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tom 15 (25)
101-118
EN
In the article the author analyses three kinds of descriptions created during Polish language classes in forms 4–6 — description of an object, of a human figure and of a landscape. She explores the structure of the pupils’ texts, taking into account, first of all, the order of description elements and the level of detail. Her analysis demonstrates that achieving the right level of detail is difficult for pupils and depends to a large extent on how instructions are formulated and whether the pupils can see they object they are describing. When it comes to the order of description elements, the most frequently used arrangement is hierarchical, complemented by an arrangement best suited to the ob­ject being described, e.g. vertical for a description of a human figure or horizontal for a description of a landscape. The author’s research confirms that the ability to create such texts require practice and in-depth analysis of one’s surroundings.
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nr 2
137-150
EN
The following article is a linguistic analysis of the nominalization of the second person of the Holy Trinity. It shows the linguistic metamorphoses of addressing Christ by the means of description. In the Carmelites’ manuscripts there are multitude of descriptions, both singular and multicomponent, metaphorical. Therefore, to reveal their variety and multicipity at least partially, they have been divided into five categories: single-word nouns, two-word defined descriptions in three patterns: noun + pronoun, noun + noun, noun + adjective, and multicomponent metaphorical descriptions. The article shows the changeability of addressing Christ in individual texts from the 17th-century Carmelites’ manuscripts, with the emphasis on the subject-matter they deal with (from Christmas texts to Lent ones).
Logopedia
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2018
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tom 47 EN
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nr 1
99-114
EN
The paper presents difficulties in linguistic communication in Alzheimer’s patients (in the moderate stage dementia) on the basis of empirical studies concerning description as a form of spoken utterance, conducted in a 60-person group as part of the research project ‘Narrative and Its Disorders in the Course of Alzheimer’s Disease. The Scale of Narrative Skills as a Diagnostic Technique in Alzheimer’s Dementia’ (project manager: Dr Aneta Domagała; the 39th Competition of Ministry of Science and Higher Education for research projects NN104 155339). In relation to the findings presented in the comprehensive monograph on the problems of narrative (Domagała, 2015), the present paper compares the abilities of patients with regard to different kinds of description (of persons, interiors, situations) from the angle of the macro- and superstructure of text. From the superstructural perspective the greatest difficulties were shown in the case of describing a place. At the same time, when describing a place, the subjects had lesser difficulties with indicating the theme of an utterance and making generalizations than in the case of descriptions of persons and descriptions of situations.
4
Content available remote K vyšebrodskému rukopisu Zlaté legendy
100%
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nr 1
389-394
EN
This article focuses on a manuscript of the collection of legends called Legenda aurea coming from the monastery in Vyšší Brod. The manuscript dating from the second half of the 14th century was not finished; the record was interrupted in the middle of the legend of St. Vitus. As the contents of the codex is written at the beginning of the codex, the scribe intended evidently to copy the so-called normal corpus of the Legenda aurea, without other legends.
EN
In the present study the author undertakes an exemplification of Angelika Corbineau-Hoffman’s theses concerning the parallelism between certain object descriptions and the evolution of the process of involuntary memory in Marcel Proust’s work. The author reminds of Corbineau-Hoffman’s commentaries regarding the state of fugit irreparabile tempus triggered by Proust’s description of the church of St. Hilaire and develops a parallel analysis of Thomas Mann’s description of the Buddenbrooks house towards the end of his novel. The conclusion underlines the analogy between the manners in which Proust and Thomas Mann use description as a temporal device.
6
Content available Case study (studium przypadku)
89%
EN
The article discusses case study with a focus on the history of the term and its transdisciplinary application, from medicine and sociology, through law, psychiatry, psychology, sexology, and literary studies. The author discusses the differences between case study as a genre (Brigit Lang, Joy Damousi, Alison Lewis, Yiannis Gabriel) and case study as a research strategy (Bent Flyvbjerg, Gerring John, Ryszard Nycz), which has been recently also employed in literary studies. Determining the scope and features of case study is accompanied by an analysis of description as a key tool in formulating “the story of the case.”
PL
Artykuł stanowi opracowanie hasła case study (studium przypadku) ze zwróceniem uwagi na historię terminu i jego transdyscyplinarne zastosowanie: wychodząc od medycyny i socjologii, przez prawo, psychiatrię, psychologię i seksuologię, kończąc na literaturoznawstwie. Autorka stara się zarysować rozróżnienie między studium przypadku jako formą gatunkową (Brigit Lang, Joy Damousi, Alison Lewis, Yiannis Gabriel) a studium przypadku jako strategią badawczą (Bent Flyvbjerg, Gerring John, Ryszard Nycz) – stosowaną od niedawna także w literaturoznawstwie. Wyznaczaniu zakresu oraz cech case study towarzyszy analiza opisu jako kluczowego narzędzia wspierającego przebieg „opowieści o przypadku”.
EN
The article tries to show the relationship between the stages of the speech therapy procedure (Grabias, 2012) and the stages of the total quality management. To illustrate such a correlation, the article contains an original research which describes the ortophonic competence of Polish students in primary education (7–13 year-olds) and lower secondary education (13–16 year-olds). The research made use of the Pareto analysis with the Lorenz curve, which is considered the basic instrument in the quality management process. It included 277 students and three main study categories: speech disorders, articulatory errors, and speech emission and accent errors. The results of the research indicated that the use of the quality management methods within the standard speech therapy procedure is indeed helpful for its proper planning, execution, and evaluation.
EN
This paper analyses the consistency of a set of MPEG-7 low level audio descriptors when the input audio stream has previously been compressed with a lossy compression algorithm. The analysis results show that lossy compression has a detrimental effect on the integrity of practical search and retrieval schemes that utilize the low level audio descriptors. Methods are then proposed to reduce the detrimental effects of compression in searching schemes. These proposed methods include improved searches, switched adaptive scalar and vector prediction, and other prediction schemes based on machine learning principles. Of the proposed schemes the results indicate that searching which incorporates previous and future frames combined with machine learning based prediction best nullifies the effects of compression. However, future scope is identified to further improve the reliability of the MPEG-7 audio descriptors in practical search environments.
9
88%
EN
The paper demonstrates new approach of rendering the graph point series called gantts. The gantts are placed in the two dimensional graph which contains the information about available production sources in the Real manufacturing process. The gantt is defined as one dimensional coloured dash which has unique position. To have the interaction with a user, gantts are accompanied with the description text giving detailed information about each gantt. All gantt descriptions must be displayed without overlapping with each other. To optimize this task, the modified version of the RBF neural network with biases is applied. With respect to the similarity to the RBF structure, the new type of neural network is named RBF 2. We also give the picture of positive and negative attributes of the solution based on the neural network architecture.
EN
This paper gives a description of the head shield of Alona protzi, a rare species of Cladocera (water fleas) whose separated head shield has not yet been described in detail. Subfossil head shields of A. protzi were found in sediment cores taken from lakes in Denmark, Sweden, Finland, Estonia and Poland. Despite the rarity of the species this suggests a wide distribution of A. protzi in northern Europe. The ecology of A. protzi is poorly known. The environmental spectrum of the finding sites was wide and ranged from relatively nutrient poor clear water lakes to eutrophic turbid water lakes, indicating that A. protzi is not narrowly restricted. Most of the lakes were, however, meso-eutrophic with neutral to high pH, and with a relatively low abundance of submerged macrophytes. However, we cannot exclude the possibility that A. protzi mainly lives in groundwater and is only occasionally transported into lakes.
11
Content available Poetyka zaniku. Projekt lektury
88%
EN
This article is a proposal for introducing into the theoretical reflection on literature the category of “poetics of vanishing” and a reflection on potential possibilities of its application in reading the 20th century literature. The promoted term is connected, on the one hand, with the hermeneutics of trace (in post-Derridian understanding) and, on the other hand, with the geography of senses, as it concerns the ways of textual descriptions of vanishing processes of sensual sensations, receding images, obliterating signs, softening sounds etc. The article analyzes the points of narrative observation and the figure of vanishing being components of melancholic poetics of description, whereas the material read in this way were texts of Andrzej Kuśniewicz, Andrzej Stasiuk and Wisława Szymborska.
EN
The aim of the article is the attempt to read anewZbigniew Herbert’s poems. The commonly accepted interpretations in Polish literary discourse place them in the context of realistic paradigm. Meanwhile the model of cognition in the poet’s works is not so clear. It is possible to understand it in the constructivist way, taking into consideration Herberts own view that cognition has always active, dynamic, sensual and linguistic character. Ttherefore, it may be perceived as the correlate of languaging/linguistic behaviour of H. Maturana and E. von Glasersfeld.
PL
The article focuses on the issue of describing a work of art in an essay. The paper presents ekphrasis and underlines the efficiency of an inter-artistic analysis in studying the phenomenon of ekphrasis. An interpretation offragments of Zagajewski’s and Pollakówna’s essays starts with presenting two works of art, The Music Lesson and Girl Interrupted at Her Music by Vermeer, from the perspective of art history. It is followed by a discussion of the verbal accounts of the paintings by Zagajewski and Pollakówna. Their contents and poetics are examined with special emphasis placed on the nature of the suggested description as it may focus on either the subject or the viewer, the representation itself or its connotations. Accordingly, it is suggested that the corresponding modes of ekphrasis should be labelled ‘denotational’ and ‘connotational’. In his description, Zagajewski resorts to an example of connotational ekphrasis whereas Pollakówna’s textual relation is a fine example of mixing the denotational and connotational facets of ekphrasis. The article presents specifi realizations of ekphrasis and the characteristic modes of perceiving works of art and describing them. It also shows how the observer’s subjective perspective and idiomatic style of expression manifest themselves.
EN
The subject of the description are meanings of the lexeme earth and phrases with this lexeme, noted by dictionaries. The reconstruction of the language picture of earth, based on linguistic facts, shows how people imagine the world surrounding them. The concept of earth takes an important part in Russian cognitive zone. The variety of language means, verbalized the concept of earth, shows how important it is to Russian mentality.
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nr 41
351-392
EN
One of the characteristics that make Stanisław Przybyszewski’s novels stand out from other contemporary works is the deliberately limited description of the outside world up to the point of blurring the identity of the location where the plot of a given work takes place. In the case of Dzieci Szatana (Satan’s Children), (German Satans Kinder, 1897; Polish edition 1899), one may even talk about ‘a total destruction of the represented world’ (Gabriela Matuszek). At the same time, the author’s numerous comments apparently allow for translating this ‘destruction’ happening in the course of the creative process into a ‘reconstruction’ that corresponds to it in the process of reading. It is through reviewing in more detail and combining various pieces of information included in Dzieci Szatana that directly or indirectly refer to the place of action, as well as confronting them with the biographical, historical and geographic contexts that one may identify with surprising precision the exact place represented in the text and, as a result, to uncover an entirely new aspect of novel axiology.
EN
In  this  article  we  shall  compare  the  literary  work  Slavonian  forest  by  Josip  Kozarac  with Adolf  Waldinger’s  oil  painting  Slavonian  forest,  including  his  drawings  and  pictures  of a  Slavonian  forest  and  forest  details.  Comparison  is  made  primarily  on  the  basis  of  their resemblance. Not only do both of these works have the same inspiration and structure, but in terms of content they also elaborate the motifs andthemes of the forest landscape, leaning toward realistic formation, and both represent works of anthological value. In other words, Waldinger’s  Slavonian  forest  is  one  of  his  best  works  and  an  excellent  work  in  the  field of  Croatian  forest  painting,  while  Kozarac’s  work  finds  itself  at  the  anthological  peak  of Croatian descriptive literature.
HR
In  this  article  we  shall  compare  the  literary  work  Slavonian  forest  by  Josip  Kozarac  with Adolf  Waldinger’s  oil  painting  Slavonian  forest,  including  his  drawings  and  pictures  of a  Slavonian  forest  and  forest  details.  Comparison  is  made  primarily  on  the  basis  of  their resemblance. Not only do both of these works have the same inspiration and structure, but in terms of content they also elaborate the motifs andthemes of the forest landscape, leaning toward realistic formation, and both represent works of anthological value. In other words, Waldinger’s  Slavonian  forest  is  one  of  his  best  works  and  an  excellent  work  in  the  field of  Croatian  forest  painting,  while  Kozarac’s  work  finds  itself  at  the  anthological  peak  of Croatian descriptive literature. 
18
Content available remote A skeleton based decomposition of binary shapes
75%
EN
A binary pattern represented by its (d1, d2)-weighted skeleton is decomposed into primitives of given shape, which correspond to appropriate skeleton subsets. The primitives are defined in a context-dependent way and are suitable to cope with large variability the shape of a pattern may assume. The resulting decomposition is rotation invariant, and is natural with respect to both the number and the type of primitives forming the pattern. The computational cost of the process is modest, since all the computations are performed on sets of skeletal pixels.
19
75%
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tom Vol. 126, nr 4
433--444
EN
This paper considers the nearness of sets in local descriptive admissible covers of nonempty sets and the problem of quantifying the nearness of such sets. A brief review of descriptive Efremovič spaces as well descriptive intersection and union provides a foundation for the study of descriptive admissible covers. Descriptively near sets in admissible covers contain sequences of points with members having similar descriptions. The motivation for this approach stems from the need to consider fine-grained neighbourhoods of points in admissible covers that facilitate highly accurate measures of nearness of tiny parts of sets of objects of interest. A practical application of local admissible covers is given in terms of micropalaeontology and the detection of minute similarities and differences in microfossils, useful in the study of climate change, mineral and fossil fuel exploration.
EN
In the Logical Investigations, Edmund Husserl defines that which is normative as the objectively regular with its rules of regularity, which can be recognised rationally – normativity concerns the being itself and the rational cognition of the being (logic as a normative discipline establishing the rules of scientific knowledge, as the science of science). Instead, Adolf Reinach in The Apriori Foundations of the Civil Law defines the notion of norm as polysemantic and distinguishes the legal provisions (the prescriptive sentences), formulated within a given community, from the basic norms which are grounded in the objective (including moral) justness of the states of affairs. The obligation of the being and the obligation of acting exist in themselves, independently from cognition. In turn, “enactments and the propositions which express enactments” as a kind of normative sentences have the character of normalisation, but they require a person to pronounce them. The prescriptions realise and refer to what is objectively being and to the objectivity of what is being and obligatory. In my text, I present Reinach’s position on the relations between norms and provisions (as prescriptive propositions “which express enactments”) referring his theories to the Husserlian concept of normativity.
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