Wyniki wyszukiwania - Biblioteka Nauki

1

Archetyp „cienia” w strukturze powieści „Zbrodnia i kara” Fiodora Dostojewskiego

100%

Jaworski M.

Kultury Wschodniosłowiańskie - Oblicza i Dialog

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2014

|

nr 4

71-83

EN

The aim of the article is to show the interrelations between the works of Carl Gustav Jung and Fyodor Dostoyevsky with particular emphasis on the archetype of shadow. The aforementioned archetype has been analyzed and characterized in the paper in order to interpret the novel Crime and Punishment in the psychoanalytical key. This category has been analyzed at the level of the structure and plot of the work. Consequently, the author of the present article attempts to interpret the functions of the main characters of Crime and Punishment and divides them into triads related to relevant Jungian archetypes. The research amounts to an incentive to further explore the Jungian traces in the works of Fyodor Dostoyevsky.

RU

The aim of the article is to show the interrelations between the works of Carl Gustav Jung and Fyodor Dostoyevsky with particular emphasis on the archetype of shadow. The aforementioned archetype has been analyzed and characterized in the paper in order to interpret the novel Crime and Punishment in the psychoanalytical key. This category has been analyzed at the level of the structure and plot of the work. Consequently, the author of the present article attempts to interpret the functions of the main characters of Crime and Punishment and divides them into triads related to relevant Jungian archetypes. The research amounts to an incentive to further explore the Jungian traces in the works of Fyodor Dostoyevsky.

2

Archetype and community character of the nest residential building development

100%

Cisek E.

Architectus

|

2011

|

tom Nr 1(29)

35--46

EN

Nest arrangements of the residential building development constitute one of the possible concepts of a habitat, which in its deepest layer takes into account psychology, sociology as well as history. One of the reasons why people in the past focused on central arrangements was their archetype and community character. This form with the emphasized centre - sacrum, a community forum, ensured the feeling of safety and stimulated social bonds. A round and archetypal shape of the structure expressed one of the most significant symbols - the image of the world -Imago mundi, which exposed the place by separating the internal ordered micro-cosmos from the external, chaotic and amorphous surroundings.

PL

Układy gniazdowe zabudowy mieszkaniowej uwzględniają w swojej warstwie ideowej zarówno psychologię, socjologię, jak i historię. Jednym z powodów, dla których, chętniej zwracano się ku założeniom centralnym w przeszłości, był ich wspólnotowy i archetypowy charakter. Forma ta z zaakcentowanym centrum - sacrum i forum wspólnoty, zapewniała poczucie bezpieczeństwa i stymulowała więzi społeczne, stanowiąc równocześnie Kosmogram i Psychokosmogram. Obraz świata - Imago mundi -znajdował odniesienia w archetypowym kształcie zespołu, podkreślającym miejsce przez wydzielenie wewnętrznego, uporządkowanego mikrokosmosu od zewnętrznego, chaotycznego i amorficznego otoczenia. Funkcjonujące po dziś dzień modele wspólnotowe i asocjacyjne zabudowy gniazdowej posiadają odmienną koncepcję bezpieczeństwa jednostki i inaczej definiują granice jej wolności. Kompozycja architektoniczna w obu przypadkach ma jednak za zadanie: ułatwiać kontakty, stwarzać warunki dla kontroli ludzkich zachowań lub spod tej kontroli wyzwalać, bronić prywatnej własności przestrzeni i wzmacniać interesy grupy społecznej. Łączy się z tym pojęcie przestrzeni kulturowej, rozumianej jako tradycja i społeczna pamięć archetypów przestrzeni, które są elementem budowania i identyfikacji przestrzeni bezpiecznej.

3

Opera narodowa w Oslo jako znak miejsca i droga w wędrówce ku iluminacji

100%

Cisek E.

Czasopismo Techniczne. Architektura

|

2008

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tom R. 105, z. 6-A

267-272

PL

Budynek Opery Narodowej w Oslo wskazuje na konsekwentnie realizowaną tendencję projektową jak ochrona istniejącej tkanki miejskiej połączona z wielokierunkowym rozwojem, przeobrażającym miejsce zgodnie z ideą kontynuacji, przenikania i dopełnienia. Założenie to jest znakiem miejsca, miasta i symbolem Norwegii. Stanowi sztucznie skonstruowany krajobraz, który stał się integralną częścią naturalnego cypla i zatoki Bjorvika - kolebki obecnej metropolii. Jako centrum kulturalne "dom sztuki" - o dużym zasięgu oddziaływania oraz obiekt ekologiczny uzyskał status "współczesnej katedry" i miano "Zielonej Opery". Dzięki formie o archetypowym rodowodzie budynek ten stanowi element drogi - przedłużenie i punkt kulminacyjny głównej ulicy stolicy Norwegii.

EN

The National Opera House in Oslo indicates the constantly realized design tendency as a protection of the existing city, as substance connected with multidirectional progress which transforms the place according to the idea of continuation, penetration and completing. This assumption is a sign of the place, the city and Norway. It is artificial constructed landscape which appeared to be an integrative part of the natural foreland and Bjorvika gulf, the cradle of the present metropolis. As the cultural centre "The House of Art" with a huge extent of influence and also ecological object it asquired the status of "The contemporary cathedral" and the name of "The Green Opera". Thanks to the form of archetypical lineage this building is an element of the way - prolongation and the climax of the main street of the Norwegian capital.

4

Współczesne Oslo - "serce miasta" na granicy gór i morza

100%

Cisek E.

Czasopismo Techniczne. Architektura

|

2008

|

tom R. 105, z. 2-A

107-113

PL

W artykule nakreślono obraz współczesnego centrum Oslo jako przykład otwierających się na siebie i wzajemnie się dopełniających różnorodnych przestrzeni miejskich, stanowiących dawne i obecne "serca miasta". Podkreślono wagę czynników: geograficznych, historycznych i kulturowych znacząco wpływających na układ urbanistyczny założenia.

EN

The article outlines the image of the contemporary centre of Oslo as an example of various urban spaces that open themselves to each other and complement each other, thus constituting old and new "hearts of the city". We emphasized the importance of geographical, historical and cultural factors which have a significant impact on the urban arrangement of the layout.

5

Архитекстуальные отношения в повести Михаила Попова Славянская тризна

100%

Loshakov A.

Acta Polono-Ruthenica

|

2010

|

tom Tom 1 Nr XV

27-42

EN

The article is devoted to the analysis of architex poetic in the story Slavonic funeral feast (1994) by modern Russian writer M. Popov. Architextuality is a means of establishing in a certain text a row of paradigmatic (association-based) features that are outlined through reference to modal and meaningful contents of some genres as well as those precedent texts these genres represent. For instance, in M. Popov’s narration entitled Slavonic funeral feast archetypes, mythical & poetic character sketches, precedent phenomena revealed in trip-oriented narrative genre, the narration plot, and character images, and text structure of wording and sketching all these act as actualizors. The narration text signific essence increment and sorts of complexity are governed by the architextuality.

6

Sylvain Trudel et le réenchantement du monde

89%

Thomas J.-P.

Quêtes littéraires

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2013

|

nr 3

151-159

EN

Since the middle of the 1980s French Canadian novelist Sylvain Trudel has constantly put his characters in contentious situations from which they try to escape by way of creating alternative worlds at the same time real and fantastical. This device takes the characters away from their trite everyday life and into a symbolic and mystical universe. The synthème seems to be fit into that symbolic frame. Through the child’s point of view – which seems then to become some sort of secret language – each object belonging to the realm of the profane becomes tinted with a sacred meaning. Synthème and symbol would then be considered as vehicles for the sacred, that which shows through Sylvain Trudel’s novels.

7

Symbols of Fear in the Studies of Drawings by Polish and Turkish Children

88%

Konieczna E. J. , Talu E.

Kultura i Edukacja

|

2021

|

nr 2(132)

172-185

EN

The authors present results of their studies dealing with symbols of fear identified in drawings made by Polish and Turkish children. The studies consisted in comparing results with regard to the categories and content of symbols recognized in the drawings presented by younger school-age children of the two nationalities. For the needs of the comparative analysis the following questions were formulated: In what way did the children present their fears in their drawings? How can the similarities in the symbols of fear presented in the drawings by Polish and Turkish children be interpreted? What do the observed differences testify to? Comparison of the symbols of fear allowed recognizing the similarities and differences occurring in the drawings produced by the examined children. It was found that the largest number of drawings present a symbol of fear connected with the category of animals. While interpreting the results, the authors accepted the thesis that the grasped similarities relating to the manner of presenting fear result from the common history of man, recorded in archetypes and symbols. On the other hand, the observed differences are connected with the tradition present in each of the cultures.

8

Obraz kobiecości a ewolucja archetypu animy w wybranych powieściach Vladimira Nabokova

88%

Kamińska I.

Slavica Wratislaviensia

|

2013

|

tom 157

49 - 61

EN

The article discusses the role of the psychoanalysis in studies of literature. The author believes that C.G. Jung’s conception of anima is one of the most important ideas that explain the notion of femininity and its place in the subconscious process of the man’s psyche. The analysis of the character structure and the symbolic layer in few novels of Vladimir Nabokov shows that the tetragonal model of anima influenced the image of the women portrаyed by him.

9

Tak się zdarza – o pisarstwie Ewy Nowackiej

88%

Miernik A.

Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica

|

2018

|

tom 6

44-51

EN

Ewa Nowacka occupies an important place among the contemporary Polish writers and her prose works for young recipients, extensive as far as various subjects and genres are concerned, contain many inventive, unique concepts and writing ideas. Nowacka is, first of all, the author of novels of manners and historical ones, in which the writer presents her imagination, her aspiration for the reconstruction of life of manners, cultural life, concern for noticing concrete things, details, which are the background of experience of a young character who struggles with eternal, archetypical problems, the universalism and psychologism of which is the strong point of the author’s writing. The recipient of Ewa Nowacka’s works notices that characters create their destiny through ordinary struggle, that it is necessary to mythologize the existence in order to understand the world.

10

Mity i archetypy w badaniach nad organizacją

88%

Izak M.

Prakseologia

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2013

|

nr 154

33-71

EN

This paper explores the role of myths and archetypes in organizational research. The notion of myth is introduced and theories regarding the origins of mythology are discussed. Myth’s typical features and its role in shaping social reality are considered to better understand the role of mythology in modern organizations. The role of archetype in organizational myth is also emphasized. Analysis of examples of organizational mythologies is combined with methodological insights regarding the ways in which myths and archetypes can be studied in different organizational contexts. The study not only aims to improve comprehension of key assumptions, theories and concepts involved in studying organizational mythologies, but also to enhance the ability to apply this method of organizational analysis.

11

EARTH MOTHER AND SKY FATHER GENDERED ARCHETYPES IN NORTHROP FRYE’S WORK

88%

TÓTH S.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

|

2014

|

tom 6

23-41

EN

This paper proposes a reading of Northrop Frye‘s work in the context of certain conflicting claims of feminist theories. On the one hand, postmodern thinkers advocating gender scepticism question the legitimacy of comprehensive communal symbols; on the other hand, building on the binaries of gender, feminists continue to perform a useful critique of the extremely ―masculine‖ values of Western culture. I argue that Frye‘s unique distinction between primary concern (mythology) and secondary concern (ideology) can be used to theorize the difference between archetype and stereotype, and thus to distinguish the ideological and oppressive from the nourishing and liberating aspects of gendered imagery in our culture. And ultimately, Frye‘s typological dialectic provides a way of going beyond the binaries of gender towards the interpenetration of masculine and feminine, subject and object, culture and nature.

12

Bohater, wojownik i panna: użycie archetypów i mitów w stworzeniu wizerunku ukraińskich polityków

88%

Sherman O.

Historia i Polityka

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2014

|

nr 11(18)

55-66

EN

An important role in the process of image cultivation is played by the technologies, related to the appeal to the archaic layers of mass consciousness, in particular, to the use of archetypes. Analysis of the images of the leading Ukrainian politicians – Arseniy Yacenyuk, Yuliya Timoshenko and Vitaliy Klichko – in 2009–2014 testifies that all of them used as a basis of image-building the archetypes of Hero and Warrior in different variations, such as Hero-warrior, Cultural hero, Lady-warrior. The progress of the use of this technology depends significantly on the personal qualities of each politician, as well as on the social and the political circumstances.

13

Transfiguracja symboli archetypowych w utworach Marty Tomaszewskiej

87%

Miernik A.

Studia Europaea Gnesnensia

|

2016

|

nr 14

69-81

EN

An analysis of the process concerning transfer of archetypal symbols in fairy-tale plots, conducted firom the perspective of depth psychology (C.G. Jung), reveals the human being to be a culture creator (homo culturalis), who uses vivid language and aims at abstracting a multidimensional sense of existence. The paradigm of archetypal literary criticism (N. Frye) offers multidimensional insights into a work of literature and demonstrates the shifts of the arche, a constant adjustment of archetypes to the demands of the present. When attempting to determine the archetypal order in the works of Marta Tomaszewska, one should be aware of the fact that it is one of many possible efforts to read multi-perspective symbolic contents and it validates the thesis presuming an endless source of the collective unconscious.

14

50 de ani fără Dumnezeu: Apocalipsa şi apocriful în „Un singur cer deasupra lor” al Ruxandrei Cesereanu

76%

Tórz M.

Studia Romanica Posnaniensia

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2014

|

tom 41

|

nr 2

115-123

EN

This paper proposes the reading of Ruxandra Ceseranu’s novel Un singur cer deasupra lor as a modern apocrypha presenting a historiosophic vision of Romania’s fate in the second half of the 20th century with the use of apocalyptic themes and symbolic imagery. The analysis consists of tracing references to the Book of Revelation which is a key element to the interpretation of the novel, and to other biblical books and themes. The analysis is supplemented with an attempt at describing the most significant archetypical and cultural symbols, and the remnants of bygone traditions that provide the second reading to those historically-grounded stories. References to folk tales based on Christian imaginary world further strengthen the proposition of the apocryphal nature of the work. The additional argument supporting my thesis is the polyphonic and multilayer structure of the novel that combines subjective visions and mythical interpretations with the factual layer, and the use of palimpsest technique consisting of interweaving texts of other authors into the main narration. The paper does not address the question of the conformity of the literary vision with the source documents and historical prototypes of certain episodes and persons. Those matters were partly commented on by the author in the afterword.

15

Skandynawska fenomenologia architektury a witruwiańska triada

75%

Cisek E.

Czasopismo Techniczne. Architektura

|

2009

|

tom R. 106, z. 1-A

206-211

PL

Skandynawowie tworzą w duchu ciągłości j dopełnienia. Zasadniczym czynnikiem wpływającym na sposób kształtowania architektury jest odwrócenie relacji architektura - natura. Staje się to szczególnie widoczne w dominującej skali krajobrazu zestawionej z małą skalą ludzkich dzieł, odczytywanych jako ostro odcinające się od tła elementy, zaledwie dodane do większej i skończonej całości. Trwałość, celowość i piękno dzieła wynikają z działań zmierzających do zachowania naturalnego środowiska i łączą się z nawiązywaniem do form archetypowych oraz ze stosowaniem odpowiedniej technologii, dającej możliwość adaptacji budynków do zmieniających się warunków użytkowych i środowiskowych. Dobrym zobrazowaniem tej idei jest zespół kwartałów mieszkaniowych Hestra reprezentuj cy cztery kraje skandynawskie, zlokalizowany w Boras w Szwecji.

EN

Scandinavians create works with the idea of continuity and complementation. The main factor influencing the way of designing architecture is reversal relation architecture - nature. It is clearly seen in a dominant scale of the landscape setting up with a little scale of the human works being seen as sharply cutting of the landscape elements only just added to the bigger and completed unity. Stability, purposefulness and beauty of a piece of work are the result of there activities which want to preserve natural environment being connected to archetypical forms and from using appropriate technology giving the possibility to adopt buildings to the changing utility and environmental conditions. The best example of this idea is the complex of quarters buildings "Hestra" being the representation of four Scandinavians countries localized in Boras (Sweden).

16

Problemy związane z utrzymaniem i remontami zabytkowych kościołów (na przykładach diecezji krakowskiej)

75%

Mełges M. , Mełges H.

Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych

|

2007

|

tom T. 3

98--106

PL

W porównaniu do innych krajów europejskich, budownictwo sakralne w Polsce charakteryzuje się wznoszeniem wielu licznych świątyń i rozwojem parafii z jednoczesnym zachowaniem i odnową już istniejących, które uległy zniszczeniu podczas burzliwej historii. Ogromne zniszczenie kościołów podczas II wojny światowej i jednoczesna powojenna zmiana orientacji politycznej w destrukcyjny sposób wpłynęła na los budowli sakralnych. Trudne warunki ekonomiczne, a zwłaszcza brak dostępu do materiałów budowlanych, były bezpośrednią przyczyną powstania licznych problemów technicznych. W związku z tą sytuacją nastąpiło przyśpieszone zużycie techniczne wielu świątyń. Obecnie prowadzone są działania na rzecz poprawy tego stanu. Do najważniejszych problemów technicznych należy zaliczyć konieczność: osuszania, poprawy wentylacji, wzmocnienia konstrukcji, izolacje termiczne, remonty i wymiana pokryć dachowych. Autorzy artykułu przedstawiają swoje doświadczenia w pracach projektowych realizowanych m.in. w Regulicach, Tenczynku, Chrzanowie, Krzeczowie, Paczółkowicach, Krzeszowicach, Szreniawie i Krakowie.

EN

In comparison with other European countries sacred buildings in Poland differ in that the abilities to build new temples or to develop, maintain and renovate the ones already existing were affected by turbulent history. The huge destruction of the churches during WWII with simultanous shift in political climate clearly showed the large scale of problems concerning sacred buildings. Economic conditions, especially restrictions on building materials, affected the problems directly. In connection with this situation, an accelerated technical decapitalisation of many temples took place naturally. Currently, attempts have been made to improve the situation. The most often technical problems include: drying of churches, improvement of ventilation, strengthening of structural elements, insulating, renovation of roof structures and replacement of roofing, etc. Authors of the article rely on their own design and realized projects in such places as: Regulice, Tenczynek, Chrzanów - Kościelec, Krzeczów.

17

The Impact of Myth Consciousness on the Formation of the National Political and Cultural Space: “Ukraine is not Russia”

75%

Semenets-Orlova I.

Journal of Geography, Politics and Society

|

2022

|

tom 12

|

nr S1

16-22

EN

The articles researches the concept of political culture as a system of inherited political notions expressed in symbolic forms and generalizes the differences between the political culture of Ukrainians and Russians. It stresses that the cultural identity of Ukraine is established on one of its basic tendencies – penchant for archaization of all symbolic forms; it researches the place of the heroic political myth in this process; it analyzes sacral projections of the political in the myth through which the subject-and-object order of the Ukrainian politics world is explained. Thus, the pattern of the heroic monomyth (a structured ontological range of symbols) serves as a program of political reality (as a structured order of political objects). The symbols of the heroic monomyth have sacral significance because they present an idea of political order, stability, forecastability of politics (the latter is lacking in the crisis context of development) when there is unwillingness of a part of citizens to bear responsibility for prospects of future development of events in the country in the conditions of long-term uncertainty. The article researches peculiarities of the how the structure-image of the hero builds the constitution of political reality in Ukraine and Russia.

18

Composition of space - inspired by archetypes of culture like entrance into the cities landscape planning

75%

Rybak K. , Zinowiec-Cieplik K.

Annals of Warsaw University of Life Sciences - SGGW. Horticulture and Landscape Architecture

|

2009

|

tom 30

19

Home-Field-Temple as Existentials of Ukrainian Culture

75%

Vlasevych T.

Journal of Education Culture and Society

|

2022

|

tom 13

|

nr 2

55-64

EN

Aim. To analyse the spiritual and mental existentials of Ukrainian culture, which allows identifying the immanent features of Ukrainian culture itself through the symbolic-thematic series Home-Field-Temple and examine the symbolism of the concepts “Home,” “Field,” and “Temple.” Results. The thesis that spiritual and mental existentials, in particular the Home-Field-Temple, reveal the mentality of the Ukrainian people, its spiritual and cultural identity has been further developed. Conclusion. The essence of the mentality of the Ukrainian people is revealed with the help of spiritual and mental existentials Home-Field-Temple. They play an important part in the creation of a single mental field of the Ukrainian nation, being revealed in its ideological life by certain inclinations or archetypes. The Home-Field-Temple symbol is a reference point for searching for certain archetypes of the nation. The concepts of Home-Field-Temple symbolise the trinity of one spiritual state of man, which is objectified in three guises. These concepts are so intertwined in the minds of Ukrainians that they see them as an inseparable unity – something symbolising their homeland. Home, land, and church have always been reliable support for the Ukrainian people.

20

Of the Transavant-Garde in Ukrainian and Polish Artistic Traditions

75%

Soliarska-Komarchuk I.

Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe

|

2023

|

nr 8(1)

57-62

EN

The article analyzes the artistic processes that emerged in the world in the second half of the twentieth century, after the Second World War. One of the most striking phenomena of that period was the transavant-garde, and the reasons for its emergence in many European countries and the United States are determined - Arte Cifra or la transavanguardia in Italy, Figuration Libre in France, New Image Painting in the United States, Neue Wilde in Germany, Nowa Expression in Poland. This diversity of transavant-garde manifestations in the context of national artistic systems is explained by the peculiarities of ethnomentalities that were formed on the basis of certain archetypes and universals. An important feature of the world transavant-garde is the artists’ appeal to expressionism. There is a rethinking and renewed interpretation of expressionism, which actually gave it the name «neo-expressionism». Considering the reasons why artists from different countries turned to expressionism, it is concluded that it was the analysis of inner experiences and the desire to express them as vividly as possible that caused such a «global» commitment. Closely related to this is the process of creating individual mythologies, which, through certain images (the use of linearism, dissonant color juxtapositions, deviations from the true image, the use of different techniques and materials in one art object), encouraged the viewer to experience certain affects. At the same time, the Ukrainian and Polish artistic systems of the time, as well as social and political life, were closely controlled by the Soviet system. The situation was especially difficult in Ukraine, where alternative views on art could be paid for with imprisonment or even life. However, in both Poland and Ukraine, there were artists who were engaged in aesthetic resistance and belonged to opposition movements such as counterculture and non-conformism. It is under these conditions that neo-expressionism gets its unique forms of development in both Polish and Ukrainian art. The New Expression movement has been developing in Poland since the early 1980s. Artists, turning away from official cultural institutions, spontaneously created alternative structures. The Polish New Expression, which officially declared itself and kept in touch with foreign colleagues, was a legitimate part of the global movement, and martial law did not allow Polish artists to enter the international scene. Using the creative methods of neoexpressionism, the artists fought for political freedom with inspiration. The artists, ridiculing the absurd world around them with the help of grotesque, used simplified composition and strong contrasting colors. Aesthetic resistance in Ukraine was deeply underground. Nonconformist artists could not organize exhibitions or communicate with their foreign colleagues. Therefore, the names of Ukrainian artists were not known to the world, as well as to most of their fellow citizens. Tight control by the authorities influenced the maximum reflection of opposition artists and determined the symbolic and metaphorical language of their works. After all, expressionism was despised and not supported within Soviet art.