Wyniki wyszukiwania - Biblioteka Nauki

1

,,Podlinnostʹarhitekturnogo naslediâ": k voprosu traktovki ponâtiâ (II častʹ)

100%

Goranskaa T.

Zeszyty Naukowe Politechniki Częstochowskiej. Budownictwo

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2020

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tom Z. 26 (176)

37-43

RU

V nastoâŝee vremâ «podlinnostʹ arhitekturnogo naslediâ» âvlâetsâ odnim iz osnovnyh ponâtij restavracionnoj teorii i praktiki. V statʹe predstavleny sovremennye traktovki «podlinnosti»v gumanitarnyh naukah, každaâ iz kotoryh raskryvaet opredelennyj aspekt ponâtiâ. Pokazano, čto predstavleniâ o «podlinnosti» izmenâûtsâ s tečeniem vremeni, otličaûtsâ v različnyh kulʹturnyh tradiciâhi obuslovlenym irovozzreniem opredelennoj istoričeskoj èpohi. Vydeleny dva podhoda k tolkovaniû «podlinnosti arhitekturnogo naslediâ»: istoričeskij, osnovoj kotorogo âvlâetsâ ponimanie pamâtnika zodčestva kak dokumentalʹnogo svidetelʹstva prošlogo i svâzi vremen, i strukturnyj, kotoryj otvergaet preemstvennostʹ i dopuskaet vozmožnostʹ «zameny» častej celogo.

EN

Currently, the “authenticity of architectural heritage” is one of the basic concepts of restoration theory and practice. The article presents modern interpretations of “authenticity” in the humanities, each of which reveals a certain aspect of the concept. It is shown that the idea of “authenticity” changes over time, differs in various cultural traditions and is determined by the world view of a particular historical era. Two approaches to the interpretation of the “authenticity of architectural heritage” are distinguished as follows: the historical approach, the basis of which is the understanding of the architectural monument as documentary evidence of the past and the connection of the times, and the structural approach, which rejects continuity and allows the possibility of “replacing” parts of the whole.

2

Fake news. A continuation or rejection of the traditional news paradigm?

100%

Palczewski M.

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2017

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tom 43

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nr 5

23-34

EN

In the article, I analysed the problem of fake news in the context of the traditional paradigm of a news story. The traditional paradigm posits that, most of all, a piece of information is true. However in contemporary media, there exist pieces of information which are fabricated and untrue. It is not a new phenomenon, yet it has intensified in recent years. News stories are fabricated for entertainment, political, or commercial purposes. They are carriers of propaganda and profit. The essence of fake news is the intentional misleading of the receiver for achieving the above gains. It is difficult to verify their veracity, and identify fake news items due to their similarity to real pieces of news. That is why they are becoming a part of the media landscape in which we will probably have to exist.

3

Egzystencjalno-fenomenologiczne czytanie poezji Eugeniusza Tkaczyszyna-Dyckiego

100%

Trusewicz S.

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2016

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tom 8

EN

The article concentrates on the existential-phenomenological reading of Eugeniusz Tkaczyszyn-Dycki’s poetry as it was proposed by Grzegorz Tomicki in his work "Po obu stronach lustra. O poezji Eugeniusza Tkaczyszyna-Dyckiego". It concentrates on showing the tension between creation and authenticity in Eugeniusz Tkaczyszyn-Dycki’s poetry and on the resulting difficulty in using traditional concepts of author and of lyrical ‘I’.

4

Ars Vitae and Sport

100%

Bednář M.

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nr 1

14-21

EN

Our study aims to contribute to the approach of leading an optimal life and especially to the role of sport and physical activities in this life. First, we have tried to find the optimal personal qualities which may be proper for the ars vitae (the art of life). Five of them (creativity, calculation, cooperation, concentration, and credibility) were chosen (on the empirical bases of long-time ethical seminars with students studying physical education) and annotated. This was done taking into account the practical applicability in sport. Further, we have focused on proper biodromal projects, which are based on some traditional models. We judge sport can significantly contribute to the study three of these; at the same time, they are very useful in the sphere of sport. Thus the opposites of the Dionysian and Apollonian tendency of life, and the authentic and inauthentic one, were chosen for closer analysis. The third proper model (hedonism versus asceticism) was examined in an earlier study. More attention has been paid to antagonistic and integrative models of authenticity, and our conclusion was that we ought to consider them in mixed form when periods of antagonistic authenticity are replaced with periods of integrative authenticity in real life. Concrete examples have been taken from the field of sport. Kretchmar’s structural model of the good life is connected with this field more firmly and has been critically examined in the last chapter. In conclusion, we name four conditions for the creation of optimal biodromal projects and for forming the real ars vitae.

5

Authenticity and Artistic Representation in the Modern Age: Heidegger’s “Anti-aesthetic” Conception Reconsidered

100%

Humphries C.

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nr 2(21)

76-87

EN

This paper offers a partial defence and a partial critique of the views put forward in Heidegger‟s essay The Origin of the Work of Art. According to the author, the validity of Heidegger‟s position is limited by the fact it inherits the partial character of his account of the way in which human intelligibility is phenomenologically and ontologically grounded in temporality.

6

Photojournalism in Central Europe: on authenticity and ethics

100%

Láb F. , Štefaniková S. , Topinková M.

Środkowoeuropejskie Studia Polityczne

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2016

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nr 2

73-89

EN

The development of the Internet and digital technology by the end of the twentieth century has raised serious disputes about ethics, authenticity and photo manipulation. These concerns are especially relevant in the field of photojournalism in the news media, where credibility matters the most. In this paper we described the current situation in relation to image authenticity and professional ethics in three countries of Central Europe – the Czech Republic, Poland and Slovakia. We asked research questions regarding photo production, circumstances of photographing, image content, technical improvements, manipulation, ethical standards and responsibility. Our findings reveal a complexity of ethical issues related to working with visual news material. During the fieldwork we conducted 65 in-depth interviews and surveys with full-time and freelance photojournalists and photo editors working for printed and online newspapers and opinion magazines in Central Europe.

7

Osmolality of isotonic drinks in the aspect of their authenticity

100%

Stasiuk E. , Przybylowski P.

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nr 1

EN

Isotonic drinks belong to a group of products which are becoming more and more popular among teenagers, sportsmen, as well as the elderly and fitness-oriented people. The proper osmolality of isotonic drinks should be of 300 mOsm kg⁻¹ of water ±10%. The objective of this study is to analyse whether the isotonic drinks available on the Tricity market (the area of three cities: Gdańsk, Sopot, Gdynia) are authentic isotonic drinks. For the purpose of the study 25 bottles of isotonic drinks of different brands and flavours have been purchased. The osmolality of the majority of the drinks was within the recommendations of European Union – from 270 to 330 mOsm kg⁻¹ of water. Twelve of the drinks have not got the osmolality declared by the manufacturers. Six of them have not met the requirements for an isotonic drink (two of these had not been declared to be isotonic drinks). It seems that manufacturers should observe the quite broad limit of osmolality and the criterion of osmolality is the evidence for their authenticity.

PL

Napoje izotoniczne są coraz popularniejszą grupą towarów kupowaną zarówno przez młodzież, sportowców, jak i osoby starsze dbające o swoją formę. Powinny charakteryzować się osmolalnością 300 mOsm kg⁻¹ wody ±10%. Celem pracy było stwierdzenie, czy napoje obecne na rynku trójmiejskim są autentycznymi izotonikami. Zakupiono 25 napojów izotonicznych różnych marek o wielu smakach. Większość badanych napojów miała osmolalność w granicach rekomendowanych przez Unię Europejską – od 270 do 330 mOsm kg⁻¹ wody. Dwanaście napojów nie miało deklarowanej przez producenta osmolalności. Spośród badanych napojów sześć z nich nie spełniało warunków napoju izotonicznego (w tym dwa nie były deklarowane jako izotoniczne). Wydaje się, że dość szeroka granica osmolalności powinna być przez producentów przestrzegana, zaś kryterium osmolalności jest dla napojów izotonicznych wyrazem ich autentyczności.

8

Nurturing the leadership that matters in a time of uncertainty

100%

Bezzina C. , Madalińska-Michalak J.

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tom 64(2 (252))

231-241

EN

This paper aims to challenge school principals, teachers and teacher educators to seriously engage with concepts that are deemed central to educational improvement, namely positive leadership and authenticity. It is argued that when teachers as leaders work with and for others to build communities that are relevant and meaningful they can have an impact on collective growth. The paper adopts a different approach, one that encourages the reader to engage not only at the conceptual level but to move from in inward to an outward perspective. The intention being to get the reader to make personal decisions that can have an impact at the personal and collective level. It is argued that only in this way can change be brought about.

9

Authenticity in marketing: a response to consumer resistance?

100%

Marks C. , Prinsloo M.

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2015

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nr 2(2)

15-32

EN

Prior research points out the emerging phenomenon of consumer resistance in terms of resistance towards the marketing discipline. At the same time, extant literature suggests the increasing importance of authenticity in marketing. This study investigates the research question whether and by which means authenticity in marketing can be a response to consumer resistance. The authors conducted qualitative research within which one part of the interviews was conducted with marketing-resistant participants, another one with non-resistant respondents. This permitted to elaborate on divergences between the two groups concerning the evaluation of authenticity. The results illustrate that resistant consumers showed a greater sensitivity for authenticity and clear preferences for authentic brands compared to a more indifferent assessment of the comparison group. Resistant consumers were more likely to identify themselves with the presented authentic brands and appreciated their bene fits such as autonomy, closeness, quality assurance, individuality and economic rebellion that directly contrast with the elaborated points of criticism about marketing. This suggests that, in order to regain consumers that are critical towards the marketing discipline, the elaborated authenticity facets could be applied to brands as an ‘antidote’.

10

Człowiek jako wytwór siebie samego. Lem, transhumanizm i dwie koncepcje autentyczności

89%

Gomułka J. , Klimas M. , Palm J.

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2018

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tom 17

EN

Stanisław Lem, a philosopher and futurologist, in his many works devoted much attention to the condition of human and the relation between human and technology. He coined the term ‘autoevolution’ in the course of forecasting unlimited technological augmentation of human abilities. Nowadays, the term may be associated with the conceptions presented by transhumanism, a 20th-century-born philosophical movement which advocates radical transformation of Homo sapiens by means of the achievements of scientific and technological progress. Lem’s attitude towards such a transformation of human is complicated yet ultimately critical due to the fact that it poses a threat to human culture as such. The phenomenon of autoevolution undermines existing values and raises a question of authenticity of a future posthuman. We examine dependence between technology and culture, present Lem’s conception of autoevolution and his philosophy of culture, then we sketch a post-metaphysical dispute about authenticity, and finally show that Lem’s thought belongs to one of the arguing sides.

11

How Much Is the Czech Dance? Authenticity for Sale

88%

Stavělová D. , Kolačkovská L.

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tom 31

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nr 4

287 - 298

EN

The contribution revisits the question of tourism’s role in the commodification of folk dance and open the discourse of value, in which an intrinsic and sacred cultural sphere of value is presumed to circulate independent of an unstable and profane economic sphere of value. It deals with the dance productions of Czech folklore show for tourists visiting Prague. This phenomenon has its origins in 1970’ when few people – dancers and musicians from folk ensembles – started to be invited to dance for tourists in prestigious hotels. After 1989 “velvet revolution” the business with folklore became a part of tourism where the dance has its specific role. An increasing number of special pubs offering Czech meal, folk costume, song, and dance show during an evening, provoked several questions as to how folk dance can become a profitable commodity, what trade rules apply here and what the demand-supply ratio is. We were interested to who are the dancers and musicians paid for one evening to show the Czech folk dance culture and what is their social status? The following questions streamed to explore which elements of the traditional culture are picked up from the folk culture to represent the “real Czechness” and how the interaction with foreigners (tourists) is going on: e. g. the negotiation about the repertoire, their participation to dance, etc. The research was based on the observation of the strategies of several pubs in Prague and deep interviews with actors which enabled to see the inner side of the process.

12

Pain and Suffering in Sport

88%

Jirásek I. , Hurych E.

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nr 2

185-189

EN

Pain is an authentic part of humanity. This text deals with the topic of pain within the context of sports. It compares the agon of war to the agon of sports. Here, pain is considered as a physical phenomenon, as a cultural and social construct as well as a meaningful phenomenon. Another issue addressed in this paper is how pain is presented as an authentic component of performing sports. A loss of authenticity in sports is mentioned in connection with the prevalence of injuries. Special attention is paid to the topic of death, which is understood as being a part of the horizon of pain. The last part of the article focuses on crises in professional sports and asks about the meaning of pain and suffering in sports.

13

Myśląc z Heideggerem - między właściwością i niewłaściwością egzystencji

88%

Waśko M.

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tom 40

29-48

EN

In this paper I analyze Martin Heidegger concept of existence authenticity (Eigentlichkeit) and inauthenticity (Uneigentlichkeit). I attempt to prove that these two modi of being simultaneously constitute an existence and that neither of them can be independent and separate from the second. Consequently, our existence can’t be ‘purely’ authentic or inauthentic but ontological it is always authentic and inauthentic simultaneously. To prove that this reading doesn’t lead to a contradiction, I inscribe these analyzed ways of being in a figure of circle.

14

MUZYKA I MORALNOŚĆ: Zmartwychwstanie kompozytora, czyli o muzycznej autentyczności w okowach kontraktu interpretacyjnego

88%

Kolinek-Siechowicz K.

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2015

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tom 16(3)

68-76

PL

Przedmiotem artykułu jest problem moralnego uwikłania kategorii muzycznej autentyczności.Autorka – w formie przypowieści – stawia tezę o hiperbolizacji statusu intencjikompozytora oraz fetyszyzacji źródeł historycznych, które w pewnym momencie stałysię czynnikiem krępującym kreatywność wykonawców i stwarzającym iluzję „prawdy historycznej”.W artykule zostały przywołane rozważania Richarda Taruskina, który koncepcjęautentyczności na gruncie wykonawstwa muzyki dawnej omawia ze szczególnąskrupulatnością, włączając weń problem ekspresji samych muzyków. Dyskusja na tematautentyczności, szczególnie żywa w latach osiemdziesiątych i dziewięćdziesiątych, a takżewspółczesne wypowiedzi artystów zaliczanych do nurtu wykonawstwa historycznegosłużą przedstawieniu omawianej kategorii jako koncepcji ulegającej ciągłej transformacjiw kierunku wyzwolenia się z okowów kontraktu interpretacyjnego i objawienia własnej– zgodnej z duchem czasu – tożsamości artystycznej. Ostatecznym wnioskiem autorkijest próba wskazania na niekompatybilność sądu moralnego (dotyczącego wierności intencjomkompozytora oraz źródłom), jak również sądu estetycznego (który skłonny jestprzyznać pierwszeństwo wykonaniom bardziej ekspresyjnym, choć może nie całkiem„autentycznym”) oraz postulat, aby ten drugi uczynić wiążącym w ocenie wykonawstwamuzyki dawnej.

15

Examining Effects of Photography in Social Media and the Mediation Role of Perceived Authenticity

88%

Dávila-Ruiz D. , Vazquez E. E.

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nr 2

112-127

EN

Social media have gained traction in advertising campaigns for luxury and fashion clothes using influencers, who shape trends of photography. To remain competitive, however, influencers depend on how they convey authenticity, which largely relies on the key visual elements of the photographs they post in social media. The purpose of this study is to explore the visual elements of photography used by social media influencers and to compare the main photography trends in digital media. Specifically, it aims to shed light on how new photography trends such as urban background style and fashion models with large body sizes produce effects on consumers. To accomplish this objective, an online experimental setting was prepared to compare the effect of an urban versus a solid background and a fashion model with a large versus a thin body size on perceived authenticity and purchase intent. The research finds that urban background and large body size of model significantly increase digital engagement. These results are in line with the research hypotheses that allude to the perception of authenticity as the key construct behind the effects on digital engagement. The inquiry also evaluates the interaction effect of the urban background and large body size of the model on perceived authenticity. In doing so, the present research examines the mediation role of perceived authenticity on the intention to buy. The results contribute to update theory about the influencers’ role on digital engagement and photography trends in social media. It also shows that perceived authenticity exerts a mediating role between visual elements on purchase intentions.

16

MUSIC AND MORALITY: The resurrection of the composer – musical authenticity bound with interpretative contract

88%

Kolinek-Siechowicz K.

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2015

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tom 16(3)

68-76

EN

The main thesis of the article is the problem of moral implications of the “authenticity”category. The author – in a form of moral tale – hyperbolically describes the fact thatidea of fulfilling the intention of the composer as the necessary condition of authenticperformance became a source of constraint of performers’ self-creation and expression.The discussion about authenticity, prevailing in the eighties and nineties, as well as contemporarystatements of musicians representing historically informed practice movementbring our attention to the transformation of authenticity concept from strict realisationof (imagined) composer’s intention to more flexible (and modern) interpretation creatingan identity of the musician. Finally comes the thesis about incompatibility of moral andaesthetic judgement – the author finds the second one more appropriate to evaluate musicalperformances (also performances of early music).

17

Kto się boi wielkiego, złego folku?

88%

Grim Feinberg J.

Studia Etnologiczne i Antropologiczne

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2016

|

tom 16

15-32

EN

There is some basis to the perennial fear that folklore draws every day nearer to extinction. But this is true not so much because the traditional sources of folklore are disappearing; it is so rather because the very idea of folklore has fallen on hard times. Folklore is less popular in the public sphere than it once was, but it is also less popular among scholars, who have been gradually abandoning folklore studies for other fields or have been renaming and redefining folklore studies, with the result that the discipline is decreasingly identifiable as the study of something called “folklore”. This essay takes such criticism of folklore as its point of departure, offering its own proposal for critically reexamining and reconceptualizing – but not abandoning – the idea of folklore. The author argues that a serious engagement with the idea of “the folk” may serve as a point of departure for understanding the symbolic ambiguity as well as the social significance and political power of what scholars call (or used to call) folklore. Scholars should neither uncritically accept the ideology of the folk, nor hastily banish the idea to the safe realm of the emic as if it had no bearing on the way we as scholars think. If the study of folklore has relevance in today’s world, it is above all because of the unusual notion that some kinds of expression are conditioned by some kind of social entity that can be called a folk, which continues to provide the most productive basis for a scholarly discipline studying folklore.

18

Między stłumieniem a autentycznością. Metafora Don Carlosa w filmie Leontine Sagan Dziewczęta w mundurkach

76%

Mazur D.

Przestrzenie Teorii

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2019

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nr 32

143-166

EN

Mazur Daria, Między stłumieniem a autentycznością. Metafora Don Carlosa w filmie Leontine Sagan Dziewczęta w mundurkach [Between Suppression and Authenticity. The Metaphor of Don Carlos in Leontine Sagan’s Movie Mädchen in Uniform]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 143–166. ISSN 1644-6763. DOI 10.14746/pt.2019.32.7. The article is a comprehensive analysis of the intertextual references to Frederick Schiller’s tragedy Don Carlos in Leontine Sagan’s movie Girls in Uniform (Mädchen in Uniform, 1931). The author considers the complex circumstances of the cooperation between the director and the artistic director, Carl Froelich, during the production. Moreover, she also presents the literary basis for the movie, namely the tragedy by Christy Winsloe (Gestern und Heute – Yesterday and Today).On this basis, the author analyses the multilevel presence of two phenomena in the movie: suppression and authenticity, which are related to the metaphor of Don Carlos and the plot of love between two women. The contexts for the analysis are inspired by research in the anthropology of romanticism, psychoanalysis, the psychology of sexual identity, and research on the works of Frederick Schiller.

19

Współczesny (neo)nomadyzm a edukacja kulturowa

75%

Szubert M.

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nr 6 "Edukacja kulturowa. Ujęcie monograficzne"

202-213

EN

The aim of the article is to notice the cultural-cognitive character of the contemporary travel. Chasing the exotic, understood as a trial to save the authentic, has gained much strength in the world threatened by cultural unification. The vision of the world not touched by the Western culture has become a perfect selling material. This trend has been confirmed by incredibly popular traveling programs, as well as a rich and original offer of the traveling agencies, tempting clients with meeting the world of the Masai, Hamer or Mursi tribes. In the age of globalization the cultural tourism is an important alternative to mass travel, mainly aimed at entertainment.

20

Problema autenticității în proza narativă a lui Anton Holban

75%

Teodorowicz J.

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nr 4

97-107

EN

The article discusses the problem of authenticity in the narrative prose written by Anton Holban, a Ro-manian author of the interwar period. Holban, one of the most innovative writers of his time, contributed to the development of the psychological novel. His work has been appreciated by literary critics from the very beginning. We consider the concept of authenticity to be one of the most important in his novels. Strongly autobiographical, they reflect man’s desperate efforts, through insightful and meticulous analysis, to discover the truth about himself and the world about him. However, absolute authenticity proves impossible to achieve, both for the narrator and the writer himself.