There is no doubt that the comprehension of the architecture today differs from the definitions which were accepted, well-known and familiar in 60ties. The architecture as the clear-cut, unambiguous term no longer exists, and the limits of its understanding are no longer determined by physical space, but are fixed by the space of intellectual comprehension. The new sensitivity leads up to the new formula of beauty: between the ability to comprehend and the ability to represent the content of the concept occurs the compatibility, which is the source of the aesthetics experience.
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