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MEGA-WRAŻENIE, GIGA-PROMOCJE CZY MEGA-KIEPSKI FILM, CZYLI O JEDNYM ZE WSPÓŁCZESNYCH, NIEKONIECZNIE MŁODZIEŻOWYCH, SPOSOBÓW INTENSYFIKACJI CECHY

100%

Izert M.

Acta Neophilologica

2014

tom XVI/1

41-51

The article presents an analysis of new intensifiers mega- and giga- and words prefixed by them in contemporary colloquial Polish. The author tried to describe the morphologic behaviour of these prefixes, their semantic value and syntax. Focus was put mainly on determining the semantic value of those new intensifiers and their current usage in Polish. It appears that although current dictionaries of Polish language do not even mention the colloquial usage of mega- and giga-, those prefixes are commonly used in spoken and written language, not only by teenagers, but also by adults, including journalists and advertising copywriters.

Le préfixe maxi- et sa diffusion actuelle dans le français courant

88%

Izert M.

Studia Linguistica

2013

nr 32

101 - 115

The article presents an analysis of words prefixed with maxi- in contemporary French. We tried to describe the morphologic behaviour of this prefix and its semantic value, where it works as a feature intensifier. Focus was put on the productivity and vitality of the prefix. The maxi- prefix appeared in French in the 70s. It entered the language through fashion clothing. Then its use spread widely, mainly thanks to advertising. Currently it appears in several fields other than fashion, including description of cosmetics, household appliances, transportation and tourism. It can be found in the naming of companies, products, website addresses, etc. It is also used by many French in everyday language, e.g. in internet blogs. Dictionaries give only a few examples of its use, mainly in the language of fashion, which does not cover all possible potential combinations of maxi-, mainly with nouns and adjectives.

Intertextual relations and axiology: verse structures as vehicles of axiological values in poetry

75%

Dobrzyńska T.

Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

2012

tom 73

nr 4

299-311

The author discusses the problem of the semantic value of verse structure and its importance for the interpretation of poetry. Various metrical forms acquire their stylistic distinctness and profile, and become elements of the semiotic system of a given culture. Intertextual allusions to these metrical forms are to be treated as vehicles of meaning and are very important for the interpretation of a text. It is argued that these allusions can also introduce axiological values. Two examples of such semiotic operations are analyzed. The first of these (the poem Why?, by Czesław Miłosz) illustrates the mechanism of strengthening the solemnity and authority of the uttered words, the mechanism of dignifying them, endowing them with a status of unquestionable revelations of truth. The second example (the poem Mona Lisa, by Zbigniew Herbert) serves as a presentation of the ways in which reliable speech can be restored and the object of an utterance degraded. The poet makes allusions to the specific form of the free verse characteristic for the style of Stanisław Różewicz’s post-war poetry, which imitates a very simple and sincere way of speaking. Its stylistic value is applied as an exponent of the authenticity and reliability of the speaking subject.