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Recepcja literackiej Nagrody Nobla dla Elfriede Jelinek w wybranych dziennikach i tygodnikach polskich z 2004 roku. Przyczynek do analizy zjawiska

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Rawski J.

Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego

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2017

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tom 3

77-88

EN

This article is an attempt to analyse reception of The Nobel Prize in Literature for Elfriede Jelinek in the Polish press (dailies and weeklies) in 2004. The study was carried out in order to answer the following questions: how were the Nobel Prize winner and her work presented? Did ideological variety of newspapers influence on the assessment of the verdict set by the Academy? Did Elfriede Jelinek’s political involvement affect the evaluation of her output? An Austrian writer, who was honored with the most important literary laurels, was almost completely unknown in Poland before 2004. The Swedish Academy appreciated her achievements “for her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society’s clichés and their subjugating power”.

PL

Artykuł podejmuje próbę analizy recepcji literackiej Nagrody Nobla dla Elfriede Jelinek w polskiej prasie (dzienniki i tygodniki) w 2004 roku. Celem badania było uzyskanie odpowiedzi na następujące pytania: w jaki sposób została przedstawiona noblistka oraz jej twórczość? Czy zróżnicowanie światopoglądowe gazet miało wpływ na ocenę werdyktu Akademii? Czy zaangażowanie polityczne Elfriede Jelinek rzutowało na ocenę jej pisarstwa? Austriacka prozaiczka, która została uhonorowana najważniejszym literackim laurem, była w Polsce praktycznie zupełnie nieznana przed 2004 rokiem. Akademia Szwedzka doceniła jej dokonania „za muzyczny potok głosów i kontrgłosów w powieściach i dramatach, za nadzwyczajną lingwistyczną pasję odsłaniania absurdu społecznych klisz i ich ujarzmiającej mocy”.

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O kreacjach bohaterek Ballad i romansów Adama Mickiewicza. Próba lektury feministycznej

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Rawski J.

Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego

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2016

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tom 2

233-247

EN

This article attempts to answer the questions: does the artistic creation of heroines Ballades and Romances by Adam Mickiewicz bear the hallmarks of stereotypical patriarchal optics or does it go beyond the limits of male worldview and a man in general? To what extent, how, and if actually indeed the author of Sir Thaddeus contained in his poetic cycle signs of emancipation sensibility? Are the heroines of ballades women liberated from sex constraints imposed by culture? The purpose of this contribution is also an attempt to make an “updating reading” of a significant nineteenth century text; showing it in contemporary perspective, but particularly emphasizing the core of romantic anthropology which was “inner man” with the mystical dialectic of what was external and what was internal.

PL

Celem artykułu jest próba odpowiedzi na pytania: czy sposób artystycznej kreacji bohaterek Ballad i romansów Adama Mickiewicza nosi znamiona optyki patriarchalnej, stereotypowej, czy też wykracza poza granice męskocentrycznego oglądu świata i człowieka? O ile, w jaki sposób i czy w ogóle autor Pana Tadeusza zawarł w swoim cyklu poetyckim znamiona wrażliwości emancypacyjnej? Czy bohaterki ballad są kobietami wyzwolonymi od ograniczeń związanych z płcią, narzucanych przez kulturę? Zadaniem niniejszego przyczynku badawczego jest również dokonanie próby „lektury aktualizującej” znaczącego tekstu dziewiętnastowiecznego; ukazania go w perspektywie współczesnej, ale ze szczególnym uwydatnieniem rdzenia antropologii romantycznej, którym był „człowiek wewnętrzny” wraz z mistyczną dialektyką tego, co zewnętrzne, i tego, co wewnętrzne.

3

Błędni rycerze Juliusza Słowackiego — Zawisza Czarny i Beniowski

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Rawski J.

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2016

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tom 56

33-49

EN

„Zawisza the Black” and „Beniowski” (drama) there are one of poorly discussed works by Juliusz Słowacki. The unfinished dramas by the poet, dating from the late, mystical phase of his literature, opens awide field of research. It appears advisable to place the thesis of apossible inspiration Słowacki „Don Quixote” by Miguel de Cervantes Saavedra when writing drama „Zawisza the Black” and „Beniowski” (drama). Spanish novel, which is amockery of chivalric romances and epics, perhaps, has become for author of „Kordian” point of reference for the creation of the world presented these works. Exemplification of these claims is to analyse „Zawisza the Black”, whose title character is seen as knight-errant possessed by madness and unhappy love, like the character of „Don Quixote”. Reinterpretation of the conditions of polish culture made by Słowacki based on demythologization the most famous knight.

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Metamorfozy motywu wampira w kulturze popularnej XX oraz XXI wieku. Zarys problematyki

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Rawski J.

In Gremium. Studia nad Historią, Kulturą i Polityką

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2014

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tom 8

189-201

EN

The article attempts to answer the question whether the functioning of the vampires in the wider culture is permanent or temporary? Cultural history and folklore existence of this beast is so long, how long is the story of the written word. Existed in many mythologies, folk tales and legends as a monster threatening to human existence. The nineteenth century breaks the concept of vampire folklore. Since the days of romanticism can talk about it in terms of the phantom. In the twentieth century there is a progressive sexualization of this figure. However, note the specific duration and transience, cultural fashion vampires by examining the related parodies and pastiches of literary and cinematic. An example is the Roman Polanski film The Fearless Vampire Killers (1967), or the grotesque scene famous saga „Twilight” from the years 2009-2012. Maria Janion concludes: „parodies usually occur when a species has to defend against degradation and death”. Thus it is that the fashion for vampires went through stages of flowering, duration, and then passing away, but after a while (thanks to the new depiction associated with degradation of the character), to return again.

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Szczelina Doris Lessing – kobieca, alternatywna opowieść o początkach. Recepcja i propozycja odczytania

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Rawski J.

Świat Tekstów. Rocznik Słupski

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2013

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nr 11

119-132

EN

New anthropological vision, which appears in The Cleft by Doris Lessing, touches on the most important, eternal problems of humanity – struggle of sexes, dominance in the world, interpersonal relationships, structure and semantics of roles in communities. Wise, self-sufficient Clefts and infirm or expectant, but shrewd Sprinklers are allegories of present women and men. Establishment of the family and the formation of sexual identity thousands of years ago tends to reflect on the present, masculine order in which the division of roles is simply unfair. The Cleft of Doris Lessing tries to answer the ques-tion about the provenance of order in which we live and which Simone de Beauvior re-monstrated by writing in The Second sex: „Women are not born – we become them”. An interesting fact is constituted by the novel’s reception. On one hand, the famous American literary scholar Harold Bloom described The Cleft as a „crusade against the men”, on the other hand the book provoked polemics around feminists. Allegations were directed, as if the novel was built on the „essentialist stereotypes”, as well as focused on the „prejudices and patriarchal flaws”. To what extent are these voices reasonable – the answer is provided by the gender theory solutions.

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Kochanek ojczyzny czy kochanek Laury? Wokół kreacji tytułowego bohatera dramatu Juliusza Słowackiego Zawisza Czarny

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Rawski J.

Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego

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2021

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tom 7

235-245

EN

This article presents the literary creation of the title character Zawisza the Black [Zawisza Czarny] by Juliusz Słowacki. It is important to define the roles which Zawisza plays – he appears as a knight, a defender of the Commonwealth – “lover of the homeland”, and Laura’s lover.

PL

Celem artykułu jest próba zaprezentowania literackiej kreacji tytułowego bohatera dramatu Juliusza Słowackiego Zawisza Czarny. Istotne wydają się rozważania na temat ról, w których występuje Zawisza – jako rycerz, obrońca Rzeczypospolitej – „kochanek ojczyzny” oraz kochanek Laury.

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Realizacja podmiotu homoseksualnego w wybranych tekstach współczesnej kultury wampirycznej

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Rawski J.

Prace Literackie

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2014

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tom 54

59 - 70

EN

The article takes up the issue of the functioning of homosexual subject in selected cultural texts, such as Carmilla by Joseph Sheridan Le Fanu, Illness or Modern Women by Elfriede Jelinek, Interview with the Vampire by Anne Rice and The Fearless Vampire Killers directed by Roman Polański. The cultural phenomena — vampirism and homosexuality, associated with man since ancient times, had at last come together in correlation. For such correlation occurs in areas of mass culture of the twentieth and twenty-first century. It is this culture where manifestation of homosexual vampire subject, particularly gay, takes place. The article seeks to present the double space of transgression that occurs through contamination of vampirism and homoerotic desire. In these texts, homosexual culture, „I” appears in the transition from the human world to vampire world (Interview with the Vampire), or is already constituted in the vampire dimension (Carmilla). The situation in which a vampire is suspended between life and death triggers the homosexual subjectivity. Its meaning is implemented in moments that integrate thanatic and erotic forces. These forces are trying to deconstruct the heterosexual matrix. Thereby “the place” can be understood as a cultural text in which the implementation starts.