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3 Studia Polsko-Ukraińskie

3 Kozak S.

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W kręgu baroku

100%

Kozak S.

Studia Polsko-Ukraińskie

2015

tom 2

189-194

Витоки дискурсу поляків про Шевченка

100%

Kozak S.

tom 1

59-93

The article by Stefan Koz ak entitled The Origins of Polish Discourse on Shevchenko deals with the problem of the struggle for Taras Shevchenko’s legacy in the Polish literary criticism of the fi rst half of the 1860s. L. Sowinski, B. Zaleski, S. Chodakowski, A. Gozalczynski, W. Syrokola and G. Battaglia took part in the discourse on the Ukrainian poet’s output. Shevchenko’s works have been translated into Polish and published by Polish critics, among which the most important role was played by Gwidon Battaglia’s monograph entitled Taras Shevchenko, His Live and Works as well as journalistic activity of P. Swiecicki and works on Shevchenko by L. Sowinski.

Prawda jako "sacrum" w twórczości Tarasa Szewczenki

100%

Kozak S.

tom 1

23-47

The author analyzes the poetry of Taras Shevchenko in the context of the romantic concept of truth. He researches these poems where the poet shows its essence in the most precise way. Taras Shevchenko is presented as a whistle-blower of native pharisees and false patriots as well as the creator of the Ukrainian historiosophical thoughts. In the scientist’s opinion, the poet became the most ardent enemy of despotic monarchs and political tyrants who violated both human and God’s rights. The article presents the role Taras Shevchenko played among the Ukrainian patriotic and democratic youth, especially in the context of creating the collective imagination. In conclusion, the author states that Shevchenko’s concept of truth is consistent with God’s concept of truth, which the whole writer’s poetry is based on.