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W poszukiwaniu błękitnego kwiatu, czyli o romantycznym ideale Bildung w Henryku von Ofterdingen Novalisa

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Rolka M.

Kwartalnik Pedagogiczny

2018

tom 63(1 (247))

9-23

The main aim of the paper is reconstruction of the concept of Bildung (considered as forming the man’s personality) in an educational novel entitled Henry von Ofterdingen written by Novalis (Friedrich von Hardenberg). Novalis’s novel – inspired by Goethe’s Wilhelm Meister Lehrejahre – is one of the most original early romantic works which prove the importance of the idea of Bildung for German culture at the beginning of the 19th century. In the first part of the text the author discusses the literary image of Bildung presented in the plot of the novel and then indicates its inner contradiction. In the second part of the article the author reconstructs the philosophical roots of this ideal regarding Novalis’s notion of Bildung in light of the thought of German idealism (transcendental philosophy of Immanuel Kant and Johann Gottlieb Fichte in particular) because the theory of romantic progressive poetry (elaborated most fully by Friedrich Schlegel) originates there. The perspective taken in the paper allows the author to reveal the universal significance of the inner contradiction of the romantic idea of forming man’s personality as a sign of the fundamental crisis of the modern ideal of humanity.

Mit Złotego Wieku we wczesnoromantycznej Bildungsgeschichte albo o aporiach programu wychowania rodzaju ludzkiego w historiozofii Novalisa

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Rolka M.

Przegląd Humanistyczny

2019

tom 63(3 (466))

7-17

The subject of the article is reconstruction of assumptions and postulates of Novalis’s education program of the human race aimed at indication of the distinctive features of early Romantic historiosophy as its dependence on Enlightenment thought. Examination of both these aspects in their interpenetration allows revealing the inner contradictions of Novalis’s project determining its utopian character, which manifests itself in the vision of the Golden Age as an expression of the Romantic “new mythology”.