Wyniki wyszukiwania - Biblioteka Nauki

1

“El vent lluita per ésser flor”. La idea de la metamorfosi en la poesia de Joan Brossa i Federico García Lorca

100%

Kurek M. , Ziarkowska J.

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nr 3

49-60

EN

In the studies on poetry by Joan Brossa, his literary inspirations from the French tradition are indicated, but his connection with Spanish-language literature is almost nonexistent. The purpose of this article is to present Brossa’s testimonies about his Federico García Lorca readings and to compare his “Sonet del pur estrèpit” (1949) with Lorca’s “Muerte” (1931). Both poems show textual and conceptual similarities and share the theme of metamorphosis, so we propose their analysis to look for possible inspirations in different philosophical and aesthetic traditions (surrealism, Ovid, Darwin, Zen Buddhism).

2

Juegos de identidad: Ejemplos de metamorfosis en los cuentos de Silvina Ocampo

83%

Poláková D.

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nr Special Issue

109-116

EN

One of the key themes in Silvina Ocampo’s short stories is identity, understood as something that is s constantly being formed, that is changing, that is not necessarily stable. The most radical change in identity is metamorphosis. In the article we duscuss different types of transformation that the characters undergo (into plants, animals, another human being or even an inanimate object) and its meaning. The metamorphosis in Ocampo’s texts is not always unwanted; it can also be a path to freedom.

3

Becks Konzept der Metamorphose und Flecks Denkstil. Überlegungen zu ihrer Verschränkung

83%

Szurawitzki M.

|

2019

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nr 12

235-258

EN

In this paper, an interweaving of the concepts of metamorphosis, developed by Ulrich Beck, and the scientific thinking style of Ludwik Fleck is suggested. Due to our own relevant preliminary work, it seems obvious to bring these two concepts together for the purpose of a theoretical connection useful for linguistics, especially for discourse linguistics. After a short introduction (1) and a review of the state of research on Fleck’s theory of cognition (2), the core term “metamorphosis” is semantically determined (3), and comments are made on the relevance of the concept. This is followed by an analysis of Beck’s The Metamorphosis of the World, which focuses on the concept of metamorphosis as he sees it (4). Here, the linguistic relevance of the concept is emphasized, which Beck mentions explicitly. This is followed by a section on Ludwik Fleck’s Genesis and Development of a Scientific Fact (5.). Here, comments are made on Fleck’s thinking style and on the thinking collective. On this basis, the synthesis of Beck’s and Fleck’s ideas is sought (6.), a directed perception with a view to social metamorphoses. This can best be done linguistically using the discourse-linguistic multi-layer analysis (DIMEAN), as proposed by Spitzmüller/Warnke. DIMEAN is presented accordingly, and subsequently modified for the analysis of linguistic manifestations of metamorphosis (6.1). Using the example of various linguistic metamorphosis phenomena from the discourse around the German federal elections of 2017–2018, the applicability of the combination of Beck’s and Fleck’s ideas is then tested (6.2). The article concludes with a summary and perspectives for further research (7).

4

Novelty of Artistic Forms in Contemporary Lithuanian Architecture

71%

Černauskienė A.

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nr 1

6-13

EN

The article presents an analysis of the concept of novelty of artistic forms and its visual expressions in contemporary Lithuanian architecture. It is stated that the novelty is virtually manifested through utopian visions of the new world and their metamorphoses, and is made relevant by the method of experiment. Based on examples of Western European architectural utopias and experiments, the article suggests the formulated indicators of novelty, which are reflected in artistic forms of contemporary Lithuanian architecture. The aim of the research is to reveal the concept of novelty linking it with transformation and utopia, and illustrating it with the objects of contemporary Lithuanian architecture.

5

El motivo de la transformación en el cuento Axolotl de Julio Cortázar

59%

Wendorff A.

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nr 11

137-149

PL

Celem artykułu jest krótkie omówienie problemu obecności alter ego i procesów metamorfozy w literaturze latynoamerykańskiej. Punktem wyjścia dla prezentowanych rozważań jest opowiadanie Julio Cortázara Aksolotl. Historia stanowi pretekst ukazania różnych interpretacji, które przekazuje nam Cortázar w odniesieniu do mitu i problemu przemiany, transformacji. Ponieważ nie zawsze jesteśmy uczciwi wobec siebie, wyrazem i miarą naszych myśli może stać się nasze drugie ja, nasz nierzeczywisty sobowtór. Pisarz odwołuje się do różnorodnych relacji egzystencjalnych, w których poszukujemy codziennie potwierdzenia i stałości, poczucia rzeczywistości, pozostając jednak w nieustannym konflikcie ze światem pogrążonym w antagonistycznej relacji między tym, co realne, i tym, co nierzeczywiste. Ten dualizm jest wieloznaczącą metaforą, poprzez którą Cortázar przywołuje m.in. Thomasa Manna czy Franza Kafkę. Aksolotl stanie się zatem pretekstem analizy i punktem wyjścia do refleksji na temat metafory transformacji ukazywanej w literaturze pięknej.

EN

This paper aims to briefly tackle the issue of the alter ego and the metamorphosis in Latin American literature. For this reason, we shall take the story by Julio Cortázar entitled Axolotl as a reference point and evaluate the various interpretations of the myth and transformation in Cortázar’s work. Since we are not the very expression and measure of our thoughts (e.g. Julio Cortázar), our other self is always among us. The various existential relationships that we establish daily to confirm that we live our lives fulfilled by certainty and conviction, and that – staying in a permanent conflict with the world engulfed in an antagonistic relationship between the real and the unreal – they are a potent metaphor through which Cortázar evoques Thomas Mann or Franz Kafka, among others. Thus, the axolotl shall not be the only reason to analyze the story. We shall also see how this metaphor is rendered in literature.

6

Travelling in Time and Space: Alice’s Adventures in Wonderland by Lewis Carroll and In Wonderland by Sylwia Chutnik

59%

Włodarczyk A.

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nr 12

83-100

EN

The paper offers a reading of Lewis Carroll’s Alice’s Adventures in Wonderland and Sylwia Chutnik’s collection of short stories W krainie czarów [In wonderland], addressing the protagonists’ journey into self. Chutnik’s stories are interpreted in terms of some key motifs drawn from a reading of Carroll’s novel, which constitute the touch points of the two authorial designs: dream, imagination, metamorphosis, change, language, auto-thematicity, the demiurgic role of the narrator, and an open ending. Juxtaposed, these concepts shed light on the problem of travelling in time and space understood as a return to the world of childhood imagination. The analysis of Chutnik’s eleven short stories reveals a literary creation of signifying space, in particular the images of Warsaw and Silesia as sites appropriated by history as well as by the protagonists. In every case (be it cities, people’s experiences or post-traumatic stories), an attempted interpretation of particular places and times is shown as a process of discovering the mythology of space – a return to a personal Wonderland. The reflections are brought together by referring to the problem of “bad memory”, a literary means of presenting the reader with alternative testimonies of postmemory.

7

The effect of the juvenile hormone analog, fenoxycarb, on ecdysone receptor B1 expression in the midgut of Bombyx mori during larval-pupal metamorphosis

59%

Goncu E. , Parlak O.

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nr 1

8

Swarm–Hybrid–Technology: The Transmedial Possibilities of Becoming-Insect

59%

Piekutowski P. F.

Zoophilologica. Polish Journal of Animal Studies

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2023

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nr 1 (11)

1-21

RU

Согласно Рози Брайдотти, существование насекомых определяется понятиями «промежуточность» и постоянное «становление». В статье постоянное изменение внешнего вида насекомых в зависимости от условий существования анализируется на двух уровнях, то есть технологии, не связанной с человеком, и повествования в рассказах о метаморфозах, использующего элементы, нарушающие законы природы. Вслед за исследованиями Юсси Парикки в области медиаархеологии становление-насекомым анализируется на трансмедихных примерах из области литературы (Франц Кафка – Превращение), кино (Дэвид Кроненберг – Муха), видеоигр и виртуальной реальности (All in! Games – Metamorphosis) и сетевых СМИ. Исследование точек зрения, не принадлежащих человеку, и остранение в повествовании, согласно Яну Альберу, приводит к трансформации когнитивных рамок. Радикально Иные насекомые выходят за пределы антропоцентрической парадигмы и в гибридном сочетании с людьми и машинами реализуют постгуманистические прогнозы.

PL

Zgodnie ze słowami Rosi Braidotti owady determinuje ich bycie po-między i ciągłe stawanie się. W artykule asamblaż owadzich figuracji analizowany jest na dwóch poziomach: nie-ludzkiej technologii oraz nienaturalnej narracji w opowieściach o metamorfozie. Podążając za badaniami z obszaru archeologii mediów Jussi Parikki, stawanie-się-owadem analizowane jest na transmedialnych przykładach z obszarów literatury (Franz Kafka – Przemiana), filmu (David Cronenberg – Mucha), gier wideo i VR (All in! Games – Metamorphosis) oraz mediów usieciowanych. Eksploracja pozaludzkich perspektyw i defamiliaryzacja w narracjach według Jana Albera prowadzi do transformacji ram kognitywnych. Radykalnie Inne owady okazują się przekraczać antropocentryczny paradygmat i w hybrydycznym połączeniu z człowiekiem i maszynami urzeczywistniają posthumanistyczne założenia.

EN

According to Rosi Braidotti, insects are determined by their in-between-ness and continuous becoming. The paper analyses the assemblage of insect figurations on two levels: non-human technology and unnatural narrative in stories about a transformation. Following Jussi Parikka’s media archaeology research, becoming-insect is examined on transmedial examples from literature (Franz Kafka-The Metamorphosis), film (David Cronenberg-The Fly), video games and VR (All in! Games-Metamorphosis) and networked media. According to Jan Alber, exploration beyond human stances and defamiliarization in narrative fiction leads to the shift of cognitive frameworks. Radically Other insects transgress the anthropocentric paradigm and execute posthuman assumptions by a hybrid entanglement with humans and machines.

9

Bodźce do przemian w krajobrazie miejskim

59%

Milanowska A.

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tom Nr 4

54--56

PL

W ciągu nadchodzącej dekady inwestycje w infrastrukturę i urbanizację spowodują, że forma i funkcjonowanie miast zmienią się radykalnie. Konceptualizacja metamorfozy miejskiej może przebiegać na wielu płaszczyznach: od żywiołu (pojedynczy budynek lub drzewo) do układu (ulica, droga lub kolej) po całą dzielnicę lub okolicę.

10

Tertiary and Cretaceous faulting in a Proterozoic metamorphic terrain, SE Wedel Jarlsberg Land, Spitsbergen

59%

Birkenmajer K.

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nr 3

11

Telewizyjne Opowieści Transformacyjne – między misją a rozrywką. Analiza retoryczna przekazu gatunku makeover show

48%

Siwek J.

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tom 2

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nr 3

16-29

PL

Artykuł porusza problematykę programów telewizyjnych, których fabuła oparta jest na motywie szybkiej, radykalnej i widowiskowej przemiany bohatera. Wpisuje się on w nurt badań nad retoryką medialną, z perspektywy rhetorical criticism. Celem tekstu jest ustalenie funkcji społecznych jakie pełnią analizowane programy, poznanie metod jakimi oddziałują na publiczność oraz przewidzenie możliwych konsekwencji tego oddziaływania. Praca ma na celu pokazanie, jak samo medium (stacja telewizyjna/twórcy programu) wpływa na naturę przekazu. Tekst opiera się na wynikach badania zrealizowanego metodą jakościowej analizy treści trzech programów telewizyjnych: Kuchenne Rewolucje, Nasz Nowy Dom oraz Fat Killers. Zabójcy tłuszczu.

EN

The subject of the dissertation are television programs with a plot based on a quick, radical and spectacular transformation of the main character. The article fi ts into the current research on media rhetoric from the perspective of rhetorical criticism. The analysis aims to determine social functions of this genre, to recognize its infl uence on the audience, and to foresee its possible consequences. The work aims to show how the same medium (TV station / producer) affects the nature of the transferred message. The work was based on research carried out with the use of a content qualitative analysis of three television programs: Kuchenne Rewolucje, Nasz Nowy Dom and Fat Killers. Zabójcy tłuszczu.

12

Ćwiczenie umysłu. O dwóch trawelogach Kazimiery Alberti

48%

Sławek T.

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nr 1

13-38

IT

Ci sono due modi per stabilire la relazione con lo spazio. Uno è in parte generale e in parte idiosincratico ed è la maniera in cui il passato si manifesta nel presente dell’individuo. L’altro, è una connessione molto profonda e intima con il luogo nel quale è possibile stabilire tale relazione ovvero quando iniziamo a sentirci legati ad un dato spazio, cioè quando le linee storiche ed estetiche di connessione si dimostrano inadeguate.L’anima della Calabria (1950) e Segreti di Puglia (1951), due travelogues appartenenti alla serie Italia celebre e sconosciuta, esplorano due regioni totalmente diverse dell’Italia indagando la percezione del paesaggio, la storia e la mitologia radicate in questi luoghi e le varie pratiche della vita quotidiana che si sono sviluppate nel corso dei secoli. Così, la regione diventa più di una serie di luoghi interessanti e monumenti storici che i baedeker esaltano e pubblicizzano per i turisti. Invece, in questo caso, ci occupiamo della decostruzione di tali prodotti culturali già pronti e, facendo un “esercizio mentale”, non solo transiteremo ma saremo anche situati in luoghi che rivelano il loro carattere provvisorio, metamorfico e la loro incompiutezza, diventando così una sfida al nostro senso morale. Ne deriva che, esercitando memoria e mente, trasformiamo l’allenamento di quest’ultimi in allenamento morale e sociale.

EN

There are two modes of establishing a relationship with space. One is, partly general and partly idiosyncratic, manner in which the past makes itself manifest in the present of the life of the human individual. The other is a most profound and intimate connection with a place which is possible when we begin to feel situated in a given space, i.e. when standard historical and aesthetic lines of connecting prove inadequate.L’anima della Calabria (1950) and Segreti di Puglia (1951), two travelogues in a series of Italia celebre e sconosciuta, explore the two distinctly different regions of Italy investigating the perception of landscape, its rootedness in history and mythology as well as various practices of everyday life they have generated over centuries. Thus, the region becomes more than a series of interesting sights and historical monuments baedekers record and advertise for tourists. Instead, we deal with deconstruction of such ready-made cultural products and, in the effort of “mental exercise”, we not only transit through but are also situated in places which reveal their provisional, metamorphic character, their unfinishedness, becoming thus a challenge to our moral sense. Hence, exercising memory and mind, allenamento della memoria e della mente morphs into allenamento morale e sociale.

13

Ikonograficzne metamorfozy „złotych” mitów w malarstwie europejskim od piętnastego do siedemnastego wieku

48%

Kościan K.

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tom 17

|

nr 2

243-260

EN

In this paper we analysed the Greek myths exclusively in terms of presence of the motifs of gold, both as the main narrative thread, and as an attribute of the selected characters. Firstly, we found the sources of inspiration for the painters, which came not only from the ancient literary tradition, but most of all from the modern encyclopaedic sources, as well as compendiums of symbols and hieroglyphs. Secondly, we analysed several selected paintings of Italian, French and Dutch masters ranging from fifteenth to seventeenth century for gold as a symbol of the hybris, victory and desire. Finally, we answered to the question of what the diversity of gold symbolism consisted. The gold ant its colour is therefore the essence of considerations, not only because of the gold’s status in the old culture, but also because of the metamorphosis of its symbolic meanings in modern Europe.

FR

Dans cet article nous avons sélectionné et analysé les mythes grecs en rapport avec le motif de l’or, qu’il apparaisse comme objet principal de la narration ou comme attribut des personnages. Tout d’abord, nous avons identifié les sources littéraires anciennes avant de faire état de l’iconologie développée dans l’Europe moderne en nous appuyant sur la littérature encyclopédique, les recueils de symboles et d’hiéroglyphes. Ensuite, nous nous sommes concentrées sur quelques œuvres picturales de maîtres italiens, français et flamands des XVe et XVIIe siècles dans lesquelles l’or figure comme symbole d’hybris, de victoire et de désir. Enfin, nous avons essayé de répondre à la question de la symbolique de l’or. L’or et sa couleur sont ainsi au centre de nos réflexions non seulement en raison du statut de ce métal dans la culture antique, mais aussi en raison de la métamorphose de ses significations symboliques dans l’Europe moderne.

14

Image féminine difforme – entre superstitions et réalité. À propos des images rendues monstres à travers l’iconographie médiévale

48%

Migdał A. M.

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tom 5

|

nr 2

9-45

EN

The plentiful literature and the iconography devoted to the subject of incredible creatures, known form Antiquity, widespread during the Middle Ages and up to the modern period, often refer to a female human being transformed into, based on different interpretations, a creature with animalistic characteristics recognized as “monster”. In this context the disposition to “re-present”, resulting from the ability to create new images inspired by the unusual, is closely related to the indirect thought process of which imagination, as an intermediary between the sensual experience and the image projected by mind, is an intrinsic element. In consequence the dissimilarity results in distortion of the image, including the depictions which stigmatize the image of a woman, which alienate this image through mystifying reality – in particular, the nature of the phenomenon, un-investigated, obscured or hidden, in medieval society, pathological conditions.

15

FMRFamide-related peptides regulate the prothoracic gland activity

48%

Yamanaka N. , Zitnan D. , Hua Y.-J. , Mizoguchi A. , Tanaka Y. , Kataoka H.

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nr 3

147-152

16

Pathogenic effects of Fusarium sulphureum, Fusarium solani Var. coeruleum and dry rot affected potatoes on the internal organs of rats

48%

Rotkiewicz T. , Szarek J. , Tarkowian S.

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nr 1

17

The Gender Metamorphosis of Narcissus. Salvador Dalí: Metamorphosis of Narcissus

42%

Kalnická Z.

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nr 2(41)

51-76

EN

This contribution is devoted to an interpretation of the artwork, from a gender point of view, Metamorphosis of Narcissus by Salvador Dalí. Dalí’s painting is compared with the Narcissus stories to be found in antiquity, particularly in Ovid’s Metamorphoses, with his stress on the beauty of a young boy, and the commensurate concepts of seeing and mirroring. The gender associations of narcissism and their changes are well-documented in the history of art (Caravaggio, Edward Burne-Jones) and in different concepts of narcissism (Sigmund Freud, Gaston Bachelard, Lou Andreas-Salomé, Julia Kristeva). The author focuses on the gender aspects of surrealism, keying in especially to the concept of Anima and Animus (Carl Gustav Jung). Dalí’s work is analyzed in terms of associating Narcissus not merely with seeing and mirroring but also with touching and metamorphosis, emphasizing his remarkable skill at transgressing gender divisions in his visionary leap towards androgyny.

18

Scenariusz filmowy jako inspiracja

30%

Hendrykowski M.

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nr 23

211-218

EN

Screenplay is a multifunctional project written by screenwriter or screenwriters for preparing next phases of film production. Changing and many times transformed forms of screenplay belong to the nature of screenwriting. Literary vision of film changes several times being result of synergy and typical work in progress: from general idea and high concept, through story, treatment, scalette, first draft and certain number of drafts, to final draft, director’s draft and shooting script. Marek Hendrykowski’s study describes and explains these terms as forms of literary film creation in three complementary aspects: creative re-vision, rewriting and remodeling.

PL

Screenplay is a multifunctional project written by screenwriter or screenwriters for preparing next phases of film production. Changing and many times transformed forms of screenplay belong to the nature of screenwriting. Literary vision of film changes several times being result of synergy and typical work in progress: from general idea and high concept, through story, treatment, scalette, first draft and certain number of drafts, to final draft, director’s draft and shooting script. Marek Hendrykowski’s study describes and explains these terms as forms of literary film creation in three complementary aspects: creative re-vision, rewriting and remodeling.