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Reading The Silence In The Maternal Text Of Carol Shields’Unless

100%

İNCEOĞLU Ş.

Gender Studies

2014

tom 13

nr 1

66-79

This article scrutinizes the representation of silence in Carol Shields’ novel Unless. It analyses the problematic behind the mother-daughter relationship between Reta Winters and her daughter Norah by applying the theories of Cixous, Kristeva, Chodorow and Irigaray in relation to maternity and identity. Reta Winters’ so-called ideal life is called into question by her daughter Norah's sitting on the streets with a sign board on her chest with GOODNESS written on it. Reta wonders what she has done wrong throughout her life, and eventually, while writing a novel, starts to realize that she has never created maternal discourse with her daughter. Thus, as the novel unfolds in chapters most of which have adverbs or prepositions as their titles, Reta creates a maternal text, both oral and written, by the end of the story.

Tłumaczki chleb powszedni. Ludmiła Marjańska i Mary Swann

87%

Rajewska E.

Poznańskie Studia Polonistyczne. Seria Literacka

2018

nr 33

291-307

The article discusses a translation of a Carol Shields’s novel Swann. A Mystery (1987) by a Polish poet Ludmiła Marjańska (Zagadka wiecznego pióra, 1998). Marjańska’s translation is not an easy one to assess: it contains some shifts as well as simple mistakes, but Polish versions of lyrics quoted in the novel as written by a mysterious, unacknowledged (and non-existing) poet Mary Swann are undeniably its strongest point. What makes them more interesting, they show close affinity to poems by Emily Dickinson translated by Marjańska – and to her own poetry.