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Zrození autobiografického subjektu. Máchův intimní deník a moderní básnické deníky ve vztahu k romantické ideji subjektivismu

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Marciniak H.

nr 1

My text is an attempt to apply Charles Taylor’s theory, dealing with the origins of the modern self, to Czech autobiographical literature originating in Romanticism. Taking a cue from Jean Starobinski and Philippe Lejeune’s concepts of modern autobiography, I analyse Karel Hynek Mácha’s personal diary from 1835 and try to find and emphasize its narrative and compositional aspects, which anticipate the poetics of modern poetic diaries.

„Dziennik, nie dziennik. Takie tam”. O malych narracjach Macieja Malickiego

100%

Marciniak H.

tom 103

nr 2

101-113

The paper is devoted to short narrative forms in Maciej Malicki’s literary creativity. The author focuses here on trans-genre shifts between a diary, a story, a novel, a poem, a letter, a fairytale etc., as well as on more general question of blurred borderlines between literary fiction and autobiographical document. How does Malicki play with conventions of autobiographical writing and how does he transgress them? What seems to be the most accurate concept for such writing practice is Serge Doubrovski’s autofiction. According to Przemyslaw Czaplinski, what is typical of late modernism Polish prose is generic, narrative and stylistic diversity and hybridity, as well as indeterminate (non)fictional status. Of paramount importance here is total revaluation of early modernist narrative pattern and a crisis of the Grand Narrative. The article is an attempt to show how this revaluation works in Malicki’s short autofictional texts.