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tom 60
47-67
EN
The article discusses the issue of proper names defined as symptoms of culture. The first part is of a theoretical character and develops the theory of symptomatology of culture in the context of semiotics (Ch. Peirce), psychology and psychoanalysis (S. Freud and J. Lacan), and onomastics. Symptomatology of culture is a practice of interpreting a certain group of texts of culture and extracting common qualitative traits within them. This is especially in the case of those traits specific to them and often encountered, which could testify to particular serious and deeply-rooted social phenomena leading to their appearance. In the empirical part the author presents a way of using (onymic) symptomatology in practice to research modern culture. She uses the examples of popular psychological and auto-therapeutic guidebooks and treats them as linguistic symptomatic forms of the most significant linguistic and cultural phenomena along with their social causes and functions which are often dysfunctional or abnormal in character. The analysis comprises the most typical conceptual and syntactic constructions encountered in the group.
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nr XVIII/3
EN
The article is an introduction to the analysis of the titles of Polish underground and alternative press, i.e. zines produced by subcultures, artistic and political groups. At the beginning the author presents some definitions and a typology of zines: fanzines and artzines. Then, the history of Polish zines in nonofficial “tertiary” and “alternative” circulation and the history of zines in the world is discussed. The next part presents general facts about zines: the first scientific development of zines, anthologies, catalogues, dissertations, biographies. Before the presentation of the research, the author discusses onomastic methodology and troubles with it: many scholars treat an analysis of zine titles as an innovation. Then, the author shows results of the title analysis of the zines produced by anarchists, punks, ecologists, animal rights activists and vegetarians. These were divided into cathegories, based on the semantic dominants („ideology”, „tradition”, „anti-aesthetic”, „humour”). Their texts operate in similar discourses. The last part of the article is a conclusion. Other titles (artistic and polital groups, metal music fans and hooligans) are presented in the second part of the article.
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