Wyniki wyszukiwania - Biblioteka Nauki

1

Rozpad i trwanie wspólnoty. Cztery filmy o męskiej przyjaźni w czasach rodzenia się w Polsce kapitalizmu

100%

Piepiórka M.

Panoptikum

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2015

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nr 14(21)

76-95

EN

In four Polish movies – Dogs by Władysław Pasikowski, Private City by Jacek Skalski, Amok by Natalia Koryncka-Gruz and First Million by Waldemar Dziki – male friendship and its crisis was used to describe early phase of Polish capitalism. Each time the solidarity of men was valued positively and was confronted with threats connected with new, capitalist reality. Pasikowski’s movie criticizes new determinants of social prestige, Skalski’s movie expresses the disappointment of new, post-Solidarity political elite, Amok shows how young people lose out in the race for easy money, while First Million treats male community as a great support for getting rich. Free market economy promotes new ideal of citizen – enterpreising individual, who is interested in accumulation of capital and maximization of his profit. This new view of citizen is in conflict with values of Solidarity, which were rather close to ideas of socialism, like being in community. This four films comment on the new reality of Polish economia and ways of impact of free market on lifestyle, state transformation, business and the sphere of axiology.

2

Wizerunki mężczyzn w kinowych adaptacjach prozy Hallgrímura Helgasona

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Konefał S. J.

Panoptikum

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2015

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nr 14(21)

57-75

EN

Icelandic feature films shot in the Twenty-First century often contain an ironic critique of postmodern models of masculinity. The fictional figures that appear in those movies are often at odds with the traditional perception of national identity and suffer so-called “Peter Pan syndrome”. Moreover, many images created in Iceland after the year 2000 also include a witty reinterpretations of the media’s “generation X” model and suggestive commentaries on life in the liquid modernity. All these features of the male film figures can be seen as the personification of the changes taking place in Icelandic culture and the local community. These issues are associated with the processes of the collision of traditional values, linked with the older generation of Icelanders, with the globalized perception of the younger generations who are open to “pop-cultural outlook” on their country and identity.

3

Między opresją a subwersją – moda jako potencjalna przestrzeń wyrazu nienormatywnej cielesności

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Rawska M.

Panoptikum

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2015

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nr 14(21)

111-120

EN

The author analyses the presence of androgyny and transsexuality mainly in fashion industry which fashion journalists and commentators like to see as a milestone in the fight for equality, stressing the ambivalence of marketing techniques and arguing that – similarly to Erving Goffman’s category of stigma – apart from having subversive potential it can also have an oppresive downside.

4

Duże ciała na małym ekranie. Nienormatywne wizerunki męskości w neoserialach

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Major M.

Panoptikum

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2015

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nr 14(21)

136-151

EN

In my paper I described the bodies of male characters from popular American TV series (Louie, Looking, Broad City) and analyzed the relationship between large body and other people, work culture and society. In what way did feminism change our understanding of what is “female” and what is “male”? The social stereotype still considers that “doing something like a man” means doing it right, while “doing something like a girl” means doing it clumsily, wrongly or sloppily. In my paper I would like to focus primarily on the aspect of male body and what it means to be “looking like a man”. Is there such a thing as feminist political correctness regarding sexuality and the male body?

5

Representations of Masculinity in Advertising in Poland and China

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Frieske R. , Kamasz E.

Panoptikum

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2015

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nr 14(21)

124-135

EN

The below article explores how the physical attributes of the ideal man vary between Western culture (Poland) and Eastern Asian Culture (China). We have analyzed how popular culture, media and commercials have changed our views on the ideal male beauty. The study also briefly shows men’s reactions to the representation of male bodies in advertising, particularly when men are portrayed in a sexual, objectified, exploitative manner. In this work we have focused on Polish and Chinese representations of men and male bodies in commercials that hold common features of Western and Eastern Asian cultures as well as distinctive characteristics of these two countries.

6

Awangardowe wizje męskości. Jamesa Broughtona przygody z ciałem

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Idczak A.

Panoptikum

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2015

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nr 14(21)

98-109

EN

The aim of the paper is to describe the representations of masculinity in the works of James Broughton, an American avant-garde filmmaker and a poet, connected to the San Francisco Renaissance group. He has also played an active role in a gay movement since the ‘50s and became one of its icons. While analyzing Broughton’s movies the paper refers to Laura Mulvey’s concept of breaking the visual pleasure. The main goal of the paper is to trace changes occurring in the creation of a hero and narrator’s view in relation to their hetero- or non-heteronormativity. The author concentrates on the selected films from different periods of Broughton’s career, e.g.: The Adventures of Jimmy, The Bed, The Golden Positions, Song of the Godbody, Hermes Bird, Devotions. The paper argues that in Broughton’s works a viewer can find a shift from the creation of a male body as a constructed object of desire, through an attempt to deal with the theme of androgyny, to the affirmation of a non-canonical male body, which becomes the basis of the gay community.

7

Rytmy ludzkie i rytmy świata na festiwalu sztuki mediów Cynetart

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Kłeczek J.

Panoptikum

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2015

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nr 14(21)

154-163

EN

The article describes the festival of computer-based art Cynetart as a place of artistic experiments with ‚rhythm of nature’. Artists which took part in the festival in 2015 were using matter of nature as an instrument of artistic expression. According to the author, performances and interactive installation which were presented in the festival are specific form of a continuation of Émile Jaques-Dalcroze’s and Adolphe Appia’s artistic experiments. Eurythmics and performance practice (which started in 1910 in the same place – Festspielhaus in Hellrau) invoke to eurythmics of Dalcroze and Appia’s conception of light in performing arts. Performances: Jymming by Tom Fritz, Eternal Cave by Gil Delindro and Plectrum by Kuai Shen, were also interpreted as a form of posthuman and ecological aesthetics.

8

Fusing Masculinity with ICT in American Advertising

63%

Księżniak E.

Lublin Studies in Modern Languages and Literature

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2010

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nr 34

156-169

EN

This paper examines representations of men in advertisements for ICT products and services appearing the American magazine “Wired” in 1999-2001. The research reveals reinforcement of stereotypical “masculinity” of ICT, which is achieved through associating advertised products and services with the notions appealing to males (power, sex and success). It demonstrates that, despite the gender-neutral character of ICT, the advertising practices serve to reproduce and uphold the hegemonic gender order by constructing the American male consumer as empowered by the use of marketed ICT products and/or services.

9

Wokół kategorii macho. O kryzysie mężczyzny i kryzysie męskości w „Bitwie na niebie” Carlosa Reygadasa

63%

Łomanowska I.

Panoptikum

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2015

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nr 14(21)

46-55

EN

The aim of this article is to analyze the main character of the Carlos Reygadas’ movie Battle in Heaven contextualizing it in a critical reflection on the image of masculinity in Latin America. The author is placing Marcos’ character in three contexts. First is the machismo ideology, which the author links with the sociological reflection by Erving Goffman about the meaning of appearance and forms of expression in social life. Second is an intersexual relation of domination-subordination. The author juxtaposes behavior and bodies of Marcos and his lover Ana to show that traditional women and men roles are reversed here. The third context refers to the problem of banalization of life, which the main character suddenly started to feel. In reference to this three phenomena unfolds existential crisis of Reygadas’ character. But it can be read both as an individual perspective of a moment of recognition of one’s condition and also in larger perspective as a metaphor of collapse of the paradigm of masculinity which was in force until recently in Latin American culture. The author recounts opinions of researchers of this area about the crisis of the male identity and shows that Marcos’ existential situation can be interpreted as a metaphor of men’s situation in Latin America. Masculinity and the category of machismo are there in a process of redefinition mainly because of the women’s emancipation and transformations of feminine identity. This situation causes imbalance in social-cultural life and the model of reaction frequently chosen by men is passivity. But then it causes decomposition of social order, because inactivity is traditionally assigned to women. Not able to take action Marcos can be seen as a figure of male identity in contemporary Latin America.

10

Masculinity from the perspective of men with intellectual disability

55%

Gutowska A.

Interdyscyplinarne Konteksty Pedagogiki Specjalnej

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2020

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nr 31

PL

Current scientific publications present different paradigms of masculinity, but research in this area is a relatively new perspective. However, the specific nature of the everyday experience of people with intellectual disability is still neglected and unrecognised. The aim of this article is to show the concept of masculinity from the perspective of men with intellectual disability. The research is placed in the stream of qualitative research using a case study as a method. The subject of the research covers the statements of men with intellectual disability concerning masculinity. The analysis of the research material obtained from 12 interviews allowed for the identification of four types of masculinity.

11

Męskie fantazje – od freikorpsów do wszechpolaków [rec. Klaus Theweleit: Męskie fantazje. T. 1: Kobiety, strumienie, ciała, historia. T. 2: Męskie ciała. Przyczynek do psychoanalizy białego terroru. Przeł. Mateusz Falkowski, Michał Herer. Przekład przejrz

54%

Śmieja W.

Śląskie Studia Polonistyczne

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2016

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tom 8

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nr 1-2

247-256

EN

The classic study of the German social anthropologist is discussed in the context of different trends in “masculinity studies”. The reviewer demonstrates that “male fantasies,” analysed by Theweleit, are not solely a historical phenomenon, but nowadays – in a slightly modified form – can urge young men to (often dangerous) actions. Moreover, Theweleit’s book is also worth reading because throughout almost the whole previous century the Polish variant of masculinity has been referring to the hegemonic German masculinity as its antithesis.

12

Męskości w soczewce. Neotelewizyjne konstruowanie tożsamości w programie MTV Ex na plaży Polska

54%

Barłowski D.

Śląskie Studia Polonistyczne

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2020

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tom 15

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nr 1

EN

The article presents an analysis of an MTV’s show Ex on the Beach Poland, which focuses on male characters who exhibit masculinity “patterns” promoted (“constructed”) by the reality show in question. First off, the show’s “format” is presented, including its specificity in the context of reality show genre development in relation to the theory of paleo- and neo-television. The article’s subsequent sections analyse the characters appearing in the second series of Ex on the Beach Poland. In the end, the conclusions are presented that pertain most of all to entirety of commercial side of promoting particular “patterns” of masculinity.

13

Powódź – wilgotne zabija suche. Klęska męskości w Drachu Szczepana Twardocha

54%

Imiela P.

Śląskie Studia Polonistyczne

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2020

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tom 15

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nr 1

EN

In the article the author presents her interpretation of corporeality in Szczepan Twardoch’s books. She performs her analysis of male body’s image by emphasizing the opposition between biology-based disruptions of social constructs and machine-like process yielding the projection of a perfect soldier. What was indicated by the author is the influence of German authors on Twardoch’s novels, particularly Klaus Theweleit’s works. The analysis focuses on Josef Magnor, the main character of Twardoch’s Drach, serving as a figure of defeat in the context of variegated social relations, most of all relating to masculinity. The key to understand the failure of masculinity in Twardoch’s works seems to be the opposition: the dry – the wet, which facilitates transferring of considerations on war symbols directly into interpretation of Polish recent literature.

14

Wielka Wojna i męskość peryferii [rec. Monika Szczepaniak: Habitus żołnierski w literaturze i kulturze polskiej w kontekście Wielkiej Wojny. Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, 2017, ss. 400.]

54%

Pfeifer K.

Śląskie Studia Polonistyczne

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2018

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tom 12

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nr 2

195-205

EN

The article discusses Monika Szczepaniak monograph: Habitus żołnierski w literaturze i kulturze polskiej w kontekście Wielkiej Wojny [Habitus Soldier in Polish Literature and Culture in the Context of the Great War]. Following the changes taking place in the Polish habitus at the beginning of the 20th century, the author analyzes the strategies of creating a hegemonic normative militarized masculinity, which in its Polish variant refers to the heroic Romantic-Sarmatian models. In this context, the author discusses minority narratives, presenting various non-heroic masculinity superseded by dominant discourses.

15

Joseph: A different ethics is possible

51%

Autiero A.

Studia Teologiczno-Historyczne Śląska Opolskiego

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2023

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tom 43

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nr 1

15-26

PL

Przedmiotem artykułu jest etyka męskości we współczesnym świecie z perspektywy postaci św. Józefa. Jako „mąż sprawiedliwy” św. Józef był rozumiany w pismach św. Alfonsa M. Liguoriego jako człowiek odznaczający się wszystkimi cnotami. Wychodząc od tego stwierdzenia, autor rozwija etykę męskości. Na początku jest mowa o męskiej formie sprawiedliwości. W dalszej kolejności zostały przedstawione problemy z męskością we współczesnym świecie. Na końcu artykułu autor przedstawia konkretne propozycje dla męskości naszych czasów na podstawie postaci św. Józefa. Artykuł prezentuje ujęcie moralności, które odchodzi od paradygmatu kontroli i dominacji i przyjmuje styl współuczestnictwa i zatroskania.

EN

The matter of this paper is the ethics of masculinity in the contemporary world from the perspective of the figure of St. Joseph. As a “just man” St. Jospeh has been understood in the writings of St. Alphon M. Liguori as a man who posseses all the virtues. Starting from this assertion the autor developes the ethics of masculinity. In the first point is the speach about the masculine form of justice. The next point concerns somes problem with the masculinity in the contemporary world. At the end of this article the author speaks about concrete proposes for the masculinity of our days on the base of the figure of St. Joseph. The paper presents possibility of morality, that abandons the paradigm of control and dominion and embraces the style of sharing and of caring.

16

‘It’s all for girls’: re-visiting the gender gap in New Age spiritualities

51%

Trzebiatowska M. , Bruce S.

|

EN

Women’s disproportionate involvement in religion has been the subject of debate in the sociology of religion for some time. In particular, the gender gap in New Age spiritualities appears considerably greater than that found in the congregational sphere of mainstream religion. This article argues that there is nothing in being a woman per se that may attract an individual to certain spiritual activities but rather, that it is the elective affinity between women as a group and such activities that creates the impression of a direct appeal. Much of the holistic spirituality milieu is designed by women for women, not least the most popular elements concerned with healing and well-being. It is therefore possible that the initial gap between men and women is small but it becomes subsequently reinforced and widened due to the gendered nature of alternative spirituality courses, workshops and treatments.

17

„Nie-doświadczenie” wojny – na przykładzie wybranych utworów Kazimierza Brandysa

51%

Wróbel A.

Białostockie Studia Literaturoznawcze

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2017

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tom 10

EN

In her analysis of Kazimierz Brandys’s novels the author focuses on war and wartime as experience and “non-experience” in the perspective of Polish heroic myth and anti-civilian paradigm. In Polish culture romantic and heroic paradigm has substantial influence on the form of masculinity. Experience in this article is a metaphor, which includes participation in a war as a soldier. “Non-experience” in this perspective situates men on the margins of heroic culture. It further shows limitations of heroic culture and revises heroic tradition.

18

“We show that we are men”: the Dominant Masculinity Profile of the Portoan Ultra-groups

51%

Seabra D.

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nr 1

16-23

19

Masculinity – Christianity – Patriotism (Based on the Example of Catholic Intermedia Messages)

51%

Szczukowski I.

Prace Literaturoznawcze

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2019

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nr 7

17-28

EN

This article examines the project of male Christianity, which seems to be of increasing importance.The text aims to show some important aspects of this form of religiosity, referring to the exampleof journalistic statements, bulletins, books and rules that provide the basis of the functioningof Catholic associations.Male Christianity combined with patriotism seems to be an interesting testimony of the changestaking place at the meeting point of culture and religion. It primarily consists in reproducing thepattern of cultural counter-reformation days, based on the imaginary unity of the nation, which iscemented by Catholicism.

20

Muži-učitelé v mateřských školách – konstrukce maskulinity ve feminizovaném prostředí

51%

Fárová N.

Gender, rovné příležitosti, výzkum (Gender, Equal Opportunities, Research)

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2015

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tom 16

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nr 1

46-56

EN

This article focused on the topic of men working in feminized jobs, specifically male teachers in kindergartens. Male teachers in kindergartens are in a specific position due to their low numbers in this environment. This position implies several advantages for them - they are accepted with enthusiasm and with expectation of change. This treatment gives them the opportunity to construct their own and relatively "elite" version of masculinity that is not superior just to the femininity of female teachers but also to the other versions of masculinity. This "elite" version of masculinity is also supported by female teachers and it contributes to maintaining a dichotomous and hierarchical approach to men and women in kindergartens. The purpose of this article is to identify the main strategies that male teachers use in the construction of their version of masculinity in this feminized environment. The article is based on qualitative research, which included the observation in several kindergartens and interviews with male and female teachers in kindergartens.