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5 Skiba T.

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Księga Schulza, Księga Lema

100%

Skiba T.

Schulz/Forum

2018

nr 12

The Book is not only a crucial element of the fictional world of Schulz and Lem, but also a metaphor of creation. The poetic imagination of both writers is rooted in the mythical image of the ur-Book, the Authentic Scroll which makes the axis mundi of reality. The artistic task of Schulz was to reconstruct that lost idea, while Lem decided to abandon it in favor of a vision of enormous, overwhelming libraries. At any rate, the attitude toward the myth of the Book turns out to be a common element, if not a symbol characteristic of both Schulz’s and Lem’s fiction.

Witold Gombrowicz i Bruno Schulz. Biografie równoległe

100%

Skiba T.

nr 16

45-97

This article gives an account of the overlapping biographies of Witold Gombrowicz and Bruno Schulz. It frames the events which brought the two writers together with a discussion of their literary debuts in 1933, which preceded their first meeting, and the post-war memories of Gombrowicz, who kept reminiscing about his “deceased friend”. The author describes the meetings and conversations between Schulz and Gombrowicz that took place at the latter’s apartment or in Zofia Nałkowska’s salon, their joint undertakings, such as the publication of open letters in Studio magazine, and their battle with literary critics, whose spiteful comments and attacks were aimed at what they called “young literature”. The article presents testimonies of Gombrowicz and Schulz’s mutual inspirations and interpretations, and discusses texts and events which echo their vigorous correspondence, mostly lost during the Second World War. This mosaic of dispersed facts and memories depicts a great friendship between two artists, who approached each other with curiosity and respect, but also with their typical penchant for self-irony. The idea of parallel biographies was born during the author’s work on the research project Calendar of the Life, Work, and Reception of Bruno Schulz.

Popiół ze Sztokholmu

100%

Skiba T.

Schulz/Forum

2015

nr 5

154-158

Cynthia Ozick’s 1987 novel, The Messiah of Stockholm, has been reviewed all over the world. In the United States, where Ozick is considered a major writer, it has been received very well, while in Europe it has been acknowledged mainly thanks to its connection to Bruno Schulz. It was a clever marketing move, a part of Ozick’s creative writing strategy. Even though her novel has provoked many objections (poor content and form, lack of authenticity, empty generalizing), it has a certain charm which is quite difficult to resist. The present review is an attempt to shed some light on that specific feature of Ozick’s writing.

Bruno Schulz czyta Conrada v. 2

100%

Skiba T.

nr 15

74-82

The paper refers to a problematic relationship of Bruno Schulz with Joseph Conrad, analyzed for the first time by Bogusław Gryszkiewicz. Gryszkiewicz’s text has become for the author a pretext to ask questions concerning the limits of Schulz studies and the originality of Schulz himself. Passionately trying to find literary parallels, should we be indifferent to what is original, unique, and incomparable? If we take such an attitude to Schulz, he turns out a writer with the imagination of a plagiarist, who only translates texts by other writers into his idiom. This kind of a comparatist interpretation, lost in the maze of literary references and intertextual echoes, is a trap. In such a maze one is unable to recognize Schulz’s depth and his fabulist machinery that made absolutely original events and characters.

Mitologizacja dzieciństwa – "Wysoki Zamek" i "Sklepy cynamonowe"

100%

Skiba T.

nr 19-20

137-151

At the core of Bruno Schulz’s and Stanisław Lem’s imaginary are the same images of magical phenomena and rituals formed in their childhood. These prospections of two children, these two overpast worlds, almost thirty years apart, separated by groundbreaking political events, are surprisingly close to each other. Schulz devoted his writing to a constant interpretation of these primal ideas and “pre-set verses”. Lem deposited this potential in one book, Highcastle: A Remembrance. Lem’s autobiography is connected with Cinnamon Shops not only by the same repertoire of motifs and memories, but also by a characteristic style and metaphorization of language. The Highcastle turns out to be a record of the Lem’s mythology of his Lviv childhood – just like the Cinnamon Shops, the book that mythologizes Schulz’s childhood in Drogobych. The paper is an attempt to analyze these two mythologies, and indicate points of contact as well as references and polemics in Lem’s text.