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Sicily, Not Italy

100%

Salmeri C.

2017

tom 10

nr 2

Claudio SalmeriFaculty of PhilologyUniversity of Silesia in Katowice Sicily, Not Italy Abstract: Since the American continent became a part of the European imagination, it has always been seen to represent freedom. Especially after 1776, when the American democratic “experiment” giving rise to the United States proved durable, America became a source of social and political inspiration to generations of Europeans and non-Europeans alike. Unsurprisingly, also in the Italian context, the catalog of ways in which American values have been “translated into Italian” and adapted to Italy’s cultural space seems to be ever-growing. Yet, even though the cultural transfer dates back to Christopher Columbus, it is especially since the outbreak of World War II that Italy has been markedly influenced by intellectual and material values generated in the US. At some point, the fascination with the US soared to such a level that, incredibly as it may sound, one of the most iconic provinces of Italy would begin to imagine itself as the forty-ninth state of the US long before Alaska and Hawaii gained their present-day status: in Sicily, the American fascination seems never to abate.

L’uso dei tempi e dei modi, traduzione delle espressioni fisse, idiomatiche e metaforiche e cambiamenti dei costrutti frasali nella versione polacca de «I dodici abati di Challant». Come superare i limiti di un sistema linguistico

100%

Salmeri C.

nr 3

81-94

The purpose of this paper is to present a comparative analysis of a novel written in Italian by Laura Mancinelli, 'The Twelve Abbots of Challant', and its translation into Polish prepared by Maciej Brzozowski. Focusing on a few examples, such as the use of grammatical tenses and moods, differences in the syntax, and the problems of translating idiomatic and metaphoric expressions, the paper aims to compare the author’s style with that of the translator. The task undertaken by the translator seems very hard indeed from the very beginning due to considerable differences between the Italian and Polish languages in the use of tenses and moods. While the Italian grammar uses four moods, eight simple and seven compound tenses, the frugal Polish grammar makes with just three modes, one compound and three simple tenses. The discussion will clearly illustrate that thanks to some modifications it was possible to translate and preserve the meaning and the spirit of the Italian grammar and style.

Nomi propri nelle traduzioni polacche di “Il fu Mattia Pascal” di Luigi Pirandello

88%

Salmeri C.

2014

nr 1

67-72