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EKOLOGICKO-KULTÚRNE ASPEKTY TRADIČNEJ VÝROBY A IDENTITA

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Krišková Z.

Etnologické rozpravy (Ethnological Disputes)

2013

tom 20

nr 1-2

155 – 164

The aim of this paper is to highlight the ecological basis of traditional culture and handicraft production, based on the relationship man environment. The natural environment as a source of raw materials for the production of the material belongs to the basic determinant of the way of life. In the theoretical part we start from the ecologically based scientific theories. The empirical part emphasize applied plane of the handicraft production in the culture creating connections. In this context it can be considered as one of the elements of the social cultural identification. In this paper the current revitalization process of the traditional manufacturing forms is based on relationship changes of the man to the nature. Revitalization of the traditional manufacturing elements itself is considered by societies as one of the significant forms of cultural identification in contemporary multi-ethnical and multicultural society.

REMESELNÁ VÝROBA AKO KULTÚRNOIDENTIFIKAČNÝ PRVOK LOKÁLNEHO SPOLOČENSTVA A JEJ SPROSTREDKOVANIE V SÚČASNÝCH PODMIENKACH

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Krišková Z.

Etnologické rozpravy (Ethnological Disputes)

2011

tom 18

nr 1-2

108 – 121

The intention of author ś thesis is to monitor musealization possibilities of blueprint handicraft through the reconstruction of manufactory on the basis of deep blueprint tradition in the monitored locality (and also in Spiš) and on the basis of existing objects from the manufactory (Hranovnica ś ownership today) – well-preserved blueprint mangle as a unique technical monument and other production-technological mobiliari in the regional museum ś ownership. Simultaneously, the dual alternative of revitalization (in the sense of the traditional handicraft production renovation) is marginally monitored.

DROBNÁ SAKRÁLNA ARCHITEKTÚRA AKO PRVOK KULTÚRNEHO DEDIČSTVA V DOKUMENTÁCII MÚZEÍ

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Krišková Z.

Muzeológia a kultúrne dedičstvo

2015

tom 3

nr 2

73 – 81

This paper examines closely the role of minor sacral architecture (such as crucifixes on the side of road typical for rural Slovakia or statues of patron saints in village and town squares) in the preservation of the cultural heritage of Slovakia in general and its religious and ethnic minorities in particular. We focus on the difficulties associated with the research into and documentation of these objects such as those associated with their semi-permanent nature. Then we outline the need for the comprehensive survey of minor sacral architecture due to its importance in the documentation of the history and cultural of local communities focusing on their ethnic, confessional, geographic and artistic context. Some Slovak museums have begun to take concrete steps in that effort and we will briefly describe a specific part of it which involves the compilation of a database of these objects.

ÚLOHA VÝSKUMU V PROCESE UCHOVANIA A VEDECKÉHO ZHODNOCOVANIA KULTÚRNEHO DEDIČSTVA V MÚZEU

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Krišková Z.

Muzeológia a kultúrne dedičstvo

2014

tom 2

nr 1

29 – 39

We examine the role and importance of scientific research in the process of obtaining and scientifically assessing the cultural heritage in museum as a memory institution. This research is a part of a complex approach to the phenomenon of documenting a society’s development and as such, it must give equal attention to tangible and intangible cultural heritage which is often difficult to do in practice. In this context, we focus our attention on eco-museums which aside from preserving and presenting also aim to at least partially revitalize cultural heritage in its natural environment.