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O flâneura spojrzeniu w przeszłość albo o antyturyście (na marginesie cyklu Szary Paryż Bogdana Konopki)

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Szalewska K.

Panoptikum

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2009

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nr 8(15)

45-60

EN

The paper concerns the relationship between the flâneur (a category common in the contemporary anthropological discourse) and the past. The Baudelaire’s and Benjamin’s figure of flâneur is defined as opposite to the conception of tourist (in the meaning Zygmunt Bauman attaches to it), and flâneur’s gaze is compared to the one of photographer’s, while taking sophisticated pictures of the city (as the subject of the paper are the shots of Paris taken by Bogdan Konopka, gathered in the cycle Paris en gris). Flâneur can be seen as a kind of historian-amateur, who – doing his stroll – ‘reads’ the city’s pastwritten in the architectural monuments, in the maze of the streets and courtyards, and seeks the ‘passages’ into the past (in this special meaning ‘passage’ – the term commonly referring to the arcades – is a metaphor naming a process of meeting the past, as well as a unique place in the space of the city, that makes this meeting possible). But the past is never there. It is gone and the only way to make it present again is to read its traces as allegory (according to Paul de Man, allegory – unlike the symbol – refers to the emptiness left after its referent’s disappearance).

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Pejzaż dźwiękowy i praktyki audytywne czasu wojny (wówczas i współcześnie)

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Szalewska K.

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tom 6

EN

The text presents a soudscape analysis of World War II. Here, the term soundscape is understood, after R. Murray Schafer, as acoustic sphere of a place and of its human community which becomes a part of intangible cultural heritage. The analysed soundscape involves wartime audio sphere of both sound senders and recipients. In order to reconstruct the aural world from the years 1939–1945, the article’s author uses autobiographic texts by such writers as Białoszewski, Głowiński, Ligocka, Nałkowska, and Waniek. Further, she later demonstrates the contemporary references to wartime soundscape, and reveals how they function to construct both historical memorials and political history.

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Figury nieobecności / Retoryka pustki

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Szalewska K.

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tom 8

EN

The paper analyzes the figures of absence, connected with both the rhetoric of emptiness and poetics of disappearance. It is moreover an attempt to classify the discursive techniques that aim to represent the textual “gone” (places that no longer exist, were destroyed, and those in which the subject is present no more). Attention is also devoted to performative dimension of writing, which produces the emptiness and, in this production, fills the void and introduces it into cultural network. The article explores literary examples from the 20th and 21st centuries.

4

Poetyka zaniku. Projekt lektury

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Szalewska K.

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tom 5

EN

This article is a proposal for introducing into the theoretical reflection on literature the category of “poetics of vanishing” and a reflection on potential possibilities of its application in reading the 20th century literature. The promoted term is connected, on the one hand, with the hermeneutics of trace (in post-Derridian understanding) and, on the other hand, with the geography of senses, as it concerns the ways of textual descriptions of vanishing processes of sensual sensations, receding images, obliterating signs, softening sounds etc. The article analyzes the points of narrative observation and the figure of vanishing being components of melancholic poetics of description, whereas the material read in this way were texts of Andrzej Kuśniewicz, Andrzej Stasiuk and Wisława Szymborska.

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Urban Genres – an Attempt at Defining the Genological Landscape

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Szalewska K.

Zagadnienia Rodzajów Literackich

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2015

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tom 58/115 z. 1

27-40

EN

The article attempts to outline the urban genological landscape of contemporary Polish literature. This landscape is created primarily by means of textual arcades — essayistic, polymorphic form, which arises from the attempt to find a discursive equivalent of experiencing the city. The act of walking and reading the city/depicting the city in writing is the essence of modern urban genres. The other important determinants are: the construction of subject, which relates to the patterns of the anthropological figure of flâneur, and the so-called intellectual flânerie, which involves the principle of double vision — seeing the city and at the same time confronting it with history, the read books and with the traces of the past. This type of urban experience contributed to the development of other urban genres, which are called in this paper ‘urbantexts’, such as the modern urban novel, faits divers, urban legend or urban collages.

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Artykuł stanowi próbę naszkicowania genologicznego pejzażu gatunków miejskich we współczesnej literaturze polskiej. Krajobraz ten jest kształtowany przede wszystkim poprzez pasaże tekstowe – eseistyczne, polimorficzne formy, które stanowią próbę znalezienia dyskursywnego ekwiwalentu dla procesu doświadczania miasta. Akt chodzenia po mieście i jednoczesnego jego zapisywania stanowi istotę nowoczesnego pisarstwa urbanistycznego. Innymi jego ważnymi wyznacznikami są: konstrukcja podmiotu, który pozostaje w relacji z antropologiczną figurą flâneura, oraz tak zwana intelektualna flânerie, polegająca na zasadzie podwójnego widzenia – oglądania miasta i równoczesnego konfrontowania widzianego z jego historią, przeczytanymi lekturami i śladami przeszłości. Ten typ doświadczenia miejskiego utworzył genologiczny pejzaż gatunków miejskich, nazwanych przeze mnie „urbanotekstami”, który oprócz pasażu tekstowego budują takie formy, jak nowoczesna powieść miejska, legenda miejska czy miejski kolaż.