Wyniki wyszukiwania - Biblioteka Nauki

1

Exploring Visual Culture of COVID-19 Memes: Russian and Chinese Perspectives

100%

Smirnova O. , Lobodanov A. P. , Denissova G. V. , Gladkova A. A. , Sapunova O. V. , Svitich A. L.

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tom 14

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nr 2(29)

259-286

EN

The article explores COVID-19 related Internet memes and treats them as samples of creolized text in a study of the way ethnic and cultural peculiarities of memes are perceived by representatives of two radically different cultural paradigms: the Russians and Chinese. A survey is used as a method of the investigation. Russian and Chinese students, and visual arts experts evaluated Russian and Chinese COVID-19 memes according to several criteria concerning their content, verbal constituent element and visual characteristics. The study concluded that the social and culture-specific components mostly contribute to forming the opinion of the meme and its appreciation. Awareness of both the cultural background and the current social and nation-specific situation is required to decode a full amount of information contained in a meme. Equally important is the visual component in understanding the meme. Thus, the study contributes not only to studying event-specific memes but also broadens the scope of research on memes as a sample of visual culture.

2

Jan Kubasiewicz i przestrzeń aparatu

100%

Tena A. E.

Powidoki

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2020

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nr 3

40-49

EN

In the oeuvre of artist and designer Jan Kubasiewicz, a central theme is the precariousness of the concept of spaces. In a studio practice that encompasses gallery, classroom, and auditorium, Kubasiewicz interrogates perception, particularly as it becomes mediated by photography and film. Inspired by Czech philosopher Vilém Flusser, Kubasiewicz’ central concerns are connected to apparatuses (such as the camera) and the way they alter perception. In series such as „metaGeometry” (2008), „Panorama” (2009), and „Objects in Motion” (2016), Kubasiewicz explores how the self-assuredness of human perception is tested, as the apparatus gains autonomy and runs its program. Through his practice, Kubasiewicz models a behavior of cultural production for those conducting art and design research in the space of computer-human interaction.

3

Knowledge Representation for Human-Computer Interaction in a System Supporting Conceptual Design

84%

Grabska E. , Ślusarczyk G. , Gajek S.

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tom Vol. 124, nr 1/2

91--110

EN

This paper deals with the conceptual stage of the design process related to civil engineering. Different types of design knowledge representation essential in visual aspects of a human-computer dialogue are considered. They comprise designer's drawings expressing forms, layouts and functionality of designed artifacts, internal graph-based data structures obtained automatically on the basis of these drawings and logic formulas extracted from the graph data structures. The reasoning mechanism based on the first-order logic enables the system to assess the compatibility of designs with specified requirements and constraints. The feedback given by the system along with visualizations of initial design ideas enforce the designer's constructive visual perception and creativity. The presented approach is illustrated on the example of designing an indoor swimming pool.

4

Language of Dressing as a Communication System and its Functions – Roman Jakobson’s Linguistic Method

67%

Todorović T. , Čuden A. P. , Košak K. , Toporišič T.

Fibres & Textiles in Eastern Europe

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2017

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tom Vol. 25, no. 5 (125)

127--135

EN

The aim of the study was to show the principles of nonverbal communication achieved with clothing by using Roman Jakobson’s linguistic method. As demonstrated and established here, clothes and their functions can be translated into verbal and written language. The language of fashion, costume and stage design can be analysed in terms of their function and symbolism. Based on the language function scheme, clothing can be interpreted as the language of communication and as a system. Using purely linguistic methods, examples of various clothing analyses demonstrate the clothing function as a visual sign system, which is equal to the linguistic sign system, language and communication. Different kinds of communication can be achieved through garments, as explained by the examples and discussion selected and described.

PL

Celem pracy było pokazanie zasad komunikowania niewerbalnego osiągniętego przy użyciu odzieży, stosując metodę lingwistyczną Romana Jakobsona. Jak wykazano i ustalono w pracy, ubrania i ich funkcje można przetłumaczyć na język słowny i pisany. Język mody, stroju i scenografii można analizować pod kątem ich funkcji i symbolizmu. W oparciu o schemat funkcjonowania języka, odzież można interpretować jako język komunikacji i jako system. Przy użyciu metod czysto językowych, przykłady różnych analiz odzieżowych wykazują funkcję odzieżową jako system znakowania wizualnego, który jest równy systemowi językowemu, językowi i komunikacji. W pracy stwierdzono, ze dzięki odzieży mogą być osiągnięte różne rodzaje komunikacji, co opisano i wyjaśniono na wybranych przykładach.

5

Programowanie wizualne w projektowaniu obliczeniowym

67%

Kacprzyk Z.

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tom R. 25, nr 1

14--19

PL

W pracy przedstawiono podstawowe informacje o projektowaniu obliczeniowym i programowaniu wizualnym. Przedstawiono krótką klasyfikację projektowania obliczeniowego. Wskazano na konieczność stosowania programowania w projektowaniu obliczeniowym. Języki wizualne, wykorzystywane w środowiskach CAD przygotowanych do projektowania obliczeniowego, są dość chętnie stosowane przez projektantów na każdym etapie tworzenia projektu. Przedstawiono przykład programowania wizualnego do modelowania konstrukcji powłokowej.

EN

This paper presents basic information about computational design and visual programming. A brief classification of computational design is presented. The necessity of using programming in computational design is indicated. Visual languages, used in CAD environments prepared for computational design, are quite readily used by designers at every stage of design development. An example of visual programming for modelling a shell structure is presented.