For some time, the concept ‘lifestyle’ has become the object of intensified scientific research. Starting from the 80s and 90s of the previous century, the research has placed emphasis on the deconstruction of the traditional class and gender role assignments in regard to individualistic and pluralist lifestyles and life situations. Considering the above ideas, attempt is made to trace and analyse these processes in literary forms. The question arises, whether and how these social changes are expressed in the literary narrative forms. This is specified on the example of a contemporary German writer Silke Scheuermann. As Scheuermann involves her female characters in the context of rich modern societies and thus aims at reality effects, her stories make it possible to follow the time spirit. It is to show, whether the post-modern worlds contribute to a new ‘orientation’ of the literary figures, i.e. whether their lifestyles and systems of values are the outcomes of an autonomous development or result from a variety of possibilities.
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In Dagmar Leupold’s" Nach den Kriegen" and Stephan Wackwitz' "Ein unsichtbares Land", novels of second and third generation, narrators come back to the times of Nazism, Holocaust and wars as the components of family memory. The article focuses on social, especially family conditions of memory. The starting point is the assumption that family conditions exert a significant impact on the construction of memories in the discussed novels. Analysis has shown that both texts markedly transpose the mechanisms of loyalty of family memory transmission, also critically reflecting on them from the perspective of the present. By putting memories in the context of indirect family memory the writers strive for the truth about the past but also adopt an affirmative attitude with regard to its "participants". This attitude certainly derives from the leading humanistic thoughts of western cultures, harmonised with the social, cultural and political system based on democracy and Europeanness
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