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1

SLOVENSKO A JEHO KULTÚRA - JEDNOTA Z ROZMANITOSTÍ (GENÉZA NOVEJ EXPOZÍCIE SNM V BRATISLAVE)

100%

Benža M. , Slavkovský P.

Etnologické rozpravy (Ethnological Disputes)

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2004

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tom 11

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nr 2

118-129

EN

In June 2004, a new exposition of Slovak cultural history was opened in the Slovak National Museum in Bratislava. Exposition is divided into three parts. Introductory part is devoted to Slovakia as a whole and to Bratislava as a capital city. The other two parts are devoted to history, art and traditional culture in upland and lowland part of the country. An extensive audiovisual system is a part of the exposition. Authors of the contribution talk about their progression during the creation of the exposition, especially about the cultural regionalization of Slovakia and about the choice of exhibits.

2

STRATENÝ ZVLÁŠTNY SVET ALEBO DOKUMENTOVANIE SOCIALIZMU V ETNOGRAFICKÝCH ZBIERKACH SLOVENSKÉHO NÁRODNÉHO MÚZEA - HISTORICKÉHO MÚZEA V BRATISLAVE

80%

Mrázová M. , Gaburová J.

Etnologické rozpravy (Ethnological Disputes)

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2006

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tom 13

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nr 2

151-163

EN

The contribution deals with the conditions, approaches and results of the documentation of socialism in the context of the development of the Slovak National Museum - Historical Museum and with building of the fund of the ethnographical collections. The authoresses pay attention to the trends and results of work of scholars who contributed to the creation of this fund. They investigate the development of the structure and quantity of the collections and the approaches used during exhibitions after 1948. They describe practical experience and some ideas on the creation of the Museum's collections during socialism based on an autopsy.

3

POZOSTALOSŤ MILANA RASTISLAVA ŠTEFÁNIKA V KONTEXTE INŠTITUCIONÁLNYCH A RODINNÝCH ZÁUJMOV V MEDZIVOJNOVOM A VOJNOVOM OBDOBÍ

80%

Macho P.

Muzeológia a kultúrne dedičstvo

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2017

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tom 5

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nr 1

57 – 68

EN

After the tragic death of Milan Rastislav Štefánik, one of the founders of Czechoslovakia, the Czechoslovak government bought his estate and uses it for museum exhibition purposes. The collection of Štefánik‘s effects and writing was much sought after by Slovak as well as Czech museums and memory institutions, but it finally found its home in the museum of Czechoslovak Legions in Prague established at the Ministry of Defence (Památník odboje). In 1939-1940, the collection was transferred to Slovakia to the Slovak National Museum in Martin. Today, many of these artefacts are now located in Štefánik‘s birth house in the village of Košariská which is a branch of the Slovak National Museum. This papers examines the tumultuous history of negotiations between the Czechoslovak government and the Štefánik family which resulted in the purchase of Štefánik‘s estate in 1923.

4

K CHARAKTERISTIKE NÁRODOPISU NA SLOVENSKU V DRUHEJ POLOVICI 20. STOROČIA

80%

Michálek J.

Etnologické rozpravy (Ethnological Disputes)

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2006

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tom 13

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nr 1

167-173

EN

The paper focuses on the starting points of the ethnological research in Slovakia after the end of the Second World War. The author outlines establishment of ethnography at the Comenius University in Bratislava within both personal and theoretical frames. The development of research, museum and educational areas of the discipline are characterised through publications, quality of journals as well as by the leading personalities.

5

FOLKLORISM AND CLOTHES IN THE COLLECTION OF THE SLOVAK NATIONAL MUSEUM - THE MUSEUM OF HISTORY IN BRATISLAVA

80%

Gaburova J.

Etnologické rozpravy (Ethnological Disputes)

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2005

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tom 12

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nr 2

67-78

EN

The paper deals with folklorism manifested in clothes and textile culture since the second half of the 20th century until today. It deals with a relation between the traditional clothes, the clothes of countryside residents engaged in agriculture and stock farming and the different groups' clothes through the prism of a category of folklorism. The authoress is a specialist working in the Slovak National Museum - the Museum of History in Bratislava. She uses selected artifacts of the textile culture from the collections of the museum. She studies chronologically the re-emergence of folklorism and the historical and social background of this process. The development of the clothes is examined at two levels: 1- traditional clothes as a source of inspiration leading to the formation of the national clothes and 2-traditional clothes as a folk costume.

6

RESEARCH AND EXHIBITION ACTIVITIES IN THE SLOVAK NATIONAL MUSEUM IN MARTIN DURING THE 1950s (Vyskumne a prezentacne aktivity SNM v Martine v 50. rokoch 20. storocia)

70%

Benza M.

Slovenský národopis (Slovak Ethnology)

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2010

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tom 58

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nr 4

443-465

EN

For every museum, an indicator of its orientation is the character of its collection, research and exhibition activity. Collection activity was limited by the quantity of financial means in the 1950s and hence it does not provide a complete view of the museum's orientation. In this regard more can be learned from the museum's research and exhibition activity during the given period. The author deals in his paper with the changes which took place in the Slovak National Museum in Martin from its nationalisation in 1948 to its merger with the Slovak Museum in Bratislava in 1961. Research shows that the Museum responded to change political circumstances in its plans. These were influenced both by an organ of state - the Commissariat for Education and Culture - and by a professional organisation - the Union of Slovak Museums, which recommended dealing with the issue of new installation in Slovak museums.

7

PORTRÉTY MUŽOV V KYRYSE ZO ZBIEROK SLOVENSKÉHO NÁRODNÉHO MÚZEA V MARTINE

60%

Oršulová J.

Vojenská história

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2022

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tom 26

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nr 4

90 - 113

EN

Recognition of the heraldic decoration on the portrait of a hitherto unknown man wearing a cuirass clarifies the identification of the bearer of the coat of arms as well as the activities of his contemporaries—officers in the Imperial Army regiments in the early 18th century. In the portrait galleries of the Slovak museum collections there are two preserved images of men—officers of the Minckwitz family, in the Slovak National Museum in Martin and in the Museum in Svätý Anton. One of them fought in Field Marshal General Nicholas Pálfi’s Infantry Regiment, the other in Baron Seherr von Thoss’s Cuirassier Regiment. The Minckwitz family came from Saxony, but also settled in what is now the Czech Republic. They arrived in Slovakia thanks to marriages, and probably that is why the studied portraits of men in cuirasses have been preserved in the torso of the Révai family gallery.

8

ANCIENT EGYPTIAN COFFIN IN THE SLOVAK NATIONAL MUSEUM: THE FRAGMENTS NOS. 1, 2 AND 3 OF THE EXTERIOR SURFACE OF THE LID

60%

Magdolen D.

Asian and African Studies

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2017

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tom 26

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nr 2

233 – 260

EN

This paper is focused on the study and analysis of the original decoration incompletely preserved on three fragments nos. 1, 2 and 3 of the exterior surface of the lid. The identification and interpretation of the damaged and partly preserved remains of the original decorative motifs and inscriptions will be described and compared with the available analogies. This study can significantly help us to contribute to the reconstruction of the original decoration of the coffin and its typological classification including its dating. Some of the details of the preserved motifs identified and described on the surface of the coffin lid have not been mentioned and published before.

9

ANCIENT EGYPTIAN COFFIN IN THE SLOVAK NATIONAL MUSEUM: THE DISTRIBUTION OF REGISTERS AND INSCRIPTIONS ON THE EXTERIOR SURFACE

60%

Magdolen D.

Asian and African Studies

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2014

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tom 23

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nr 1

140 – 153

EN

The exterior surface of the coffin was originally decorated with polychrome painted scenes and inscriptions. While the back side of the mummiform part of the coffin consisted explicitly of the inscriptions, its frontal side contained a rich combination of paintings divided into registers and sections filled with inscriptions written in vertical and horizontal bands. The exterior surface of the lid of the coffin is very badly damaged. Some physical parts of the surface on the coffin are completely missing. This is why the damaged parts were restored in modern times. This paper deals with the basic layout and distribution of the registers filled with scenes and texts on the preserved exterior surface of the front and back sides of the coffin. The investigation is based on an analysis of the preserved parts of the original decoration identified on the exterior surface of the coffin. A more detailed description and analysis of the particular registers filled with the paintings and inscriptions as well as the reconstruction of the original decorative programme of the coffin will be discussed and presented in following papers.