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PARADIGM OF SOCIAL WORK AS A DISCIPLINE OF SOCIO-HUMANISTIC SCIENCE (Paradygmat pracy socjalnej jako dyscypliny naukowej)

100%

Kantowicz E.

Studia z Teorii Wychowania

2011

nr 2(3)

113-125

Contemporary social work is focused on constructing its scientific identity: its scientific and practical interests, definitions, theories and methodological procedures. Social work is related to many approaches present in socio-humanistic sciences eg. Sociology, social pedagogy, social psychology, cultural anthropology, social policy, as a result of its scientific interests and interdisciplinary. In context of international discourses it is needed to talk about new paradigm of social work as a (sub) discipline, because we have been already experiencing process of disciplinarization, besides some formal barriers. The aim of this paper is exploration of the phenomenon of social work in context of different research and practical processes, which conduct to new paradigm of social work as a (sub) discipline. Discussing formal criteria of disciplinarization shaping a framework for professional and scientific identity of social work - I hope to create more friendly climate for acceptance for its further academization in Poland.

MYTH OF BOHEMIANISM IN NINETEENTH-CENTURY WARSAW

75%

Murawska-Muthesius K.

ARS

2012

tom 45

nr 2

183 – 201

The text looks at the origins of the modern art world in the mid-nineteenth-century Warsaw which remained in the grip of persecution by the Tsarist apparatus. It compares the two artistic communities, which were dubbed as bohemian by their later critics: the coterie of radical poets of the early 1840s and the group of visual artists active during the 1850s. The first was identified through its eccentric behaviour and dress, as well as its provocative actions in the streets of Warsaw. The second group was constructing their collective identity by means of informal sketches, preserved in seven albums by their patron Marcin Olszyński. Examining the collection of drawings, caricatures and photographs, the text argues that those informal sketches provide a unique insight into the ways in which the artists sought to establish their new professional identity, stressing their distinctiveness from other social groups, at the time of the major socio-cultural transition from noble to bourgeois patronage, and during the formation period of Warsaw’s urban intelligentsia.