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2 Acta Universitatis Sapientiae, Philologica

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‘Transfers’ in Hungarian Literature from Vojvodina

100%

Bence E.

Acta Universitatis Sapientiae, Philologica

2014

tom 6

nr 1

53-61

The study examines the variants of the postmodern phenomena of literary ‘transfer’ (‘trans-correspondence,’ ‘transpass’) and their relationships with Hungarian literature (in Vojvodina) from the beginnings (the creative tradition of Kornél Szenteleky’s oeuvre) up to the events of present-time literary history (e.g., to the publication of Esti by Péter Esterházy). Referential aspects (the literary themes of the railway, the train, the change of trains), specific contexts (e.g., Kornél Esti as a contextual ‘transferring’ literary character) and metaphorical contents (e.g., the meanings of the straight line and the plane in the literature of the region) come into the focus of our research. Another significant aspect of the research is the interpretation of the intricate web of cross-cultural ‘transfers’ (between the works of Dezső Kosztolányi-Danilo Kiš-Péter Esterházy). The dominant motif of Central-Eastern European man’s experience of space is the straight line of the flatlands: lacking the sea-experience of the Southern European or of the more southern regions, as well as the related mythical experience of the world, infinity-experience, or reality perceptions hosting unrealities. The trip in this sense is an intermediate form of life: movement towards other shapes. The direction and extent of this movement has always been defined by the ‘straight line,’ the main road, and later the straight line of the railway

A Hungarian Writer’s Experience of the Mediterranean: On Ferenc Herczeg’s Szelek Szárnyán Travelogue/ Ship's Log

63%

Bence E. , Németh F.

Acta Universitatis Sapientiae, Philologica

2015

tom 7

nr 3

37-53

One of the works of the much disputed and until recently often avoided oeuvre of Herczeg Ferenc is the attention-grabbing work entitled Szelek szárnyán [On the Wings of the Wind] (1905). a travelogue and a ship’s Jog. Its analysis casts another view on the life of this writer, bom in South Banat. who. at the beginning of the 20th century, sailed the Adriatic and the Mediterranean with his nephew in his sailing boat called Sirály (The Seagull) - thus demonstrating and choosing a secessionist lifestyle, even abandoning Budapest -, and his inspiration by the sea reached a peak in this volume (Secessionist in every sense, advertising the beauties and values of the Adriatic). This prose work was created in the context of Rijeka, Zadar, Sibenik. Trogir, Split, Dubrovnik, and Boka Kotorska. which (apart from its Secessionist character), owing to its cross-artistic and multicultural features, blends various art forms and ways of expression. It gives a superb experience to the reader. The study interprets and analyses Ferenc Herczeg’s volume Szelek szárnyán as a complex genre created in a cross-artistic environment, with the objective to emphasize and present its special role and standing in Hungarian literature as well as in the field of fine and applied arts.