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1
Content available Libeskind’s Museum in Berlin as a toppled tower
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PL
In the article the author will attempt to interpret the architectural structure of the Jewish Museum in Berlin, designed in 1989 by Daniel Libeskind. The context of deliberations presented here will rely on a broadly understood idea of tower, an entity identical with the Judaic as well as Christian vision of the Heavenly Jerusalem. However, the key to the metaphor is the assumption that the structure symbolizes a toppled tower, which in its turn is a meaningful analogy to the concepts derived from the issues of the Holocaust.
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Content available Therapeutic dreams in Auschwitz
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EN
The aim of this article is to answer the question whether the dreams of Auschwitz prisoners had a therapeutic function. The author selected 51 dreams (out of 208 dreams reported in 1973 by former Auschwitz inmates) from which it followed that a particular dream had some kind of a positive influence on the dreamer: on his or her mood, frame of mind, faith in the possibility of survival and liberation, or even his or her health condition. The author found three dominant groups of such dreams: “caring” dreams, “freedom” dreams, and metaphorical dreams, and described their helping effects.
3
Content available remote Echoes of the Holocaust in Leonard Cohen’s art
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PL
Leonard Cohen is mostly known as a singer-songwriter. Although his poems and novels are not as widely recognized as his music, it has been frequently argued that The Favourite Game (1963) and Beautiful Losers (1966) can be viewed as the most innovative and experimental novels to be published in Canada. They are also among the first representatives of Canadian postmodernism in literature. The main purpose of this article was to explore echoes of the Holocaust in Cohen’s novels, as well as in his book of poetry Flowers for Hitler (1964). Despite the fact that the links and allusions to Judaism made by him have been often stressed by the critics, what is demonstrated here is the fact that for Cohen, his Jewish heritage was not only a source of inspiration but also doubt and anger. This paper, apart from presenting the artist’s cultural and spiritual background, aims at demonstrating ethical ambivalences in Leonard Cohen’s art and examining the reasons behind the ambivalence, as well as discussing his works in the context of postmodern ethical theory.
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EN
The article focuses on structural changes in the Bratislava population in the first half of the 20th century. Particularly in the decade of 1939–1948, there was an intense social engineering, i.e. a targeted effort to adjust both the ethnic and social city structures to the contemporary regime needs. The Czechs were the first target of these efforts (1939), followed by the Jewish minority (deportations in 1942); after the liberation, both Hungarian and German inhabitants fell victims to such activities, and after February 1948, this process also affected some social strata of the population. (A mass emigration after August 1968 was due to different reasons.) When analyzing the social engineering, the author has used particularly memories of the contemporary witnesses supported by the archive and other sources.
CLEaR
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2016
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tom 3
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nr 1
27-38
EN
The topic of the article is writings by Ida Fink. It analyses stories of the author of Wiosna 1941 (The Spring 1941) which refer to the Holocaust. The analysis also draws attention to the poetics of “discreet horror” in which Ida Fink’s stories are embedded. In her records the author does not underline the cruelty, but shows the terror of the situation by subtle narrative and compositional manoeuvres. The picture of death is de-emphasised by the psychology of characters, and the main focus are complicated human relationships in which the author with a great delicacy presents various emotional states of people who, despite being sentenced to death, still try to survive the war. Ida Fink’s stories are different from the majority of Holocaust literature which exposes the severity and brutality of mass death. These stories stand out as an exceptional phenomenon among works by such authors as Tadeusz Borowski, Zofia Nałkowska, Leon Buczkowski, Henryk Grynberg or Bogdan Wojdowski.
EN
The article aims at drawing parallels between the Holocaust and the consumer society through the phenomenon of adiaphorization. To Bauman, the historical event of the Holocaust is of utmost importance to humanity, especially for tackling the problems of morality, moral indifference – in other words adiaphorization – and society. However, Bauman’s social theory contains distinct elements of Emanuel Levinas’s conception of morality and embraces a notion of adiaphorization as a feature of social organization as such – independently of shifting cultural contents. When analysing the society of consumers that is found in the times of globalization and individualization – i. e., liquid modernity – Bauman finds that its cultural tendencies to efface the face dehumanize and treat other people as means towards ends – in other words, placing the Other outside of one’s moral horizon – are similar to those that were used when extinguishing people’s lives in Nazi concentration camps. Both the Holocaust as an epitome of adiaphorization in solid modernity and consumerism as an epitome of adiaphorization in liquid modernity are treated in Bauman’s works as the most conspicuous cultural cases of adiaphorization. However, a shift in method when theorizing on the consumer society after the liquid turn allows additional aspects in his theory of the Holocaust before the liquid turn to be noticed. Due to that, it is argued in the article that “adiaphorization” might be explained as not only “moral indifference”, but also “epistemic indifference”, and that within conception of the Holocaust Bauman engages in efforts to affect his readers by awakening their morality, as “humanization through metaphors” helps him step over the boundary between theory and practice when he engages in “liquid sociology”.
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PL
In the article, the author presents the influence of the theological teaching and symbolic gestures of Pope JohnPaul II on the Polish-Jewish reconciliation. Considering the main papal acts related to the Jewish community and Judaism, such as visiting the Great Synagogue of Rome, the apostolic visit to Israel (especially his visit to the Yad Vashem Institute and praying near the Western Wall), the establishment of diplomatic relations between the Holy See and the State of Israel, visiting the former Nazi concentration camp in Auschwitz-Birkenau, and hisact of repentance on 12 March 2000. She presents the possible influence of the Roman Catholic Church on the change of Polish attitudes towards Jews. She alsoexplains how the personal testimony of the Holocaust affected the Pope’s actions and opinions, and presents his teaching as innovative, post-Shoah theological doctrine, which changed the Holy See’s policy as well. The author presents John Paul II not only as an influential religious leader, significant theologian, and ethicist, but also as a politician and moral authority for Poles, who set the example for possessing a friendly attitude in relations with Jews and Israel, and recognized them as elder brothers in faith, and condemning all acts of anti-Semitism or anti-Judaism, which even today is accepted and justified by some of Poles.Full text: http://bazhum.muzhp.pl/czasopismo/589/?idno=14761
EN
The article author claims that Ida Fink’s The Journey can help attract young readers’ attention to the traumatic experiences of Jews during World War II. The analysis of the events described in the novel and, above all, the behaviour of the main character and the narrator, helps to create an understanding and empathic attitude towards the suffering of others. The article author claims that reading texts written by people who survived the Holocaust can initiate reflection that condemns racist and xenophobic behaviour and statements.
EN
The article presents the problems of the Lodz Ghetto organized by the Germans during World War II and the role of the ghetto railway station - called Radegast Station. The author also describes the contemporary function of the station, paying particular attention to the initiative of the local authorities, which led to building a monument within its premises, commemorating the Holocaust of the Lodz Jewish population. Following that, the author presents the results of a survey conducted in the monument area in 2007, which allowed the local authorities' activity and its indirect influence on the image of Lodz to be assessed.
EN
Contemporary artists referring to history often ask questions about what and how is memorised. How tragic events from the recent past are reflected in our cultural archive of memory. Artists are interested in visual memory, which includes, among others, documentary photographs, pictures from history textbooks, historical feature films. However, there is not only historical knowledge but also the popular culture that shapes our ideas about the past. That is why in these imaginations the truth mixes with fiction, and the suggestive images known from movies overlap our knowledge. Thus, the artistic “archeology” takes place in the area of our broadly understood cultural memory. The above problem is discussed in the example of two works by Piotr Uklański: Nazis (1999) and Real Nazis (2017). I reflect on results from the comparison of these works – the first using fictional images of Nazis from feature films and the second one showing portraits of real Nazis.
PL
The article contains a catalogue of plots and motifs related to the genocide of the Armenians (committed by the Turks in the years 1915-1923) in Polish literature. The earliest work referring to this crime is Stefan Żeromski’s novel Przedwiośnie (1924), the latest one is Julia Hartwig’s poem Słodka Armenia w trzech przestrzeniach (2007). In Polish literature, the extermination of the Armenians is presented most often in the context of other tragic historical events, including wars and revolutions (Zofia Nałkowska’s Choucas), theextermination of the Jews during World War II (Bohdan Gębarski’s List do starego tureckiego znajomego, Włodzimierz Paźniewski’s Neurosa teutonica) and other acts of genocide (Wiktor Woroszylski’s Zagłada gatunków, Alina Margolis’s Moralność czasu Holokaustu). In communist Poland this tragedy was invoked mainly to enhance the “splendour” of contemporary Soviet Armenia (Igor Sikirycki’s poem Powitanie Armenii, the factual works: Andrzej Mandalian’s Notatki armeńskie, Ryszard Kapuścinski’s Wanik czyli druga Armenia, Monika Warneńska’s Ścieżką na Ararat). Among these works, a special one is Bohdan Gębarski’s Morituri. Opowieść o 1915 r., which is first and foremost a literary (fictionalized) attempt to boost awareness of theArmenian Genocide.
EN
The fall of the Third Reich, turning the “most tragic page” in the history of the Jewish nation, i .e . the Second World War, did not mean the end of the tragedy for Jews on Polish soil. Even before the end of the greatest confl in the history of humankind, in the areas liberated from Nazi Germany occupation, many survivors of the Holocaust experienced acts of ruthless violence. However, very few of the numerous victims of the post-war anti-Jewish terror have been commemorated in public space. To a very small extent the form of public commemoration also covered earlier wartime cases of collective murders committed against Jews by Polish Christians. Even if the sites of the dramatic events which occurred in the shadow of the Holocaust were marked, the complete truth about their course was not restored everywhere.
EN
The rescue of Jews during the Second World War is one of the least studied issues in the historiography of the Holocaust. The Galicia Region, one of the areas where a total Nazi extermination of Jews occurred, became a region from where a large number of Righteous Among the Nations came – Ukrainians and Poles. The article includes an analysis of the motivations that became the basis for people’s decision to help Jews under the extreme conditions which threatened their lives and the lives of their close ones. It highlights the response of the occupation authorities to rescue actions taken by the non-Jewish population. Despite the unambiguity of the Nazi orders to punish severely those who helped Jews, the real implementation of such sanctions varied. Finally, the article analyses the main determinants (of social, economic, and religious nature) that played an important role in making the decision whether to join the rescue process. The article concludes that no political which could had saved Jews, did lead to any systematic rescue efforts directed at Western Ukrainian Jews, yet the survival of those Jews who were hunter was possible for the deeds of some Polish and Ukrainian people.
EN
This paper focuses on a short work of fiction written in the 1940s by the Croatian Jew, Hinko Gottlieb. The manuscript of the book was found in one of the Jerusalem archives and,about seventy years later was, prepared for publication in Croatia in 2021.  Undermining the readers’ previous habits, the book uncharacteristically problematises the Holocaust. Gottlieb uses humour as his major aesthetic device to describe internment. the story may also be ascribed to the fantasy genre, or to speculative fiction to be more precise. The purpose of the thought experiment presented here is to examine (in prison conditions) the possibilities that the socalled space capacitor has to offer. Besides acknowledging the occurrence in the text of such categories as science fiction, grotesque and surrealism, the article endeavours to answer the question about their use in the story of the Holocaust.
15
Content available Ukryci [The hidden]
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EN
The hidden (2010)Łukasz Konopa’s film is devoted to the Righteous, their fate after World War II and the problem of memory about Jews. Shot as a part of an anthropological and historical research project concerning memory about Jews in provincial Poland. Using the ethnographic interview method, the author attempts to record accounts of events which transpired during the Nazi occupation of Poland and of postwar realities of people who had helped Jews in a village in Podlasie.Łukasz Konopa talks with two men living near Białystok. Some sixty years after the war, the Wasilewski brothers recount before the camera the dramatic events in which they took part. Their parents provided shelter to three Jews from the nearby town of Trzcianne, which brought upon them persecution from their Polish neighbors.The film’s heroes, answering sincerely and with pain the researcher’s question, demonstrating exceptional bravery and opposing the hostility of their own community. Ukryci (2010)Film Łukasza Konopy poświęcony jest Sprawiedliwym, ich losom po drugiej wojnie światowej oraz problematyce pamięci o Żydach. Film powstał w ramach badań antropologicznych i historycznych nad pamięcią o Żydach na polskiej prowincji. Korzystając z metody wywiadu etnograficznego, autor podejmuje próbę zapisu relacji z wydarzeń czasu okupacji nazistowskiej i późniejszych, powojennych realiów życia osób, które pomagały Żydom w jednej z podlaskich wsi.Łukasz Konopa rozmawia z dwoma mieszkańcami okolic Białegostoku. Sześćdziesiąt kilka lat po wojnie bracia Wasilewscy opowiadają przed kamerą o dramatycznych wydarzeniach, których byli uczestnikami. Ich rodzice udzielili schronienia trójce Żydów z pobliskiego miasteczka Trzcianne, za co całą rodzinę dotknęły prześladowania ze strony polskich sąsiadów.Bohaterowie filmu, odpowiadając szczerze i z bólem na pytania badacza, dają jednocześnie dowód niezwykłej odwagi, przeciwstawiając się wrogości ze strony własnej wspólnoty.
EN
Trzcianne – a case study. The Polish-Polish war over Jews in witness accountsŁukasz Konopa endeavors to reconstruct the process of the annihilation of Trzcianne, a town where the Jewish population was dominant before 1939. This case study is based on ethnographic interviews conducted presently with members of the Wasilewski family, the Righteous among the Nations, who both witnessed and participated in the events. The paper also refers to the accounts presented after the war by the surviving Jews and witness testimonies given during the trial conducted in 1950–51 against a few Poles accused of murdering Jews. In the course of his analysis, the author reveals the silence and secrecy surrounding the fact that some Poles were involved in the murder of Jews whereas those who risked their lives to help Jews were punished by their Polish neighbors after the war. The shameful episodes in the past of a small town in the Podlasie region were deleted from the local historical discourse. Trzcianne – studium przypadku. Wojna polsko-polska o Żydów w relacjach świadkówAutor podejmuje próbę rekonstrukcji obrazu zagłady Trzciannego, miejscowości, której ogromną większość populacji przed 1939 rokiem stanowili Żydzi. Studium przypadku oparte jest na wywiadach etnograficznych, przeprowadzonych współcześnie z członkami rodziny państwa Wasilewskich – świadkami oraz uczestnikami wydarzeń, Sprawiedliwymi wśród Narodów Świata. Przywołane zostają również relacje złożone po wojnie przez ocalałych Żydów oraz zeznania świadków z procesu sądowego kilku Polaków oskarżonych o mordowanie Żydów, prowadzonego w latach 1950–1951. W toku analiz autor odsłania przemilczaną i ukrywaną społecznie prawdę, iż niektórzy Polacy brali udział w mordowaniu osób wyznania mojżeszowego. Natomiast ci, którzy z narażeniem życia pomagali Żydom, ponieśli po wojnie karę ze strony swoich polskich sąsiadów. Wstydliwe epizody z przeszłości małego, podlaskiego miasteczka zostały wyparte z lokalnego dyskursu historycznego. 
EN
This article discusses the memories of a Sanok-born Jewish woman from Przemyśl – Pola Hister, which were taken down at the end of her life by Avi (Abraham) Schonbach. The author describes her childhood and education in the Jewish secondary school in Przemyśl, the period of Nazi occupation, staying in the ghetto and being kept in hiding by friendly Polish families. A lot of space is devoted here by the author to the anti-Jewish feeling in postwar Poland and the decision to emigrate with her husband. Through Austria she travelled to Canada, where she started a new life and where she died. Till the day of her death she spoke fluent Polish.
EN
Pamiątka, Zabawka, Talizman / Souvenir, Talisman, Toy (an exhibition in Cracow’s Ethnographic Museum, 2013, prepared by Erica Lehrer)The article is a review of the exhibition Pamiątka, Zabawka, Talizman / Souvenir, Toy, Talisman, which opened at the Seweryn Udziela Ethnographic Museum in Cracow on 30 June 2013, during the Jewish Culture Festival. The exhibition was curated by Erica Lehrer.Pamiątka, Zabawka, Talizman / Souvenir, Talisman, Toy (wystawa w Muzeum Etnograficznym w Krakowie, 2013 rok, kuratorka: Erica Lehrer)Jest to recenzja wystawy Pamiątka, Zabawka, Talizman / Souvenir, Talisman, Toy, która została otwarta podczas Festiwalu Kultury Żydowskiej w Muzeum Etnograficznym im. Seweryna Udzieli w Krakowie 30 czerwca 2013 roku. Jej kuratorem była Erica Lehrer.
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Content available Wojna (nie)opisana
66%
EN
The paper is a review of the book Rozrachunki z wojną by Sławomir Buryła (Warszawa, Instytut Badań Literackich PAN 2017), which is devoted to the problems of literary representation of war in specific sociocultural contexts. Buryła reflects on Polish literature and pays special attention to the question: what does literature know about war and why? In addition, he diagnoses zones of silence and neglect as serious deficits within Polish war studies, particularly in the field of literary studies. The review contains a reconstruction and analysis of the argumentation provided in Rozrachunki z wojną as a contribution to such difficult and embarrassing topics as war, violence, genocide and “time of contempt”.
EN
The main aim of the paper is to present the evolution of the German concept of space (Raum). The author focuses chiefly on the Nazi interpretations of space and the linking of geographical notion of space with racist ideology. This connection is demonstrated by means of a description of particular concepts of space, while relying on texts published in the press.
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