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4 Gender Studies

4 Raducanu A.

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The Earth, the Pillar and the Stone: Does Testing the Female Mean Empowering the Female in Valmiki’s Ramayana, Shakespeare’s the Winter’s Tale and the Turkish Tale Sitti Nusret?

100%

Raducanu A.

nr Supplement

35-54

This chapter discusses three memorable female characters: Sita from Valmiki’s Ramayana, Hermione from Shakespeare’s The Winter’s Tale and Sitti Nusret from the eponymous Turkish fairytale. It will focus on the universality of the many trials that the characters have to undergo, in order to prove their innocence, chastity and capacity to endure, both in front of their male counterparts and society at large.

Lady Audley’s Sphinxian Mystery?

100%

Raducanu A.

nr 1

323-336

The present study is based on the analysis of the themes of madness and monstrosity, depicted through the female character, in Mary Elizabeth Braddon’s well-known Lady Audley’s Secret. It discusses the elusive nature of madness and monstrosity that may be perceived as attributes of reader, writer and characters alike; it also considers the possibility of ‘madness’ as subversive survival strategy and/or escape from narrow patriarchal, political, social and cultural confines

Interrogating Urban Spaces: Kali and the Intellectual in two Contemporary Novels

100%

Raducanu A.

nr 1

95-118

This article focuses on the complexity of the encounter between two Western male writers and the East as represented by the metropolis of Calcutta and Kali, its patron goddess. The novels under discussion are Dan Simmons’ Song of Kali and Paul Theroux’s A Dead Hand: A Crime in Calcutta. The theoretical framework of the comparative analysis argues for the conceptual blurring of boundaries between ‘flâneur’ and ‘badaud’, elusive hypostases of the male writer protagonists in the Eastern urban context.

The Unbearable Lightness of Memory: FromHamlet, Prince of Denmarkto Jorge Luis Borges’ Shakespeare’s Memory

100%

Raducanu A.

nr 1

12-32

The Romantic poet Novalis once rhetorically asked: “Where are we really going?” “Always home.” For a Shakespearean scholar like Borges’ Sörgel in “Shakespeare’s Memory”, the path towards “home” turns out to be the exploration of a most unusual gift, the very memory of the great Elizabethan. The process is similar although not identical in scope to Hamlet’s attempt to realign time through keeping alive the memory of his murdered father. My aim in this paper is to explore the process of preserving memory and its relation to identity, mourning and dread in “Hamlet, Prince of Denmark” and Borges’ “Shakespeare’s Memory”. The theoretical framework is defined by the concept of “eternal return”, as examined by Nietzsche and Mircea Eliade.