Wyniki wyszukiwania - Biblioteka Nauki

1

J.G.Droysen, Zarys historyki, przeł. M. Bonecki, J. Duraj, Bydgoszcz 2012

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Sawicki M.

Rocznik Antropologii Historii

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2013

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nr 2(5), Genealogie kultury

334-336

XX

Review article of the book J.G. Droysena pt. "Zarys historyki", przeł. M. Bonecki, J. Duraj, Bydgoszcz 2012, ss. 159.

2

Gegenwart und Geschichte verschiedener Übersetzungen desselben Originals in komplementärer Relation

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Plęs Ł. M. , Universität Łódź P. F.

Acta Universitatis Lodziensis. Folia Germanica

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2013

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tom 09

EN

According to Savory’s conception, one of the paradoxes regarding the translation of literature lies in translating literature works in such a way that the texts reflect the author’s contemporary language and, on the other hand, that the language of the translation could be perceived as a contemporary one to the translator and, accordingly, to the readers. On the one hand, the texts are witnesses of their epoch, on the other hand, the language considered to be too outdated can become a formidable obstacle to gain contemporary readership. If it comes to translation of non-contemporary texts, the translators attempt to make compromises consisting of a partial introduction of obsolete expressions. The language of the translation becomes outdated as the original itself, therefore, new translations of literature works occur, albeit the classical translations are almost regarded as indigenous literature. In the opinion of the author of the present article, the coexistence of many translations of the same work allows the readers to gain a unique insight into various aspects of the original, namely because of their contemporary relationship.

3

Tłumaczenie „Akacje kwitną” Debory Vogel na język japoński. Pokusy i trudności

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Kato A.

Konteksty - Polska Sztuka Ludowa

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2019

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tom 73

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nr 1-2 (324-325)

169-174

EN

This paper outlines the significance of Debora Vogel’s prose in 20th century modernist literature. Additionally, referring to my own experience of translating Vogel’s Acacias Blooming (published in Yiddish in 1935 and Polish in 1936) from Polish and other works from Yiddish, this study explores the characteristics of Vogel’s prose through her original concept of the “montage” as a literary genre, as well as the similarities in literary and artistic concerns between Vogel and Bruno Schulz. First, this study suggests that Debora Vogel, a Yiddish modernist writer who was rediscovered in the mid-2000s and who contributed to modernist Yiddish magazines published in the US, is a key figure in the reevaluation of the modernist movements of Central and Eastern Europe. Vogel’s choice of Yiddish, a language of diaspora that was not her native tongue, enabled her, living in Lviv, the “periphery” of modernist literature and art, to join the forefront of modernist literature flourishing in major cities like Paris, New York or Berlin. Second, by describing the characteristics of Vogel’s prose and her concept of “montage,” this paper explains the difficulty of translating her prose into Japanese (for example, her frequent use of conjunctions like “and” and “but”). Third, this paper identifies similarities in the literary and artistic concerns of Vogel and Schulz as well as their different approaches: first, they attempted to blur the traditional boundary between visual art and literature, and second, they objected to the poetic language proposed by Tadeusz Peiper. Finally, this paper summarizes the current trend in the study of Polish interwar literature in which interwar Polish writers like Vogel, Schulz, or Bruno Jasieński, who were bilingual or multilingual, have become key figures in the present day reevaluation of the modernist maps of the 20th century. Their activities reached beyond the boundaries of language and country, therefore, by searching for the materials written by or on these writers in languages other than Polish, we can discover new networks and extensions of European modernism.

4

Das Grundgesetz für die Bundesrepublik Deutschland und seine polnische Übersetzung. Teilergebnisse einer kritischen Translationsanalyse

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Sztuk A.

Lingwistyka Stosowana / Applied Linguistics / Angewandte Linguistik

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2012

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nr 6

187-204

EN

The aim of this article is to present selected results of translation analysis of the Basic Law of the Federal Republic of Germany into Polish. The Basic Law is the most important German legal act which determines legal order and division of powers. This article is divided into three parts. The fi rst part outlines general matters. The second part presents characteristics of legal texts and refers to the issue of equivalency. The fi nal part presents results of the translation analysis which was carried out based on two layers: lexical and cognitive. In the crucial third part of the article it is argued that an appropriate translation requires not only using suitable equivalents but also passing the speaker's intention and text information. The analysis confi rmes that a translator of legal texts is supposed to have excellent command of two languages followed by a sound knowledge of comparative law.

5

Les connecteurs discursifs comme moyen de produire un effet humoristique dans « La vie devant soi » de Romain Gary et sa traduction en polonais – étude traductologique

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Szeflińska-Baran M.

Studia Romanica Posnaniensia

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2013

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tom 40

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nr 3

117-126

EN

The subject of the paper is linguistic humour examined from the point of view of its functioning in intralinguistic literary communication (monolingual) as well as from a much broader point of view which comprises the problem of crosslinguistic and crosscultural transfer of facetious elements. The analysis has as its subject different forms of verbal humour which can be observed in linguistic communication that is understood as any manifestation of linguistic activity. Having assumed such a broad perspective of communication allowed to analyse humour from the point of view of its functioning, not only within one cultural-linguistic community, but also to analyse this phenomenon in the crosslinguistic and crosscultural context.

6

Alcune considerazioni sull’uso della traduzione nella didattica d’italiano come lingua straniera

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Paleta A.

Studia Romanica Posnaniensia

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2013

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tom 40

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nr 3

55-64

EN

For many years, the translation has not been recommended and has even been banned in language teaching and learning. Recently, it seems to regain some success at this field. In this article we briefly analyze how the role of this technique has changed throughout the years within the major language teaching theories so as to get to the reasons for its reassessment we can observe nowadays. Finally, we present some considerations on how we can use activities based on translation in the classroom with a particular regard to Italian language teaching to adult learners who are native speakers of Polish.

7

The Genesis of the Idea ‘Dutch Written Literature’ in Bohemia

85%

Engelbrecht W.

Werkwinkel

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2016

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tom 11

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nr 1

73-94

EN

Since mid-19th century Dutch and Flemish literature has often been translated into Central European languages. We find authors like Conscience, Multatuli or Heijermans almost everywhere, often with the same works. Until the late 19th century translations were often made via German. Czech had a special position. Though there is not that much translated into this language as into German, until World War II Czech was the language into which was translated more than into other Central European languages. Until the 20s many translators were writers themselves. This gives rise to questions such as how the choice was made, what is the position of a particular author or his work within translated literature? How was Dutch literature defined? In this paper, we give a look how the choice was made, at the position of translators of Dutch literature in the late 19th and early 20th century in the Czech literary field, the position of Dutch in their work and how this literature was received in translation.

8

Kontakty językowe: analiza wpływu języka angielskiegona język polski na przykładzie tłumaczenia Wiedźmina

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Daniel A.

Academic Journal of Modern Philology

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2017

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tom 6

65-73

EN

Chrzest ognia by Andrzej Sapkowski is a collection of short stories published in Poland in 1996; however, the first English edition, Baptism of Fire, was not published until 2014. The analyzed fragment abounds in nomenclature connected to the Slavic culture as well as neologisms. The uniqueness of the text results from Slavic character. One may observe that the main difficulty in the translation of such a culture-bound text is that Slavic literature is not popular worldwide; nonetheless, The Witcher Saga is a worldwide phenomenon, as it was placed on the New York Times bestseller list. It is worth noting that despite the fact that the way in which neologisms are coined in a fictional novel may differ from the coinage of words in the standard language, the word formation processes are similar to those applied in standard English or standard Polish. However, it should be noted that there is unknown what really enables a borrowing to catch on in another language.

9

La reconstruction d’un univers merveilleux. Autour de la traduction des métaphores d’Angela Carter en français et en italien

80%

Monti E.

Między Oryginałem a Przekładem

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2017

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tom 35

65-81

EN

This essay sets out to analyze the re-construction of a marvelous world in the translations of Angela Carter’s works (1940-1992). It does so by focusing on metaphors, seen as cognitive and stylistic elements which are both relevant in the construction of such world, and emblematic of the overall translation strategy. Our parallel corpus consists of a selection of stories from Angela Carter’s The Bloody Chamber and other stories (1979) and their three translations (two into Italian, one into French). The stories in this collection offer a profound rewriting of Perrault’s tales and subvert the canon by adding an explicit sexual dimension to these stories and questioning male supremacy. We shall illustrate the strategies implemented by the Italian and French translators to recreate the uncanny images and associations that deliberate metaphors can trigger in the minds of their readers. We aim at drawing a few tentative conclusions about the construction of marvelous through metaphors, as well as on the translation approaches to such elements and works.

10

Stylizacja na dziewięćdziesiąt dziewięć sposobów. Raymond Queneau według Jana Gondowicza

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Mitura M.

Między Oryginałem a Przekładem

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2015

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tom 29

25-36

EN

The paper constitutes a review of translation techniques and strategies used by Jan Gondowicz in his translation of Exercises in Style by Raymond Queneau. Methodology of organising diversified content of the original is based on classification of metaboles developed by Groupe μ. Analyses have shown that the translative dominant is situated at the discourse level: the translator very skilfully plays with potential of the language and conventional text forms. Not only does he comply with organisation constraints or isotopies of the vast majority of Exercises, but at times goes deeper into a style imposed by a given formal constraints.

11

Term Context

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Bancerek G.

Formalized Mathematics

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2014

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tom 22

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nr 2

125-155

EN

Two construction functors: simple term with a variable and compound term with an operation and argument terms and schemes of term induction are introduced. The degree of construction as a number of used operation symbols is defined. Next, the term context is investigated. An x-context is a term which includes a variable x once only. The compound term is x-context iff the argument terms include an x-context once only. The context induction is shown and used many times. As a key concept, the context substitution is introduced. Finally, the translations and endomorphisms are expressed by context substitution.

12

Diferencias en el marco estilístico entre las localizaciones polaca, española e inglesa del videojuego „The Witcher III”, y relación con la obra de Andrzej Sapkowski

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Jagosz A.

Estudios Hispánicos

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2016

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tom 24

77-91

EN

The presented article approaches the concept of game localization, by comparing three language versions — Polish, English and Spanish — of the critically acclaimed game: The Witcher 3: Wild Hunt. It focuses on stylistic relations between some of the game’s text assets and their literary source material, as the game is based on a fantasy series by a Polish writer Andrzej Sapkowski. Firstly, it presents a brief characteristic of the localization process and its different models which were applied in this particular case and then it focuses on the distinguishing marks of the author’s writing style. Thereafter, it is illustrated with examples how the three linguistic versions of the game transfer the distinguished linguistic features in order to conclude which one of the language versions and localization models can be considered more suitable for preserving the source material style.

13

Translation of Questionnaires in Cross-National Social Surveys: A Niche with its Own Theoretical Framework and Methodology

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Przepiórkowska D.

Między Oryginałem a Przekładem

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2016

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tom 31

121-135

EN

The paper describes the niche of questionnaire translation in cross-national surveys and its characteristics (theoretical framework and scholarly reflection, methodology, practice of questionnaire translation), indicating some gaps to be filled by future Translation Studies research in this subfield.

14

POSSIBILITE ET IMPOSSIBILITE DE LA TRADUCTION DES METAPHORES COMME PARTICULARITE DU LANGAGE POETIQUE

80%

Durdureanu I. I.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

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2010

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tom 2

161-172

EN

Translation of poetry relies on some strategies that envisage the text as a unit of translation. Consequently, the translator will adapt his/her methods according to the type of text, focusing also on the target culture. Metaphors, as stylistic devices of poetry, are culturally bounded to a certain way of viewing the world; that is, the translator must take into account first the culture involved in the translation process and then the linguistic and formal aspects.

15

Długa nocna podróż samochodem; Również do sklepów; Klucz do sukcesu; Wieczór - wiersze Kunwara Narajana w tłum. Darii Dulok

80%

Dulok D.

Przegląd Orientalistyczny

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2022

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tom 1-4 (281-284)

115-117

16

Explication as a means of language and cultural adaptation in the process of fiction text translation

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Ostapenko S. , Udovichenko H.

Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe

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2022

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nr 6(3)

73-79

EN

The purpose of the research is to identify a range of possible ways of explication in the translation of a literary text, their study and systematization taking into account the general strategy of the translator. The task of the research is to consider and analyze the application of explication in Ukrainian translations of G Wells’s novel “The Invisible Man” performed by M. Ivanov and O. Didyk using the method of contextual, comparative and, in some cases, component analysis. The undertaken analysis of scientific theories testifies that the reasons that prompt the translator to apply explication can be external and internal. One of the factors at the junction of internal and external causes is the role of the translator as a mediator in the process of interlingual communication. Based on comparative analysis, we concluded that M. Ivanov’s translation decisions quite specifically and adequately reflect the versatility and complex intertwining that are characteristic of G. Wells’ reproduction of the picture of what is happening. However, it is not always possible to prioritize the decision of M. Ivanov, as very often the translator deviates from the original and applies a paraphrase. O. Didyk’s translation is dominated by a position with a focus on the recipient culture. The practical significance of the study is in the possibility of using the conclusions and recommendations in the practice of literary translation and editing of translated texts, as well as in assessing the quality of translation.

17

Dlaczego walczyłem dla Kupidyna, czyli o walce o średniowieczne rymy w polskim przekładzie Carmina Rivipullensia

80%

Woźniak M. J.

Collectanea Philologica

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2020

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nr 23

129-144

EN

Carmina Rivipullensia is the only existing collection of medieval Latin love lyrical poetry deriving from Spain. It is a unique testimony of skilful and creative use of the Latin poetic tradition on the Iberian Peninsula. Songs have not yet been translated into Polish. The aim of the article is to present a collection which is little-known in Poland along with a proposed translation of one of the poems and a commentary on literary devices applied in the translation as well as dilemmas faced by a contemporary translator.

18

Wergiliuszowy epyllion o Orfeuszu i Eurydyce: na warsztacie badaczy, artystów, tłumaczy… Transpozycja opowieści do polszczyzny

80%

Arndt A.

Collectanea Philologica

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2020

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nr 23

91-97

EN

The article discusses differences in the treatment of the Virgilian epyllion by scholars and artists. It also indicates that the work of a translator is the result of the activities in both areas. A few introductory remarks are followed by Polish translation of the story.

19

Na peryferiach teorii – trzeci język w przekładzie

80%

Kaźmierczak M.

Między Oryginałem a Przekładem

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2016

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tom 31

63-91

EN

The paper substantiates the importance of the so-called third language (L3) as a translation issue – despite claims that it is straightforward (e.g. by Fyodorov) or, conversely, that it defies TS insight (Bellos). The research so far is summarized and in the empirical part a working typology of techniques applied in translating L3 material is offered, illustrated by extracts from Boris Akunin’s Russian historical detective novels and their Polish renditions. The author pays attention to such questions as the form of notation of L3 elements in the original (in the Cyrillic or Latin alphabet), paratextual strategies and the functions which the foreign interpolations perform in their contexts and macrotexts.

20

O przekładzie oraz współczesnej recepcji w Bułgarii powieści Chłopi Władysława Reymonta

80%

Dimitrowa M.

Postscriptum Polonistyczne

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2013

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nr 2(12)

275-278

EN

This article is dedicated to the novel Peasants by the Polish writer Władysław Reymont. The author of the article presents a brief overview of the history of translation and the modern reception of the novel in Bulgaria.