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3 Slovenská literatúra (Slovak Literature)

3 Prušková Z.

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OPIS A PERFORMANCIA AKO ZÁKLADNÉ MODALITY REPREZENTÁCIÍ V PAMÄŤOVÝCH NARATÍVOCH (NA PRÍKLADE TEXTOV ALTY VÁŠOVEJ)

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Prušková Z.

Slovenská literatúra (Slovak Literature)

2021

tom 68

nr 1

40 – 52

The subject of the paper is to observe a coincidence between description and performance in autobiographic narratives. As an example, this phenomenon is traced in autobiographic writings by the Slovak prose writer Alta Vášová (1939), produced between the years 1995 and 2019. Her prose works Úlety/Flights of Fancy, Ostrovy nepamäti/Islands of Non-memory, Sfarbenia/Colorations, Menoslov/Name List, Dolety a Odlety/Ranges and Departures feature a strange type of memoir writing, which points to a certain general semiotic property of autobiographic memoir narration. From the semiotic, referential and stylistic points of view, this type of writing is part of latent discussion on the nature of creative work with a literary text at the level of basic stylistic and composition techniques of epic: description, narration and performative perspective of narrative representations. The paper is an attempt at presenting their mutual coincidence, inseparability and poetological scaling in Alta Vášová´s memoir writing. It also raises the question of performative and descriptive modality of recollecting (as a substitute of culture and history) in memoir writing.

MEDZI POETIKOU TEXTU A POETIKOU UDALOSTI: K NIEKTORÝM ONTOLOGICKÝM OTÁZKAM EPICKEJ REPREZENTÁCIE

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Prušková Z.

Slovenská literatúra (Slovak Literature)

2022

tom 69

nr 4

327 – 342

Research of arts and literature had moved from a striving for exact, structuralist handlings of its objects to observations of the world as mediated and experienced by humans. Research in aesthetics and literary studies not embedded in structuralism is often interdisciplinary in its nature and draws on a host of inspirations (anthropology, epistemology of imaginative processes, ontological transformations of existential meanings, etc.). The creative process and its product – the literary text – can be handled from various viewpoints. Traditionally, literary studies approached the text in terms of its structure, aesthetics, and poetics. Such observations do offer a systematic way in which the functioning and form of the literary work can be described; however, they are much less capable of grasping the ontological sources and origins of aesthetic experience. The latter are inherent to the engagement with an aesthetic object and as such need to be taken into account in the creation of knowledge and value of the literary work. Respecting the psychological subject of the writer and of communicative configurations of the literary text is crucial in this context. The article looks under the surface of textual structures and concentrates on imaginative processes in connection to the reception intention of the literary work.

KEĎ POETIKA GLOSUJE POLITIKU (PROLEGOMENA K POETIKE SLOVENSKÉHO POVOJNOVÉHO ROMÁNU: ŽÁNER, NARATÍV, METÓDA)

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Prušková Z.

Slovenská literatúra (Slovak Literature)

2017

tom 64

nr 3

250 – 258

The paper is the first part of an intended essay on transformations (configurations and reconfigurations) of Slovak novel after year 1945. The centre of attention is genre and narrative reconfigurations in the system of poetics of artistic work in the given period of time. The paper is a part of a comprehensive team monograph project Poetika slovenskej literatúry po roku 1945 /The Poetics of Slovak Literature after 1945/. What is defining here is the optics focusing on the changed proportions in understanding of the events as a semiotic source as well as the purpose of artistic work. In the key sense, it is an extension and development of the concept of „text poetics“ (event) from its normative paradigm meaning to an ontological existentially defined syntagm of plot, motion and sharing (reading) of a text not only in the historical time and horizon but also at the level of singular poetic (narrative, genre) event of the interpretation. In the first part basic mechanisms of artistic work are defined, then wider contexts of secondary reflection are to be dealt with, and finally an exemplary interpretation of selected works of prose production written after year 1945 is planned. The vanishing point of the present paper is seeking new connections and rules in the area of poetics preliminarily defined by the ´existential´ attribute, i.e. mainly open to dynamic and ontological research into basic co-shared emotions, frenzies and trauma which, transferred into aesthetic representations, contributed to the complex one-way form of literature and art after 1945.