Wyniki wyszukiwania - Biblioteka Nauki

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Intertexts in a cross-section: Leśmian’s ballad and its translations

100%

Kaźmierczak M.

pl.it / rassegna italiana di argomenti polacchi

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2017

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nr 8

77-94

EN

The paper surveys intertextual aspects of Bolesław Leśmian’s ballad Dziewczyna across translations into English and Russian (translation series), as well as Czech and German (single renditions). Thematic intertextuality connected with the fairy-tale convention and specific references to philosophical concepts (Descartes, Kant) are discussed. Dialogic relations absent from the original but activated in translations are also indicated (e.g. a Biblical context). The following aspects influencing the rendition of dialogic signals are considered important: metrical restrictions, the unwieldiness of the canonic formulation of intertexts for poetic appropriation, the skill and worldviews of the translators. Thanks to the numerous translations of the ballad, we can ascertain whether awareness and prioritizing of referential qualities change with time, target culture and the translators’ backgrounds.

2

Nieznośna lekkość przyjęć, czyli o różnych wcieleniach pani Dalloway

100%

Izdebska A.

Zagadnienia Rodzajów Literackich

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2016

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tom 59/119 z. 3

41-55

EN

The main issues discussed in this article are the intertextual relationships between two novels: one the most famous modernistic texts — Mrs Dalloway by Virginia Woolf and The Hours by Michael Cunningham. The American writer’s novel alludes already in the title to Woolf’s work. The Hours was the working title for Mrs Dalloway. The detailed analysis of the various references to it acknowledges the hypotext in the Cunningham novel and proves that intertextuality in this case has its mainly existential dimension: for heroines of The Hours Mrs Dalloway provides an opportunity for not only re-writing or re-reading but for re-existing as well.

3

Praga Kafki i Różewicza

88%

Romaniak D.

Rocznik Komparatystyczny

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2012

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tom 3

p. 137-158

EN

This article provides an exploration of intertextuality in Tadeusz Rożewicz’s motif of Prague and in the creation of his characters – the inhabitants of the city. It seems that in his works – Zamknięcie (Closure), Szachownica (Chessboard), Wigilia w obcym mieście (Christmas Eve in a Foreign City) and Strahovski Kamieniołom (Strahovski Quarry) – the Polish poet refers to the characters and the city of Prague that appear in the fictional works of Franz Kafka (The Trial and Description of a Struggle) as well as in his diaries and private correspondence (Diary 1910–1923, letters). The question that I discuss is the following: How do Franz Kafka’s characters and his image of Prague correspond to the Prague and the characters of Różewicz’s works?

4

Intertextualita Hrabalova „Kaina“

63%

Pelán J.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2019

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tom 59

15-21

EN

The present study concentrates on the phenomenon of intertextuality in one of Bohumil Hrabal’s key early works, namely, the “existential” short story entitled Kain. The author examines especially the intertextual resonances between Hrabal’s work, Camus’s The Stranger, Dante’s Vita nuova and Goethe’s Sufferings of Young Werther.

5

Dialog tekstów naukowych w perspektywie socjologii

63%

Jochimczyk M.

tekst i dyskurs - text und diskurs

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2020

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nr 13

299–310

EN

This article is devoted to sociological reflection on the dialogue of scientific texts. It takes place by referring to some phenomena and theories widely discussed on the ground of sociology, which show the social character of intertextual references. The article provides arguments for the hypo- thesis that intertextual dialogue is a common activity that usually turns into a sequence of social activities. A sociological view of the issue of dialogue between authors of scientific texts leads to the conclusion that in the interaction that is being established there is a process of exchange connected with creating the image of the author in the academic environment. An equally important issue addressed in this publication is the normative regulation of interaction in intertextual dialogue.

6

W pułapce intertekstualności. O potencjalnym przekładzie powieści Rot (Hunger) Senthurana Varatharajaha

63%

Majkiewicz A.

Świat i Słowo

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2023

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tom 41

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nr 2

19-34

EN

The researcher assumes that not all references to earlier texts should be defined as intertextual. Based on a functional criterion, she considers intertextual references that enrich or constitute the semantics of a text to be intertextual references that are relevant to translation theory and practice. The aims of this article are, firstly, to examine the sense-making role of intertextual references in the 2022 novel Rot (Hunger) by the Sri Lankan German-language writer Senthuran Varatharajah, and, secondly, to identify the difficulties facing a potential translator.

7

Polski prekursor intertekstualności? Rzecz o „wpływologicznych” książkach Stanisława Windakiewicza

51%

Lubański M.

Prace Literaturoznawcze

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2013

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nr 1

251-266

EN

Issues concerning history of literary research in Poland constitute content of the paper. The author aimed at examining possible relations between contemporary researches on intertextuality and so called Polish school of ”influenceology” – a popular trend in Polish literary study in two first decades of the 20th century. Ruminations on scholarly achievements of Stanisław Windakiewicz who is the main representative of this trend are included in the paper, as well as detailed critical reception of his works at that time. An outline of differences of opinions between supporters of researches on literary influences and interrelations and opponents of such way of analyzing of literature were presented. The author aimed at emphasizing both advantages, as well as disadvantages of comparative investigations of that time. Finally, similarities and differences between ”influenceology” and intertextuality were pointed. Definitions of intertextuality proposed by i.e. Polish literary theoreticians ( H. Markiewicz, M. Głowiński) were used in the paper.

8

Synové Kafky: Kafkovské intertexty v díle Pétera Esterházyho, Mihálye Kornise a Szilárda Borbélye

51%

Szarka S.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2024

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tom 34

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nr 69

10-22

EN

The study focuses on three authors of contemporary Hungarian literature who enter into a dialogue with Kafka’s texts through intertextual references and elevate these intertexts to the level of textforming elements in their own works. It examines Kafkaesque intertexts in Péter Esterházy’s Indirect (Függő) and The Book of Hrabal (Hrabal könyve), Mihály Kornis’s drama Punishments (Büntetések), Szilárd Borbély’s poetry collection Berlin — Hamlet and his posthumously published fragmentary novel Kafka’s Son (Kafka fia). Based on the analyses carried out, it can be concluded that Kafka’s significance for contemporary Hungarian literature is not limited to the simplistic category of literary influence, but involves multifaceted and complex interactions that, in the case of all three authors under study, are related to the desire to transcend the prevailing literary discourse.

9

Stary Testament/Tanach w chrześcijańskiej Biblii

51%

Slawik J.

Rocznik Teologiczny

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2015

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tom 57

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nr 4

401-426

PL

W artykule zajęto się pytaniem o chrześcijańskie odczytywanie Biblii Hebrajskiej/Starego Testamentu, która jest jednocześnie pierwszą częścią kanonu chrześcijan i Pismem świętym Żydów (religii żydowskiej), po Auschwitz, za który teologia chrześcijańska ponosi współodpowiedzialniość. Punktem wyjścia jest prezentacja trzech współczesnych propozycji hermeneutycznych: Christopha Dohmena, Franka Crüsemanna i Waldemara Chrostowskiego. Chrystologiczna interpretacja Biblii Hebrajskiej jest możliwa jedynie świetle wiary wielkanocnej uczniów Jezusa, bez wiary wielkanocnej taka interpretacja byłaby nie do pomyślenia, bez społeczności chrześcijańskiej by nie istniała. Przy czym dla chrystologicznej interpretacji nie ma zasadniczego znaczenia, czy jej podstawą jest Biblia Hebrajska czy Septuaginta.

EN

The author asks about Christian ways of reading of the Hebrew Bible as a first part of the Christian biblical canon in times after Holocaust. He presents three modern hermeneutical proposals of this reading: Christoph Dohmen’s, Frank Crüsemann’s and Waldemar Chrostowski’s (as representative for Polish roman catholic theology). A Christological lecture of the Hebrew Bible is possible only in the light of the Eastern experience of Jesus’ followers. The lecture is strongly connected with the first century Jewish interpretations but unimaginable without the faith in Jesus’ resurrection. From intertextuality point of view the Christological interpretation of the Hebrew Bible is necessary and inalienable but only within the Christian community of faith. A question whether the Christian Old Testament is the Hebrew Bible or the Septuagint is of minor importance. For understanding of Christian traditions we need the Hebrew Bible and the Septuagint, and intertestamental literature.

10

På vej mod short storyen – om søgen efter den litterære identitet i Lise Andersens kortprosasamling "En særlig sommer og andre billeder" (2008)

51%

Zańko A.

Folia Scandinavica Posnaniensia

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2012

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tom 14

EN

The article derives from the intertextual approach to the notion of literary identity, introduced to the modern literary theory in the 1960’s by Julia Kristeva (born 1941). The main idea behind this approach is that no literary text should be perceived as an isolated unity, but always in relation to other texts, which it refers to. The author applies the intertextual perspective to examine the signs of external literary influences in Lise Andersens minimalist prose collection ”En særlig sommer og andre billeder”, published in 2008. The analysis aims to highlight influences from the American short story genre, which appears as an important source of inspiration not only for Andersen herself, but in fact for most of the Danish writers of minimalist fiction. The analysis provides examples of, how inspiration from the American short story manifests itself in form, narration and structure of the selected stories in the collection. Last but not least, the author draws attention to the general importance of American influences in Danish contemporary short fiction and their role for the critical perception of this literary genre both in Denmark and abroad.