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1
Content available Von den übersetzungswissenschaftlichen Ansätzen bis zum beruflichen Bewusstsein der künftigen Übersetzer. Einige Bemerkungen am Beispiel der Typologie von Übersetzungsverfahren nach Ulrich Kautz
100%
Sieradzka M.
Studia Translatorica
|
2020
|
nr 11
151-164
EN
The paper is devoted to selected issues related to the strategies and procedures used in the translation process. It considers the description of the selected classification, i.e. the typology of translation techniques according to Ulrich Kautz, illustrated by numerous examples. The considerations include an evaluation by bachelor students of the Department of German Studies at the University of Rzeszów, concerning the identification/ selection/ application/ verification of translation strategies and techniques in the practical training of translation efficiency and mastering new vocabulary in a given subject area.
2
Content available „Przekład komizmu” czy „komizm w przekładzie”, czyli o problemie tłumaczenia niemieckiej gry komputerowej „Deponia” na ję- zyk polski
100%
Lesner E. D.
|
2018
|
nr 25/4
65-77
EN
The author discusses some linguistic problems in translation of humorous segments within the computer game Deponia into Polish. The main goal of his article is to define some effective translation techniques and strategies, which can be helpful in the translation process.
3
Content available Borowik czy Waldteufel, czyli kilka uwag o przekładzie bestionimów
100%
Lesner E. D.
Studia Translatorica
|
2019
|
nr 10
191-203
EN
The following article discusses the translation problems of a specific kind of so-called beastionyms, which are a part of the group of hyperphysionyms defined by Friedhelm Debus and have been characterised as the names given to different science-fiction and fantasy creatures. The main concern are the translation possibilities of personified beastionyms which appear in the story written by Andrzej Sapkowski and its German rendition.
4
Content available O problemach w przekładzie fitonimów artystycznych na podstawie powieści „Der Schrecksenmeister” Waltera Moersa i jej tłumaczenia na język polski
100%
Lesner E. D.
Applied Linguistics Papers
|
2019
|
nr 26/2
63-76
EN
The following article discusses the translation problems of a specific kind of lexical units, the phytonyms, which have been defined as the names given to various plants. The main concern are the translation possibilities of phytonyms in the German novel „Der Schrecksenmeister“ and its Polish rendition. The author conceives phytonyms as cultural units. The reason for such conception is inspired by the Eighteenth International Botanical Congress in Melbourne, which established a unified International Code of Botanical Nomenclature. In a non-literary context phytonyms have typically two different functions: they identify an object among other, similar objects and they play a semantic role, which is connected to the so-called semantic motivation (the term used by Prof. Pawłowski, see: Pawłowski 1974) and gives the information about some features of an object. In a literary context the functions of phytonyms are multiplied. Besides the two above-mentioned functions they can be used as allusions and play a connotative role, i.e. they evoke some associations, which influence the perception of the intentional objects in a literary text. According to their connotative role phytonyms can evoke associations concerning the form of a plant, its features, colour, smell and place of occurrence. Phytonyms can also create an illusion that the story of a literary text took place in the real world. The selection of an adequate translation technique to translate phytonyms depends on, on the one hand, an accurate interpretation of the source text, and on the other hand, on an accurate identification of function, which the phytonym has in the source text, and must be adapted to the requirements of translation invariance.
5
Content available Holenderskie elementy kulturowe w polskim przekładzie „De reünie” („Zjazd szkolny”) autorstwa Simone van der Vlugt. Analiza wybranych technik translatorskich
100%
Zarzycka M.
Linguistische Treffen in Wrocław
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2021
|
nr 20
147-164
EN
Culture-specific items cause many translation problems and therefore they often pose a huge challenge to translators. Thereupon this issue has been researched by many translation theorists. The subject matter of this article are culture-specific items (CSIs) in the Polish translation of the thriller “De reünie” by Simone van der Vlugt. The first reading of this translation calls readers’ attention to the fact that it is a text rich in cultural references. Thereupon the author of this article found worth analyzing how the translator has dealed with this challenge. Especially that this kind of research can be useful for other translators, as well as for translation theorists and reviewers of translations. The aim of this article is to analyze the use of translation techniques for CSIs and to inquire into the frequency with which the analyzed translation techniques have been applied. This is the first research of this kind concerning this novel. The theoretical part is dedicated to the issues associated with CSIs, namely the definitions of this term, translation problems caused by CSIs and classifications of translation strategies and techniques. The command of these issues is a starting point for the next phases of the research. The analysis was carried out using the classification of translation strategies and techniques described by Aixelá (1996). Due to the fact that proper nouns are numerous, the chosen classification was supplemented with one strategy from the classification of Hejwowski (2007), namely with the approved equivalent. The presented analysis is based upon the most representative examples of CSIs. The author of this article has suggested alternative translation solutions to some examples. The aim of it was not to criticize the translation choices made by the translator, but to shed light on other translation possibilities. The analysis has shown that there have been used 17 translation techniques and combinations of them in the Polish translation of the novel „De reünie”. The most common technique used by the translator, Dorota Szafrańska-Poniewierska, has been the repetition – 105 times. Other translation techniques and combinations of them have been applied significantly less often. On the basis of the observations has been stated that the most translation techniques and the combinations of them belong to the conservation, category proposed by Aixelá (1996) and are exotic. That means that the most Dutch culture-specific items and consequently also the couleur locale of the whole novel have been retained. Thereupon it can be as- sumed that the choices of the translator may lead to the foreignization (Venuti, 1995). However, these are tentative conclusions and in order to draw further conclusions the analysis of this text should be broadened with the research at the macrostructural level that could be an interesting amplification of this research.
6
Content available remote THE HOUSE OF USHER OR THE HOUSE OF MIRRORS: A RECAST OF THE DOUBLE
100%
TRUȘCAN M.-S.
|
2011
|
tom 3
297-311
EN
Turning to good account the translating practice and the techniques which have been applied so far, the comparative analysis in translation highlights the similar or different aspects when rewriting the original. Both translations submitted to attention reflect linguistic knowledge, social and cultural awareness besides personal perspective, talent and intuitive grasp of the literary text. In order to acquire the accurately reflected (i.e. translated) image of E. Allan Poe’s ‘House of Usher’, the translator should analyse several other reflections (i.e. steps) which help him or her obtain the most faithful resemblance (i.e. translation) to the original. Two remarkable Romanian translators – Ion Vinea and Liviu Cotrău – have already beaten this devious path.
7
Content available A no-tendency tendency. Proper names in Polish translation. An analytical study on the basis of the Harry Potter series
88%
Buć B.
|
2018
|
nr 25/4
15-25
EN
Due to the fact that the Polish translation of the Harry Potter series by Andrzej Polkowski is one of the most popular and influential in the latest years it seems to be very interesting to find out what qualities make a translation as popular as the original text. Obviously, it can be assumed that there must be a wide range of conditions to be met. However, this paper focuses only on one aspect, namely proper names, which can be found in the books as the plot is set in a non-real world containing a significant number of nouns that were invented for the purpose of the scenery and action. Thus, they pose a real challenge for translators. What is more, the article aims at answering the question of tendencies in the use of translation procedures.
8
Content available The Translation of the Septuagint by Rev. Prof. Remigiusz Popowski. History, Editions, Significance and an Analysis of Translation Strategy and Techniques
88%
Szela-Badzińska M.
|
2024
|
tom 14
|
nr 1
147-166
EN
Newer and newer Bible translations from original languages tend to appear regularly. Their authors pursue a plethora of strategies, from interlinear to philological to dynamic ones, taking as the source text not only the Hebrew, but also the Greek canon. Since the 1980s, the books of the Greek Bible have been translated into German, English, Italian, Spanish and French; ten years ago, this group was complemented by the Polish rendering made by Rev. Prof. Remigiusz Popowski. Though enthusiastically received, the text was not much researched. This article is intended to make up for this paucity and present the Polish text of the Septuagint from the perspective of its bibliological process and that of descriptive translation studies: a brief account of its historical background, the author of the translation, a record of editions and the significance for the Polish biblical milieu is followed by a closer analysis and exemplification of strategies and techniques adopted by the author.
9
Content available Translator ethics in non-censored translations of press articles from English into Polish in post-communist Poland
88%
Źrałka E.
|
2023
|
tom 44
|
nr 1
121-140
EN
The paper aims to test a hypothesis of introducing free speech in Polish translations instead of censored renderings typical of post-World War II reality after 1989 when communists lost the parliamentary elections (4th June) and stopped ruling Poland. The new political reality of a democratic system was reasserted by abolishing the censorship apparatus in 1990. The analysis is based on articles from a magazine Forum. Przegląd Prasy Światowej, which are Polish translations of 10 source texts (STs) - selected articles concerning Polish issues from The New York Times. The STs and their Polish translations have been compared in detail to be able to evaluate the target texts (TTs) according to their correspondence with the STs. In lieu of the censorship rule of hiding unwanted content and manipulating the audience, also with the propaganda language ( Newspeak), after 1990, the only remaining type of information flow blockage was self-censorship or superiors’ interference. The analysis will discover how topics changed, what happened to the language of propaganda, how the contents of STs are revealed in translations, and what translation techniques are applied in the process of transferring the ST message. The questions posed are, first, how accurate the translations after 1990 are, and second, what reasons might have occurred to have avoided the publication of some contents. The analysis will be the basis for evaluating translators’ ethics in ST content delivery by reference to Andrew Chesterman (1997, 2001, 2018), Anthony Pym (2001, 2012), Jeremy Munday (2012), Juliane House (2015), and others.
10
Content available Journey to the Moroccan Empire – Wanders of Word or Potocki in Translation
75%
Pałka-Lasek A.
Półrocznik Językoznawczy Tertium
|
2021
|
tom 6
|
nr 2
32-49
PL
Jan Potocki – polski podróżnik, geograf, etnograf i pisarz, znany przede wszystkim jako autor Rękopisu znalezionego w Saragossie, udał się na wyprawę po Maroku w roku 1791. W roku 1792 ukazały się wspomnienia z podróży zatytułowane ‘Voyage dans l'Empire de Maroc, fait en l'année 1791. Suivi du Voyage de Hafez, récit oriental’, których polski przekład opublikowany został w zbiorowym opracowaniu Leszka Kukulskiego pt. ‘Podróże’ w roku 1959. Natomiast w roku 2014, nakładem marokańskiego wydawnictwa Kalimat, ukazało się arabskie tłumaczenie ʿAbd Allāha Bāʻalī zatytułowane ‘Yān Būtūtskī. Jan Potocki. Riḥla fī Imbirāṭūriyyat al-Maġrib tammat hilāla sanat 1791’. Artykuł przedstawia okoliczności powstania dzieła, prezentując z perspektywy porównawczej wybrane techniki i strategie.
EN
Jan Potocki – Polish traveller, geographer, ethnographer and writer, mostly known as the author of The Manuscript Found in Saragossa, embarked on a journey around Morocco in 1791. In 1792, the memoirs from the journey entitled ‘Voyage dans l’Empire de Maroc, fait en l’année 1791. Suivi du Voyage de Hafez, récit oriental’ were released, the Polish translation of which was published in the collective work of Leszek Kukulski entitled ‘Journeys’ in 1959. And in 2014, the Arabic translation of ʿAbd Allāh Bāʻalī entitled ‘ Yān Būtūtskī. Jan Potocki. Riḥla fī Imbirāṭūriyyat al-Maġrib tammat hilāla sanat 1791’ appeared under the imprint of a Moroccan publisher. The article depicts the circumstances in which the travel diaries were created and presents translations of the work into Polish and Arabic. From a comparative perspective, the translation techniques and strategies in selected semantic categories are demonstrated – such as toponyms, anthroponyms, titles, names of professions – and the article focuses on the problem of overcoming cultural barriers.
11
О медведескорпионах из русских переводов Метаморфоз Овидия с польского языка начала XVIII века
63%
Матвеенко Е.
Meluzyna. Dawna Literatura i Kultura
|
2018
|
tom 2 (9)
55-69
EN
In the beginning of the 18th century, an Old-polish translation of the Ovid’s “Księgi Metamorphoseon, to jest, Przemian, od Publiusa Owidyusza Nasona wierszami opisane”, first translated and published by Walerian Otwinowski in 1638, was translated into Russian. There are two Russian translations of Otwinowski’s work. They differ in the linguistic features and the translation style. Both translations include some cases of the use of the uncommon in the Russian language phrases like niedźwiedź ‘a bear’ and niedźwiadek ‘a scorpio’. This paper analyses the issue of translating these phrases as well as the reasons for such translations.
12
Content available Les anthroponymes dans le roman Uwikłanie de Zygmunt Miłoszewski et dans sa traduction en français
63%
Kochanowska U.
Białostockie Archiwum Językowe
|
2019
|
nr 19
175-187
EN
This article is a study of anthroponyms in the French translation of the Polish crime novel Uwikłanie by Zygmunt Miłoszewski. The analysis of translated anthroponyms reveals a number of techniques applied by the translator. The most frequently used are name and surname transfers without any modifications and transfers with spelling modifications (e.g. by removing Polish diacritic marks). In the case of fictional characters most features characteristic of Polish anthroponyms (diminutive forms of names, female surnames with an -owa suffix, a Ms/Mr+first name structure) have been lost in translation. With real characters, whose role in the novel is to add authenticity to the picture of contemporary Poland, the translator always adds information such as occupation or function to their names, which contributes to the greater length of the French translation of the Polish original. This translation technique provides the French reader of the novel with an insight into the socio-cultural reality of life in Poland. Comprehension of the novel by foreign readers is facilitated by this translation technique. The rationale behind the translator’s decision to apply this technique was probably the fact that the novel belongs to popular literature.
FR
L’article est consacré aux anthroponymes dans le polar polonais Uwikłanie de Zygmunt Miłoszewski et dans sa traduction en français. L’analyse de la traduction des anthroponymes permet d’observer quelques techniques de traduction. Le plus souvent ce sont le transfert sans modification ou le transfert avec une modification orthographique (par exemple annulation des signes diacritiques polonais). En ce qui concerne les personnages de fiction, nous avons observé quelques particularités de la langue polonaise (un grand nombre de diminutifs, des noms de familles féminins avec le suffixe -owa, la structure ‘pan/pani+prénom’) qui ne sont pas gardées dans la traduction. En revanche, quant aux personnages réels, le traducteur ajoute toujours leurs professions, leurs fonctions ou d’autres informations en augmentant considérablement le texte traduit. Grâce à ces explications, le lecteur français approfondit sa connaissance des réalités socio-culturelles de la Pologne. Le traducteur facilite au récepteur cible la lecture de ce roman polonais, probablement à cause de son genre (polar) qui appartient à la littérature populaire.
13
Content available Księga Ozeasza w Septuagincie
63%
Strzałkowska B.
Collectanea Theologica
|
2016
|
tom 86
|
nr 4
77-102
EN
The Book of Hosea plays a special role in the life and theology of ancientIsrael. Serving as an opening to the Minor Prophets (the Book of theTwelve) both in the Hebrew and Greek traditions, it is a source of importanttheological interpretations. The article focuses on the Book of Hosea inthe Septuagint. It presents its role in the context of the Greek Book of theTwelve, together with the manuscripts and critical editions of LXXHos,indicating the textual richness of this book in antiquity. It also attempts toshow the character of the Greek text, its translation techniques, its omissionsand additions and other aspects, discussing also the dating of the book inthe Greek tradition.
14
Content available Phraseological Units in Audiovisual Translation. A Case Study of Polish Dubbing of Disney’s The Little Mermaid
63%
Golda P. , Mężyk J.
Kwartalnik Neofilologiczny
|
2021
|
nr 1
136-154
PL
Celem artykułu jest przedstawienie jednostek frazeologicznych jako przedmiotu tłumaczenia w polskim dubbingu Małej Syrenki Disneya, omówienie roli technik tłumaczenia frazeologizmów w tłumaczeniu audiowizualnym oraz przedstawienie możliwych nieścisłości przekładu. Wprowadzenie teoretyczne przedstawia definicje kluczowych terminów. Następnie przedstawiona jest analiza przekładu jednostek frazeologicznych występujących w anglojęzycznej wersji Małej Syrenki Disneya wraz z ich polskim tłumaczeniem.
EN
The paper aims to discuss phraseological units as the object of audiovisual translation in the Polish dubbing of Disney’s The Little Mermaid, to discuss the role of phraseological translation techniques, and to present possible translation inconsistencies. A theoretical introduction presents definitions for crucial terms. It is followed by the analysis of the corpus of phraseological units in Disney’s The Little Mermaid and their Polish translational equivalents.
15
Content available remote Zur Übersetzbarkeit der Referenz – und Formalstruktur eines literarischen Werkes am Beispiel des Gedichts "Pieśń o głodźe" von Bruno Jasieński und seiner deutschen Übersetzung
63%
Lesner E.
Annales Neophilologiarum
|
2014
|
nr 8
81-103
EN
In his article the author describes problems by translating of Polish futuristic poetry. He focuses his attention on referential (meaning, content) and formal structure of the poem (ortography, rhyme) and its rendition.
PL
W niniejszym artykule autor omawia trudności wynikające z przekładu poezji futurystycznej skupiając się na warstwie referencyjnej (treść) oraz formalnej (ortografia, rymy) tekstu wyjściowego i docelowego.
DE
Im folgenden Beitrag werden die Übersetzungsprobleme futuristischer Dichtung angesprochen. Der Verfasser konzentriert sich besonders auf die referenzielle (den Inhalt) und formale (Orthographie, Reime) Ebene des Ausgangs- und Zieltextes.
16
Content available La traducción al español y al francés de los nombres propios en la literatura fantástica: el caso de Juego de Tronos
63%
Pérez Fernández L. M.
e-Scripta Romanica
|
2018
|
tom 6
77-93
EN
This article compares translation techniques for proper names in Spanish and French within a novel considered fantasy literature. For our study we have analyzed the first novel of the saga A song of Ice and Fire with the aim of establishing a classification of proper names, looking into the most common translation techniques in both languages and comparing them in order to find out common patterns.
ES
El presente artículo compara las estrategias de traducción de los nombres propios en francés y en español de una novela perteneciente al género de literatura fantástica. Para ello se ha utilizado la primera novela de la saga Canción de hielo y fuego, con el fin de establecer una clasificación de los nombres propios, comprobar cuáles son las técnicas de traducción más habituales en ambas lenguas para finalmente compararlas y comprobar en qué casos coinciden.
17
Content available Druki jezuickie w kręgach prawosławnych: dwa przykłady z XVII-wiecznej Rzeczypospolitej
54%
Korzo M. A.
Biblioteka
|
2018
|
nr 22(31)
65-74
EN
The history of works composed by Jesuits Fulvio Androzzi (1523–1575) and Marcin Śmiglecki (1563/64–1618) and their translations into Church Slavonic and the so-called “prostaâ mova” are considered as an interesting example of the spread of Catholic works among adherents of Orthodoxy in the Polish-Lithuanian Commonwealth. Androzzi’s Della frequenza della communione (1579) was originally an essay on the preparation for frequent communion. Its two Polish-language editions by Stanisław Grochowski (Scieszka poboznego chrześcianina, 1600) and Szymon Wysocki (Skarbnica duchowna, 1600) served as a source for a concise, written in “prostaâ mova” funerary sample sermon, which is found in the Vilna’s Orthodox Ritual 1621. An essay on theological and legal aspects of money-lending (usury) by Śmiglecki (O lichwie i trzech przednieyszych kontrakciech, 1596) was partly used for drawing up a treatise on moral theology Mir s Bogom čeloveku (1669) published in the Kiev Monastery of the Caves. Both sample sermons and treatises on moral theology were new literary genres for Orthodox tradition; their origin in the seventeenth century can be associated with Catholic influences.
PL
Tłumaczenia dzieł jezuitów Fulvia Androzziego (1523–1575) i Marcina Śmigleckiego (1563/64–1618) na język cerkiewnosłowiański i tzw. prostą mowę rozpatrywane są jako ciekawy przykład funkcjonowania utworów katolickich w XVII-wiecznym środowisku prawosławnym w Rzeczypospolitej. Della frequenza della communione (1579) Androzziego powstał jako traktat o częstym przyjmowaniu komunii. Oba jego przekłady polskie: w wersji skróconej Stanisława Grochowskiego (Scieszka poboznego chrześcianina, 1600) i pełnej Szymona Wysockiego (Skarbnica duchowna, 1600) stały się źródłem lakonicznego kazania wzorcowego na pogrzeb w składzie prawosławnego Rytuału (Wilno 1621). Traktat teologiczno-prawny o pobieraniu procentów i o kontraktach Śmigleckiego (O lichwie i trzech przednieyszych kontrakciech, Wilno 1596) został częściowo włączony do pierwszego prawosławnego manuale spowiedniczego Mir s Bogom čeloveku (Kijów 1669). Zarówno kazanie wzorcowe, jak i manuale spowiednicze należały do nowych gatunków literatury religijnej, które zaczęły powstawać w piśmiennictwie prawosławnym dopiero w XVII wieku pod wpływem tradycji katolickiej.
18
Content available THE NAMES OF ENGLISH JUDICIAL OFFICES, COURTS AND TRIBUNALS AND THEIR TRANSLATION INTO POLISH
51%
GOŚCIŃSKI J.
|
|
tom 28
43-62
PL
Celem artykułu jest zaproponowanie kilku technik tłumaczeniowych, które można wykorzystać podczas tłumaczenia na językpolski nazw angielskich stanowisk sędziowskich, sądów i trybunałów administracyjnych. W pierwszej części autor zwięźle opisuje strukturę angielskich sądów i trybunałów administracyjnych. W drugiej omawia teoretyczne podstawy tłumaczenia terminów z zakresu prawa. Trzecią część poświęca technikom tłumaczenia nazw angielskich sądów i trybunałów administracyjnych, zaś ostatnią technikom tłumaczenia nazw angielskich stanowisk sędziowskich. Artykuł ma również charakter praktyczny, ponieważ zawiera autorskie propozycje polskich ekwiwalentów omawianych terminów angielskich.
EN
The aim of this article is to propose a number of translation techniques which can be applied in the process of translating the names of English judicial offices, courts and tribunals into Polish. In the first part, the author briefly describes the English court and tribunal system. In the second, he provides a theoretical background to the translation of legal terms. He devotes the third part to the techniques of translating the names of English courts and tribunals and the last one to the techniques of translating the names of English judicial offices. The article also has a practical aspect as it contains suggested Polish equivalents for the English names in question.
19
Content available Проблемы перевода обсценных явлений цикла Москва кабацкая Сергея Есенина на польский язык
44%
Borkowska K.
Acta Universitatis Lodziensis. Folia Litteraria Rossica
|
2017
|
nr 10
113-123
EN
The article reviews the role of obscene vocabulary in Sergei Yesenin’s cycle Moscow Taverns, as well as the problems connected with rendering them into Polish. The material ofthe analysis, Yeseninʼs poetry, is famous for a high frequency of terms of abuse. The resultsof the examination make it possible to pinpoint certain regularities in translation transformations.The potential translation variants are shown on basis of three Polish translators’works, pertaining to different periods. Due to this, it is possible to observe the evolving attitudesto translating obscene images in Yesenin’s poetry in a diachronic perspective.
RU
Данная статья трактует о роли обсценной лексики в цикле стихотворений Сергея Есенина Москва кабацкая. В ней также раскрываются особенности перевода такого рода лексики на польский язык. Материалом анализа стала лирика Есенина, в которой встречаются многочисленные примеры инвективных слов. Приведенный в статье широкий спектр переводческих решений позволил выявить некоторые универсальные приемы перевода обсценной лексики. В статье приводятся трансляторские варианты трех польских переводчиков, работы которых относятся к разным периодам. По этому поводу можно проанализировать меняющиеся концепции перевода обсценной лексики в цикле Москва кабацкая в диахроническом аспекте.
20
Content available Comment apprivoiser les vulgarismes italiens, ou le traducteur polonais face au risque de l’autocensure
44%
Ciesielka J. , Cola I.
Acta Universitatis Lodziensis. Folia Litteraria Romanica
|
2017
|
nr 12
279-291
EN
In the article entitled ‘The Taming of the Italian Vulgarism or Polish Translators Facing Censorship’ the authors reflect upon the translation of Italian vulgarisms contained in literary works into the Polish language. Two modern teen novels written by Federico Moccia were analyzed for this purpose, namely Tre metri sopra il cielo and its sequel Ho voglia di te. The former was translated into Polish by Krystyna and Eugeniusz Kabatc whereas the latter by Anna Niewęgłowska. The text analyses were performed with the use of TextSTAT. The authors analyze the translations of the expressions within the given contexts and attempt to tackle the questions concerning the translation techniques applied in the traduction of vulgarisms and cuss words as well as shed light on the differences in the translations of the two literary texts.
FR
Dans le présent article, les auteurs réféchissent sur la traduction des vulgarismes italiens en polonais dans les deux romans contemporains pour les jeunes de Federico Moccia : Tre metri sopra il cielo et Ho voglia di te. La traduction du premier livre a été assurée par Krystyna et Eugeniusz Kabatc, tandis que le deuxième, qui constitue la suite des aventures des jeunes héros du premier texte, a été traduit par Anna Niewęgłowska. Après avoir fait une analyse statistique concernant le nombre de mots vulgaires dans les textes originaux et dans leurs traductions respectives, on a examiné les contextes d’apparition des gros mots, ce qui a permis de répertorier les solutions utilisées par les traducteurs de deux textes et les différentes techniques qu’ils ont adoptées dans la traduction des vulgarismes.
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