Wyniki wyszukiwania - Biblioteka Nauki

1

ARCHITEKTÚRA AKO SCÉNOGRAFIA QUEER PERFORMATIVITY

100%

Mazalán P.

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nr 4

354 – 366

EN

The aim of this study is to analyse architecture as space for stage design and performative art that reflects topics related to the LGBTI+ community. Queer space is defined here as a strategy that connects architecture with the sexuality and gender identity of a person. Such space creates a need for the confirmation of one’s own identity. The author addresses architecture in the sense of space as intimate theatrical stage design that developed as a response to the homophobia of the society and focuses mainly on the English-speaking culture-political context.

2

Orhanizatsiini zasady provedennia reinzhynirynhu biznes-protsesiv pidpryiemstv

88%

Taranyuk L. M. , Zaporozchenko O. M.

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tom 4 (54)

122-131

EN

Considered questions of analysis of organizational measures of enterprises reengineering business processes realization in the article. Methods of risk management during realization of reengineering on enterprises are offered.

3

POETA ĽUDOVEJ KRÁSY, ALEBO DOMA NA OCHOTNÍCKOM, HOSŤ NA PROFESIONÁLNOM JAVISKU

88%

Čavojský L.

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nr 3

255 - 286

EN

The author, a renowned and still active Slovak theatre historian and critic, publishes one of his key chapters of the monograph written on the prime and until today most staged playwright of the amateur theatre, Ferko Urbánek. The author of this study examines the interest of theatre professionals in the plays by Ferko Urbánek and searches for objective and subjective reasons which caused that this loved by audience and greatly preferred by amateur actors playwright could reach the professional stage only through overcoming the great difficulties. He concludes that in the interwar period and after World War II alike, the theatre directors, dramaturges and the directors justified their indifference by pointing to the simplicity, sentimentality and melodrama of some of his texts. However, these arguments were the excuse for the rejection due to Urbánek‘s concept of Christian perception of culture. But Urbánek did not live up to the recognition of the qualities of at least his best plays even after the social change. His centenary was commemorating by a single professional theatre.

4

Genezys reinzhyniryngu biznes-procesiv yak elementa formuvannya efektyvnoyi systemy upravlinnya v diyalnosti promyslovyx pidpryyemstv

88%

Hrytsenko L. L.

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tom 2 (68)

31-37

EN

The article examines the genesis of reengineering business processes as part of the formation of an effective management system in industrial activities. Identify differences definition of reengineering business processes from other methods of organizational change. Structural-logical essence of business process reengineering, which offered a variety of academic economists, as the withdrawal of the basic differences in definitions of different authors. It defines the principles of business process reengineering in the efficient management of industrial activities. Create the conditions of implementation of business process reengineering in the activities of economic entities, using situational approach, which identifies different variations of the implementation of reengineering for companies. Studied the procedure of business process reengineering of business entities, which states the basic stages of the radical changes in industrial activities. Formed conclusions on research within the scope of this article.

5

IMPROVIZÁCIA, DRAMATURGIA, SPOMIENKA: VPLY DIVADELNEJ SCÉNY NA FILMOVÉ HERECKÉ VÝKONY V SÚČASNOM POĽSKOM FILME

88%

Katafiasz O.

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nr 1

40 - 47

EN

The author examines the influence of stage acting on movie acting in contemporary Polish cinema, citing the example of three movies: Małgośka Szumowska’s 33 sceny z życia (2008) and W imię... (2013), and Władysław Pasikowski’s Pokłosie (2012). She argues that the experience gained in constructing the characters in the performances directed by Krystian Lupa and Krzysztof Warlikowski played an essential role in conceiving the corresponding movie characters. In addition, the model of work with actors introduced by these two directors has had a very significant effect on stage acting as well as movie acting concepts in Poland. The author draws the reader’s attention not only to Małgorzata Hajewska-Krzysztofik, Andrzej Chyra, Mateusz Kościukiewicz and Maciej Stuhr’s parts, but also to the film dramaturgy which also displays the influence of theatre narrative structures.

6

HRY FRANKA WOLLMANA NA SCÉNE SLOVENSKÉHO NÁRODNÉHO DIVADLA V DVADSIATYCH ROKOCH 20. STOROČIA

75%

Zelenková A.

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nr 4

297 - 309

EN

Using new archival material, the study explores Frank Wollman’s plays staged by the Slovak National Theatre in Bratislava in the 1920s. Recognised as a Czech expert in Slavonic studies, he lectured at the Faculty of Arts of Comenius University in Bratislava. In the early years of his professional career, he presented himself as a “manifestly Czechoslovak” dramatist, whose drama Bohokrál (1921) [The Godking] published in book form portrayed Alexander the Great. The ideas of Czech and Slovak togetherness were conveyed through the Great Moravia theme in his historical tragedy Rastislav (1922). His Člun na moři (1924) [A Boat at Sea], a “human grotesque and political utopia” juxtaposing opposing human types, got a particularly keen public response. Overall, Wollman’s dramas reflected on major social conflicts, and by putting emphasis on moral ethos, they were intellectual in nature. They linked expressionist elements with the tradition of classical realistic drama. Even though the plays were not included in the basic repertory of the Slovak National Theatre when first staged, they have remained a witness of the author’s artistic formation as well as of the dramaturgy of SNT.

7

HOW DO WE READ, HOW DO WE TRANSFER THE DRAMA OR THE THEATRE TEXT ON THE STAGE? (Ako dnes citame, inscenujeme dramu, divadelny text?)

75%

Podmakova D.

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tom 2 (19)

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nr 4

25-38

EN

The paper deals with the transfer of the text to the stage. Dramatization of a prosaic work and language translation has an impact on the relations between characters, their nature (character). Modifications of structure of the work brings fundamental often even genre changes which in interaction with other stage elements (staging, playing, scenography and others) substantially influence the final image of the production. The authoress proves the ability of the theatre to speak of the present through word or image using concrete works/productions (Zensky zakon by Tajovsky, HOLLYROTH created from texts by J. Holly, Pustokvet by Vajansky, Tiso created from speeches by Jozef Tiso, and other stage works). The literary work constitutes the basis for the performance text, even though non-text, non-verbal production is created.

8

MILOŠ KARÁSEK – ČLOVEK MANIFESTOV

75%

Mistrík M.

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tom 59

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nr 3

218 – 234

EN

Miloš Karásek is a Slovak artist active in several fields of arts, i.e. in stage design and stage direction, drama production, and also in painting and sculpture. He is the author of several manifestos, which are deliberately provocative and frame the various stages of his creation: theatre production in Prešov, Trnava and Bratislava (Stoka Theatre Company), parallel creation of mythical bronze statues, the so-called post theatre, which was a project of rhythmycising the sending of postal envelopes, with the climax being an experimental theatre performance, and dramatic creation for his own theatrical productions. One of his plays – Život na mieru (Customised Life), staged by Alexander Duchnovič Theatre in Prešov, under Karásek’s direction and with his stage design, may be regarded as a unique form of a manifesto, in which his ambition to be ahistorical, hedonistic, and sceptical is declared.

9

Metodolohiia reinzhynirynhu biznes-protsesiv promyslovykh pidpryiemstv

75%

Taranyuk L. M.

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2011

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tom 1 (51)

111-119

EN

In the article the questions of analysis of methodologies reengineering are considered business-processes, term and features of lead through X-engineering. Methodology of reengineering of business-process of industrial enterprises is improved an author on principles of X-engineering.