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Cmentarz na bośniacko-hercegowińskim pograniczu kulturowym. Analiza struktury tuzlańskiego cmentarza Trnovac

100%

Bolewska I.

nr 17

W niniejszym artykule zaprezentowano analizę nagrobków znajdujących się na tuzlańskim cmentarzu Trnovac w Bośni i Hercegowinie. Scharakteryzowano badany obszar, kładąc nacisk na cechy lokalnego pogranicza kulturowego i historii miasta, przedstawiono opis badania i jego wyniki. Celem analizy było ukazanie odstępstw od oczekiwanego stanu, wynikających ze specyfiki pogranicza, oraz podjęcie próby ich wyjaśnienia. Podkreślono także wagę cmentarza jako źródła informacji.

This article presents an analysis of the tombstones in the Trnovac cemetery of Tuzla, Bosnia and Herzegovina. The studied area was characterized with an emphasis on the features of the local cultural borderland and the history of the city. The text also includes the description of the study and its results. The aim of the presented analysis was to indicate departures from the expected state which result from the characteristics of this borderland, and to attempt to explain them. The importance of the cemetery as a source of information was also emphasized.

Nagrobek Stanisława Staszica a polityka wizerunkowa Towarzystwa Warszawskiego Przyjaciół Nauk

100%

Getka-Kenig M.

nr 3

31–49

The article is devoted to the artistic setting of Stanisław Staszic’s (1755–1826) burial place, for which his main heir, the Warsaw Royal Society of the Friends of Sciences (TKWPN), was responsible. The inspiration to raise this topic was the discovery of two previously unknown Jakub Tatarkiewicz’s designs of Staszic’s unrealized neoclassical tombstone in the collections of the Central Archives of Historical Records in Warsaw (AGAD). However, the projects were never commissioned by TKWPN but were the sculptor’s proposal. By analysing the relationship between these artistic projects and the initiatives concerning Staszic’s tomb which stemmed directly from the Society (a big raw stone as memorial), the article highlights the problem of TKWPN’s participation in creating the posthumous cult of its long-time president and most important benefactor. The TKWPN’s seemingly paradoxical reluctance to glorify Staszic by means of traditional (artistic) forms of commemoration can be interpreted as a logical action calculated to benefit the Society’s image. Therefore, focusing on this single aspect of the posthumous cult of Staszic, directly related to the TKWPN, this article refers to the image-building policy of this institution, and thus to the ways of building its social status. At the same time, it tackles the issue of the prestige of science and scientific patronage as a new (from the early 19th-century perspective) form of public merit.