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La narrativa breu de Josep Lozano

100%

Soldevila C. G.

tom 22

13 - 26

Abstract The article studies Josep Lozano’s short fiction as awhole. It can be organised into three great narrative lines: historic fiction, the depiction of local reality as afigment and the writing of dreams. This study also describes these short fiction pieces taking into account the poetics of brevity, pointing out the time of discourse and how characters are depicted. Finally, loneliness is underlined as the central topic of Josep Lozano’s short fiction world. This research helps us to integrate short fiction along Lozano’s novels harmoniously, although it specifies its particular features as short stories.

“It’s a Pagan Communion, and We Are the Priests”: Plenitude in Michèle Roberts’s Short Fiction

100%

Malcolm D.

tom 6

nr 2

20-30

Roberts’s short stories have not received extensive scholarly attention, yet they make up a substantial part of her oeuvre. Her output of short stories is configured in a particular and coherent way, one that overlaps with her novels, but is consistent in itself. This configuration is summed up by the term plenitude. Abundance is noted in: genre and mood-in genre shifts and in a mixture of the comic and the dark; characters and settings-the range of female figures presented in the short fiction, and of time and place settings; character morphology-the recurrence of motifs of emotional excess, of longing, desire, and passion, in the shaping of characters (gender shifting is also relevant here); and language-the recurrence of motifs of excess on the level of language, the list, metaphoricity and self-referentiality, and the interpenetration of a variety of discourses. In her short fiction, Roberts conflates the spiritual and sensual, meals and wild gardens, the dark and the light. The plenitude of her created world and its language are entries to redemptive or consolatory experiences.