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OBRAZ TALIANSKA AKO CENTRA KATOLÍCKEJ CIRKVI V CESTOPISNÝCH ZÁZNAMOCH Š. NEMECSKAYA

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Vargová Z. , Gallik J.

Studia Historica Nitriensia

2023

tom 27

nr 2

566 - 579

In the Slovak environment in the 19th century, trips to Italy were inspired by the possibility of getting to know the cradle of European culture, history and education, valuable artistic monuments and holy places and aristocratic courts. The records that were written from these trips, and whose authors were priests well versed in the cultural and political history of the visited region and represent a special type of travelogue in the context of the observed period. Instead of a national focus, they primarily pursue confessional aims, which – along with the fact that they do not significantly interfere with the development of travel prose – determine their peripheral status, or that they remain outside the attention of literary historiography. This circumstance was also confirmed by the fact that many of them remained in manuscripts or were published only on the pages of religiously oriented magazines and in calendars. The paper focuses on the research of the image of Italy, which, based on his authentic experience from the trip, is presented in the travelogues published in magazines written by the priest and Catholic author Štefan Nemecskay, a representative of the second generation of Bernolakites.

DURYCHOVA NOVELA „BOŽÍ DUHA“ VO FILMOVOM SPRACOVANÍ

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Gallik J. , Vargová Z.

World Literature Studies

2019

tom 11

nr 3

28 – 41

The displacement of Germans from Czechoslovakia after the end of World War II is a tragic event that greatly affected many people’s lives. The treatment of this subject in Czech literature took various forms, ranging from the schematically modelled literature of socialist realism, which mainly perceived the displacement of Germans as an act of righteous retaliation for the horrors of war caused by German fascists, to existentially tuned works that perceived this event on the basis of the deeper causes of misunderstanding and hostility of both nations. As the philosopher Jan Patočka states in the epilogue (1991) to Jaroslav Durych’s novel God’s Rainbow, the author who created a great song of regret which conditioned and prepared hope for the spiritual reconciliation of the Czech and German nation was finally found. The merit of the comparison of Durych’s novel and its television adaptation from 2007 (by director and screenwriter Jiří Svoboda) is mainly the question whether the adaptation puts only the tragic nature of the theme of the displacement of Germans from the Czech border at the forefront or if it tries to display also the difficult platform of the Baroque phenomenon (e. g. focusing on space or characters). In Durych’s work, including God’s Rainbow, specifically in the language, composition, stylistic construction, motifs, symbols or function of detail, there is an evidence of enhancing the Baroque perception of reality.