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Mammals in the iconography of the Temple of Hatshepsut: a project underway

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Braulińska K.

2017

tom 26(1)

221-228

The project “Mammals in the iconography of the Temple of Queen Hatshepsut”, initiated by the author in the 2011/2012 season, encompasses a detailed documentation of the animals depicted in various parts of Hatshepsut’s temple in Deir el-Bahari as a prerequisite for in-depth research. The study follows a multi-disciplinary approach within faunal analysis, and is complemented with technological observations on the execution of relief representations from the temple. At this stage of the project, a general taxonomic identification of the animal representations is nearly complete and a further detailed study of each taxon has been undertaken. Both complete animals (mainly mammals for now) and animal raw materials were studied in addition to the contexts and scenes in which they appear.

Old and Middle Kingdom Tradition in the Temple of Hatshepsut at Deir el-Bahari

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Ćwiek A.

2014

nr 27

61–93

The temple of Hatshepsut at Deir el-Bahari, although a unique and innovative monument, is firmly settled in the earlier tradition. Its architecture, relief decoration, statuary program and texts, bear direct or indirect references to the past. The Old and Middle Kingdom ideas, patterns and motifs may be traced on various levels, in the overall structure as well as in details. Sometimes the direct source of a feature may be pointed out; in most cases one can at least set forth an inspiration source in the architecture and decoration programme of the royal mortuary complexes, royal texts or iconography. The Deir el-Bahari case should be seen against the wider background of Hatshepsut’s activities, referring to the great periods and achievements of her illustrious ancestors: Memphite and Theban traditions joined thus in a masterly way formed a new, firm base for her rule.