Wyniki wyszukiwania - Biblioteka Nauki

1

Lidská práva v rakouském osvícenství. Wolff, Martini a Windischgrätz

100%

Cerman I.

Český časopis historický (The Czech Historical Review)

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2013

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tom 111

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nr 2

300-334

EN

This study returns to the beginnings of the theory of human rights as it was conceived by Christian Wolff; it discusses its developments in the conception of the Austrian lawyer Karl Anton von Martini and the original re-working of this theory based on sensualism as presented by Joseph Nikolaus Count Windischgrätz.

2

Jan Hus v proměnách šesti století

63%

Čornej P.

Studia theologica

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2015

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tom 4

19-35

EN

According to the Hussite approach, and also according to the approach of the Reformation streams, the death of Jan Hus represented a turning point in history, a return to the binding road to salvation. This is demonstrated in the Hussite chronicles, and also the depictions of Jan Hus as a witness to the first day and a Saint comparable to the early Christian martyrs. Although the Catholic environment viewed Jan Hus and the Hussites as heretics doomed to eternal torment in the flames of Hell, the preacher of Bethlehem Chapel was considered both a savvy and dangerous opponent. These two basic and extremely different approaches continued into the last quarter of the 18th century, when the Enlightenment began to present Jan Hus as a victim of conscience and the proclaimer of the primacy of state power. This interpretation, which viewed the current issues of the day in connection with Hus’ struggle, continued up until the last days of the 20th century. There is a lack of understanding of the true essence of Hus’ efforts in the contemporary Post-modern perception of the world, however. The logical results of this misunderstanding are recurrent, outdated explanations involving stereotypes, simplification and a tabloid approach.

3

Zmierzch bezpieczeństwa oświeceniowych paradygmatów i jutrzenka stereotypu popkultury: gotycyzm i preromantyzm

63%

Nawrocki R.

Świat i Słowo

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2013

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tom 11

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nr 2(21)

83-94

EN

The article aims to depict the phenomenon of cultural changes at the turn of the 18th and 19th century. Gothicism characterized by that time is widely considered as a herald of Romanticism. However, the article approaches Gothicism as a decadent form of Classicism. The reason behind the appearance of Gothicism was in fact Enlightenment paradigms having become inefficient, and more precisely – as discussed in the article: - the end of seeking security in nature, - the end of trust in human mind, - the change of the position of women in society, - the change in perception of literature. The conclusion of the article links the first appearances of Gothicism with the later development of pop culture.

4

Dwaj satyrycy o wyrodnych potomkach zacnych przodków: Krzysztof Opaliński i Adam Naruszewicz

51%

Obremski K.

Śląskie Studia Polonistyczne

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2015

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nr 1(6)

53-67

EN

Both analysed satires, the one from the mid-17th century and the other written one hundred years later, are connected by a relationship of “incompatible compatibility”; after all, their authors presented as reprehensible what they saw differently: whereas Opaliński criticized lower gentry and upper gentry, Naruszewicz criticised only the latter. The most general meaning of both texts is as follows: the idea of nobility and its social practice are usually divergent, and therefore, opposing. Both satirists can be regarded as republicans, yet, this ideological bond is undermined by the radicalism of the descendant of an aristocratic family and moderate democratism of the Pińsk master of the hunt.

FR

Les deux satires analysées ici – celle de la moitié du XVIIe siècle et celle publiée cent vingt ans plus tard – sont unies par la relation d’une « concordance discordante » du fait que leurs auteurs présentaient comme répréhensible tout ce qu’ils percevaient différemment : Opaliński critiquait la « noblesse mineure » ainsi que la « noblesse majeure » ; tandis que Naruszewicz critiquait seulement la seconde. On peut présenter l’éloquence la plus générale des deux textes d’une manière suivante : l’idée de noblesse et sa réalisation sociale s’avèrent généralement disjointes, et par conséquent – opposées. On peut dire que les deux satiristes étaient républicains, mais à cette unité idéologique s’opposent le radicalisme du descendant d’une famille de magnats, et le démocratisme modéré du fils d’un maître de chasse de Pinsk.

5

«Хоч не пансько, да й не хамсько будем розмовляти…» жанрово-стильові особливості творчості Івана Некрашевича

38%

Сарапин В.

Roczniki Humanistyczne

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2014

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tom 62

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nr 7: Słowianoznawstwo

183-196

PL

W artykule omówiono synkretyzm stylistyczny twórczości o. Iwana Nekraszewycza, ukształtowany pod wpływem tendencji estetycznych II połowy XVIII wieku. W tekstach autora obok elementów barokowych zauważalne są również wpływy klasycystyczne i rokokowe, zaś wysoka kultura literacka współegzystuje z ludową kulturą śmiechu.

UK

У статті розглянуто синкретичну стильову парадигму творчості священика Івана Некрашевича, структуровану естетичними тенденціями другої половини ХVІІІ ст. Зауважено, що у ній, поруч із бароковими, простежуються класицистичні і рокайльні елементи, а книжна традиція органічно співіснує з народною сміховою культурою.