Wyniki wyszukiwania - Biblioteka Nauki

1

L’opposizione Pirandelliana Vita–Forma in Żeglarz di Jerzy Szaniawski

100%

Kucharuk S.

Lublin Studies in Modern Languages and Literature

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2008

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nr 32

41-57

EN

The Sailor, one of the more important works of Jerzy Szaniawski, has been regarded by the critics as dealing with the issues of truth and legend. The aim of the paper is to present a new interpretation of the play and to show that the key problem addressed by the playwright is the conflict between Form and Life, which is considered by numerous critics to be the quintessence of the so-called philosophy of Luigi Pirandello. The similarities between the theatres of both playwrights have been frequently, albeit in rather general terms, pinpointed by critics. Therefore, it is worth examining The Sailor in the context of works by the Sicilian author. The study indicates that Szaniawski’s play contains numerous elements vital in Pirandello’s works, such as: the problem of the relativity of truth, the impossibility to define a human personality, the confinement of an individual into a form as a consequence of judgements by others, and – most importantly – the conflict between Form and Life, and their mutual relations, all of which let us claim that The Sailor is close to Pirandello’s works.

2

Il caso-Sicilia nel romanzo storico-sociale I vecchi e i giovani di Luigi Pirandello

80%

Bronowski C.

Studia Romanica Posnaniensia

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2022

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tom 49

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nr 3

63-74

EN

The author’s intention is to present the “Sicily case” in Luigi Pirandello’s socio-historical novel The Old and the Young (1913). The article explores the concept of the so-called “Sicily case” in Pirandello, which has not only its own environmental and literary specificity, but also social-political context. It is closely linked to the terrifying image of Sicilian nature that corresponds to the topical motif of the locus amoenus and its complete reversal, seen in the mirror distorted by the political and social climate of the country at the time. The “Sicily case” in Pirandello’s novel becomes a propeller of human consciousness, indeed the writer with several environmental references, the writer indeed highlights the affinities.

3

La rilettura del romanzo "Il fu Mattia Pascal" di Luigi Pirandello nell’ottica del racconto cinematografico di Mario Monicelli

71%

Bronowski C.

Kwartalnik Neofilologiczny

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2019

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nr 1

17-27

PL

Artykuł podejmuje próbę interpretacji/odczytywania powieści L. Pirandella Św. Pamięci Mattia Pascal przez znanego włoskiego reżysera filmowego M. Monicellego. Tematyka artykułu związana jest z jednej strony z rolą, jaką odgrywa perspektywa podróżowania, czyli nieustanna zmiana miejsc w czasoprzestrzeni Włoch i Francji, z drugiej zaś dotyczy złożonej problematyki tożsamości, czyli konfliktu osobowości głównego bohatera Mattia Pascal i jego reinkarnacji w Adriana Meis i św. pamięci Mattia Pascala. Analizie towarzyszą liczne teorie o charakterze literackim, filmoznawczym i kulturoznawczym, związane z omawianą tematyką zekranizowanej powieści.

EN

The article La Rilettura del romanzo Il fu Mattia Pascal di Luigi Pirandello nell’otica del racconto cinematografico di Mario Monicelli, presents an individual story of Mattia Pascal and his reincarnations in Adriano Meis and the late Mattia Pascal. It concentrates on the journey of the main character, in the original dimension of time and space, in search of a new, happy life and of his identity. In reference to the subject matter included here, various different theories are applied to the cinematic analysis of the ‘new’ work of Pirandello.

4

L’inedito Musical dell’ultimo Pirandello: un caleidoscopio polisemico e multiculturale

70%

Guzzetta L. F.

Kwartalnik Neofilologiczny

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2019

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nr 2

173-180

EN

An unpublished Musical by Pirandello: a polysemic and multicultural kaleidoscope – The fact that Pirandello conceived the idea of writing a Musical was well know, but the recent discovery of the actual text and the musical score, in the archive of Guido Torre Gherson, agent of the writer while he lived in Paris, has shed some light on his final years and writings. The findings are discussed in the context of his late theatrical and fictional works, such as I giganti della montagna.

5

Jedna, żadna i sto tysięcy. Włoszka jako medium

62%

Woźniak K.

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

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2019

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tom 19

298-306

RU

The stake in a heated discussion on reviving tarantism in the Salentian culture by initiators and partcicipants of the project ‘The spider of a dancing god’ was the reinterpretation of the phenomenon itself: tarantism, which was perceived as a thing of the past and an embarrassing social problem, was to become artistically modified, namely isolated from life and displayed on stage. Rejecting tarantism as a folk practice and an attempt at representing it could also be interpreted as turning a blind eye to the problem of a woman’s position in society, without proposing anything in turn. Technological and social progress did not go hand in hand with the emancipation of an Italian woman. Luigi Piradnello in his drama, and Franka Rame in her monodrama captured this phenomenon brilliantly.

6

RECEPTION OF PIRANDELLO IN CRACOW DURING THE PERIOD OF POLISH PEOPLE’S REPUBLIC (PRL)

57%

Koman A.

Rocznik Przemyski

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2018

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tom 54

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nr 2(22): Literatura i Język

79-88

EN

one of the most interesting objects of analysis, either from the formal point of view or from the perspective of the attempts to justify the choice to play them. The scope of the present article is an analysis of the reception of two dramas by Pirandello played during the PRL period in Cracow: Henry IV and As You Desire Me, both of them played in the Stary Teatr in Cracow. By investigating opinions of the critics’ reaction to the plays and artistic biographies of their directors, the author attempts to find a connection between the meanings of Pirandello’s texts and the socio-political context of Poland in the Communist era.