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SOCIÁLNA ŠTRUKTÚRA BRATISLAVSKEJ UMELECKEJ BOHÉMY V ROKOCH 1920 – 1945

100%

Vass M.

Historický časopis (Historical Journal)

2018

tom 66

nr 1

83 – 105

The study provides an analysis of the authentic modernist cultural and social phenomenon of Bratislava‘s artistic bohemian in the years 1920– 1945 in terms of its social structure. This group consisted of writers and painters, in what amounted to a special social microcosm, in the midst of which a particular social structure spontaneously formed, consisting of a leading integrating personality encircled by a wider group of acquaintances, patrons, female muses, devotees and fans stemming from bourgeois circles. An important issue in the context of the social structure of Bratislava‘s artistic bohemian is the antagonism between bohemian artists, who possessed cultural capital, and the bourgeoisie, who possessed economic capital.

SUBJEKT A MESTO (A POLITIKA): POLSTOROČIE BRATISLAVY V TEXTOCH JANKA ALEXYHO

100%

Masaryk M.

Slovenská literatúra (Slovak Literature)

2021

tom 68

nr 3

222 – 234

The article aims at providing a picture of how Bratislava was portrayed in the texts of the Slovak author and painter Janko Alexy (1894 – 1970), written between 1921 and 1968. The paper combines the knowledge of Slovak and Czechoslovak culture and history with biographical and artistic facts about Alexy’s life and work. With regards to the biography of the author, the article drew on his own memoirs, Ján Abelovský’s monograph, texts by Ján Smrek and various period articles. The paper also makes use of the work of O. Mongin, P. Málek and V. Barborík. It provides an insight into the relationship between the city and the subject and reconstructs the complex image of the period circumstances in its background. It outlines several periods that document Alexy’s changing attitude towards the city and the gradual national appropriation of Bratislava. The identity of the current capital of Slovakia was changing from a multi-ethnic town to a city occupied by a single majority ethnic group. These shifts are illustrated on several Alexy’s texts.

MALIARI ZO SLOVENSKA A UMELECKÉ PROSTREDIE APENINSKÉHO POLOSTROVA V 19. STOROČÍ

86%

Bartková V.

ARS

2009

tom 42

nr 2

310-330

Italian artistic journeys belong to the most important themes in European art-historical writings, since the artistic production of Italian centres performed in a long term the 'codified' model and basis for the rest of Europe. Despite this, the phenomenon has not been systematically worked-out in Slovak art history. The present study is one of the first attempts of Slovak art history to map the travels of artists coming from former Upper Hungary (today Slovakia) in the 19th century - e.g. Karol Marko Sr., Karol Ľudovít Libay or Dominik Skutecký - to Rome, Naples, Florence and Venetia. It presents partial results of the current research executed mainly in Italian and local archives.