z propozycjami Loïca Wacquanta i Mathieu Hilgersa, autorzy uzupełniają je o lekceważony, nie tylko w tym przypadku, wymiar przestrzenności. Zabieg ten pozwala na traktowanie neoliberalizacji, odróżnionej od bardziej statycznego i nade wszystko dyskursywnego konceptu neoliberalizmu, jako wielobarwnego i uzależnionego od kontekstu (społecznego, geograficznego, politycznego itp.) procesu. Proponowana tu „reanimacja” neoliberalizmu ma na uwadze uchwycenie go w ruchu i w zróżnicowanych odmianach, w przeciwieństwie do ujednoliconej wizji nieuchronnie jednokierunkowego (i prowadzącego do wycofania państwa) projektu neoliberalnej restrukturyzacji. Ogląd tak niejednoznacznej rzeczywistości umożliwia, zdaniem autorów, metodologiczna droga pośrednia, która wiedzie ich „pomiędzy paradygmatycznymi miejscami prawdy [truth spots] oraz przestrzeniami wyjątku, w kierunku zrozumienia złożonej przestrzenności faktycznie istniejącego neoliberalizmu oraz jego koewolucji z doktrynami neoliberalnymi”.

6

ФІЛОСОФСЬКІ ЗАСАДИ РИТМІКИ ЕМІЛЯ ЖАК-ДАЛЬКРОЗА

58%

Ключко В.

Педагогічні науки: теорія, історія, інноваційні технології

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2015

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nr 9(53)

252-259

EN

The article reveals the philosophical foundations of the system of rhythmic education of Emile Jacques-Dalcroze, in its context the universal philosophical categories of "movement", "time" and "space" as fine motor skills, temporality and spatiality are concretized. The fundamental philosophical concept of rhythmic, which is a category of corporality that defines the sensual nature of human existence, is defined. The origins of rhythmic in ancient philosophical thought, in particular in the works of Plato, who outlined the epistemological and hedonic potential of human movement, through which he/she perceives the rhythm and harmony of the universe are found. The main aspects that bring together the thoughts and activities of Dalcroze with the ideals of the ancient Greeks are highlighted: musical-rhythmic activity in the group which is similar to the functioning of the choir in ancient Greek tragedy; its main goal is a balanced and harmonious development of man, his aesthetic and physical education; a gesture and a plastic movement are the means of expression, when the expressive value of dance in the ancient tragedy, inextricably connected to the music and poetry of a single rhythm, is similar to rhythm-plastic of Dalcroze. The consonance of ideas of the teacher-musician Dalcroze and philosopher M. Merleau-Ponty on the need to establish communication between mind (imagination, emotions, soul) and matter (body, feelings, action) are identified. The influence of praxeology, aesthetics and philosophy of art education on the theoretical justification of rhythm as an effective means of harmonization of the personality through the music-motional activities was found out. It is proposed to shift the focus from the aesthetic and intellectual perception of music on procedural. In order to justify ideas of Dalcroze in the native discourse the ideas Valeriy Kosiak about philosophical interpretation of man and his physicality in various forms of culture are highlighted. Special attention deserves the scientist’s interpretation of rhythm as rhythm-plastic and definition of dance by the language in which a sense of life as an incarnated rhythm is expressed.

7

Futuryści z MZO. Organizowanie się Ministerstwa Ziem Odzyskanych w czasie i przestrzeni

58%

Ćwiek-Rogalska K. , Mrzygłód I.

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tom 46

PL

Do zadań Ministerstwa Ziem Odzyskanych, istniejącego w latach 1945–1949, należało planowanie zagospodarowania dawnych terenów niemieckich wcielonych w powojenne granice Polski. W naszym artykule poddajemy krytycznej lekturze dokumenty Ministerstwa, dotyczące zarówno organizacji przestrzennej osadnictwa na „Ziemiach Odzyskanych” – akty normatywne oraz sprawozdania Departamentu Osiedleńczego – jak i starań o pozyskanie budynku na siedzibę instytucji w Warszawie. Przyglądamy się, jak Ministerstwo lokowało się w przestrzeni stolicy i czytamy to jako odzwierciedlenie procesu zagospodarowywania „Ziem Odzyskanych”. Celem tekstu jest podjęcie gry intelektualnej, polegającej na odczytaniu kształtowania się porządku prawno-administracyjnego terenów poniemieckich jako strategii projektowania nowej rzeczywistości społeczno-politycznej w kluczu myślenia sciencefictionalnego. Dzięki użyciu takiej kategorii wydobywamy splątane czasowości projektu „Ziem Odzyskanych” i samego Ministerstwa oraz skalę konstruktywizmu społecznego i politycznego powojennej epoki przejściowej.

EN

Among the tasks of the Ministry of the Recovered Territories, which existed in the years 1945–1949, was planning the development of former German territories incorporated into the post-war borders of Poland. In our article, we critically read the documents of the Ministry, concerning both the spatial organisation of settlement in the Recovered Territories – normative documents and reports of the Department for Settlement, as well as the efforts to acquire a building for the headquarters of the Ministry in Warsaw. We look at how the Ministry located itself in the space of Warsaw and we read this as a reflection of the process of the settlement in the Recovered Territories. We propose an intellectual game of reading how the legal and administrative order of formerly German territories was created and we show it as a strategy for designing a new socio-political reality in vein of science fiction thinking. By using such a category, we bring out the entangled temporalities of the project of the “Recovered Territories” and the Ministry itself, as well as the scale of social and political constructivism of the post-war transition period.