Wyniki wyszukiwania - Biblioteka Nauki

1

Barrabáš/Barabáš/Barabbáš v českých překladech Nového zákona v 16.-18. století

100%

Dittmann R.

Národopisný věstník

|

2022

|

tom 63

|

nr 1

82-98

EN

This contribution describes the adaptation process of the anthroponym Barrabáš/ Barabáš/Barabbáš in Czech versions of printed New Testament text in the Early Modern Period. Following the development in foreign sources, the Czech form changed from Barrabáš and Barabáš, inherited from the Old Czech translation tradition, to Barabbáš. The latter is the form introduced into Czech tradition by the Náměšť New Testament of 1533, it prevailed in Brethren translations from 1601 onwards and in the exile, whereas the Baroque Catholic tradition in the St. Wenceslas Bible opted for Barabáš, a form exceptional in the late pre-1620 editions.

2

Očividná minulost: reprezentace prostoru v bohemikálních dějepisných textech 16. a 17. století

84%

Malura J.

Česká literatura (Czech Literature)

|

2021

|

tom 69

|

nr 2

155-196

EN

This study focuses on the poetics of historical narrative, based on a broad sample of 16th and 17th century Czech and Latin historical prose texts. It explores ways of representing space in chronicles, histories, hagiographic narratives and thematically structured historiographical prose works, and it follows the use of topographical information, detailed descriptions, vivid descriptions and ekphrases. Spatial representations can often be understood as a manifestation of what is called evidence, a rhetorical device capable of depicting absent objects as if they were right in front of the addressee’s eyes, and at the same time a method intended to lend credibility to knowledge.

3

Dvě literární reprezentace jednoho města : Kutná Hora Mikuláše Dačického z Heslova a Jana Kořínka

67%

Malura J.

Česká literatura (Czech Literature)

|

2013

|

tom 61

|

nr 1

5-28

EN

a2_The literary representation of towns during the early modern age often has a tendency to depict the urban space as a utopian place, a perfectly organized and controlled community. This approach was very close to the heart of Jan Kořínek, who speaks of an idyllic “political garden”, i.e. faultless public administration, and paints a picture of Kutná Hora as a sanctified place and a paragon of Catholicism.

CS

b2_Literární reprezentace měst v období raného novověku často směřují ke konstrukci urbánního prostoru jako utopického místa, dokonale organizované a ovládané komunity. Tento přístup byl velmi blízký i Janu Kořínkovi, který hovoří o idylické „politické zahradě“, tedy bezchybné veřejné správě a který vytváří obraz Kutné Hory jako místa posvěceného, vzorově katolického.

XX

a1_On the boundary between cultural history and text poetics, this study compares two methods of literarily representing a town. It raises the question how literary texts create an urban space and the identity of its inhabitants and how specific literary strategies and the literary genres of the period played a role in this process. The author focuses on two important literary works in early modern literature on Kutná Hora, the second most important town in the Czech lands after Prague during the 16th and 17th centuries. The first one is Paměti (1593–1620), a town chronicle by Mikuláš Dačický of Heslov, while the second is Staré paměti kutnohorské (1675) by Jan Kořínek, presenting a combination of highly varied genres and text types, dominated by a celebratory approach. The word Paměti in the title of both works does not refer to personal memoirs but collective memory. Dačický’s Paměti only portrays the physical side of the town to a minimum extent (with exteriors and interiors, while St Barbara’s Church is mentioned more frequently as a symbol of the continuity of the town community), and it does not try to build up any notion of ideal space through description or figurative language. Dačický’s glosses and commentaries relate in particular to the social organism of the town (the idea of a closed society suppressing marginal groups, foreigners, the heterodox and others). Kořínek uses the conceptualistic baroque literary method, writing a stylized, occasionally parodistic panegyric to the town to show Kutná Hora as a distinctive and at the same time a privileged town. For this he uses refined rhetorical and intertextual strategies (e.g. description and “ekphrasis” of interiors, playing with the conventions of the humanist genre laus urbis and the like).

4

Čechami obchází strašidlo byrokrata. Posmrtné obrazy úředníků

67%

Chalupová H. , Reischlová D.

Folia historica Bohemica

|

2019

|

tom 34

|

nr 1

137-166

EN

The topic of this paper are folklore sources, namely demonological legends in which a revenant is embodied by a real historical personality - an official of the nobility. The study contains comprehensive biograms of officials whose personalities left a significant impression within the oral tradition. A comparison of the historical facts with the content of the plots of individual legends offers several hypotheses that can serve as an answer to the question of why have these personalities of officials of the nobility become the actors of the demonological legends.

5

K problematice lokalizace mlýnů a proměně jejich názvů na příkladu mlýnů města Horažďovice

67%

Škudrnová J.

Acta onomastica

|

2016

|

tom 56

208-218

EN

The article is attended to an issue of the mill names´ variability in Horažďovice, a small town in southwest of the Czech Republic. It is based on the thorough research of sources and its main goal is to prove how the research of changeable mill names could help to understand the development of milling in the certain area. In fact, the onomastic research could reveal many crucial cultural and social aspects that the conventional way of sources reading would not disclose.