Wyniki wyszukiwania - Biblioteka Nauki

1

Między rzeczywistością a fikcją w relacji z podróży Marii Wirtemberskiej Niektóre zdarzenia, myśli i uczucia doznane za granicą

100%

Kurządkowska B.

|

nr 1

35-45

EN

After her travel, which took place between 22nd July 1816 and June 1818, Maria Wirtemberska wrote an account entitled Some events, thoughts and feelings expreienced abroad. This work is a combination which was quite unusual for those times, namely a combination of conventions: a typical documentary travel account and literary fiction. The presented paper is an attempt at examining the proportions in which these two conventions are combined. The article also tries to find the reason why Maria Wirtemberska - who wrote at the beginning of the 19th century - shaped her work, its composition and content in this particular way.

2

Эпоха i асоба ва ўспамiнах Францiшка Карпiнскага «Гiсторыя майго веку i людзей, з якiмi я жыў»

80%

Шаўчэнка Г.

Białorutenistyka Białostocka

|

2016

|

tom 8

PL

Artykuł został poświęcony pamiętnikom „Historia mojego wieku i ludzi, z którymi żyłem” Franciszka Karpińskiego (1741–1825), polskiego pisarza, poety i dramaturga. Omówiono w nim historię pisania i wydania utworu, zbadano nowatorski charakter gatunku wyrażający się w sposobach odzwierciedlania życia człowieka w określonych warunkach historycznych, przeanalizowano tematykę i problematykę pamiętników, zwrócono również uwagę na oświeceniowo-sentymentalne cechy stylu pisarza.

EN

The article is devoted to the memoirs “The history of my century and people who I lived with” by Frantsishek Karpinsky (1741–1825) – Polish writer, poet and playwright. The author of the article examines the process of writing and publishing the work, studies its genre innovation in the methods of describing a person’s spiritual life in real historic circumstances, analyzes the subjects and problems of memories. The attention is also paid to peculiarities of the writer’s style connected with the Age of Enlightenment.

3

Franciszek Karpiński – A hallmark sentimental writer?

80%

Zając G. , Zając G.

|

2019

|

nr 5

4

Giovanni Battista Pergolesi i jego theatrum doloris

80%

Szywalski P. , Karcz B. , Tyrała R. , Zając A. , Delimat W. , Janicki J. J. , Malik J. , Sterczewska L. , UPJPII i. , Pasek W. , Karcz B. , Malik J. , Sterczewska L. , UPJPII i. , Pasek W.

|

tom 11

EN

Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.

PL

Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.

5

Ojciec Jacek Woroniecki: Filozoficzne źródła i konsekwencje Rewolucji Francuskiej

80%

Kryk M.

|

2019

|

tom 8

197-213

EN

This article attempts to present the philosophical perspective of the causes of the French Revolution in terms of the eminent Polish ethicist and philosopher Fr Jacek Woroniecki. The thread of the revolution, in terms of its causes and consequences, is constantly present in the work of the Polish Dominican. Revolutionary according to Father Woroniecki is everything that reverses the natural relationship between things, destroys the inherent order of things, puts the interest of the part above the interest of the whole in social life, threatening to collapse the social organism. According to Woroniecki, individualism is the subsoil of the revolutionary element. Although present in the history of human thought, as a consequence of original sin, individualism experienced its apogee in the age of the Reformation. Luther's metaphysical egoism, defined by Maritain as self-centeredness, eventually penetrated all areas of human life, breaking social bonds. Descendant of Luther's egocentrism, Descartes, systematized Luther's thoughts in the intellectual field. Thanks to him, particularistic ideas prevailed over the traditional, universalist view of the social dimension of the progress of human thought. Another of the thinkers whose views have become a source of revolution is according to Father Woroniecki J.J. Rousseau. His sentimentalism, which is like a complement to Luther's egocentrism, in comparison with the views of Descartes, is the pinnacle of individualism in modern philosophical thought. These individualistic, anti-social currents, which were a consequence of the rejection of the philosophy of being, contributed to the complete decline of philosophical thought in the eighteenth century, thus paving the way for doctrinaires. Woroniecki accurately interprets utopian revolutionary slogans and points to the danger of apparent counterbalance to these trends, which was sought in the nineteenth century. Under the cloak of freedom, he unmasks individualist liberalism, the medicine for which socialism was to become. Then he points to envy as the foundation of egalitarianism, which, based on radicalism, became the driving force behind all totalitarianisms. He then exposes humanitarianism, which strikes at patriotism and in the name of universal slogans breaks social bonds. As an antidote to these threats, Father Woroniecki points to the doctrine of St. Thomas Aquinas as a synthesis of the thoughts of the entire human race, based on objective data of being and truth, which, with its universalism, objectivity and realism, transcends all partial systems and thus provides the basis for the unity of social life.

6

Tradycja oświecenia stanisławowskiego na łamach „Dziennika Wileńskiego” z lat 1815–1830

70%

Kowal J.

|

tom LXXI

101-119

EN

From the beginning, literature occupied an important place in “Vilnius Daily” (so-called scholar magazine’s pages). The editors of the journal (including Jan and Jędrzej Śniadecki, Euzebiusz Słowacki, Filip Nereusz Golański, Leon Borowski, Ernest Groddeck, Kazimierz Kontrym) who were recruited from the circle of the University of Vilnius are alumni in “the age of lights”. Being heirs to the enlightenment ideals of aesthetics, they appreciated the literary output of their immediate predecessors. These preferences are clearly visible in the literary content of “Vilnius Daily”’, obviously adhering to classical and sentimental tastes. Without a doubt Stanisław Trembecki enjoyed the highest popularity among the Stanislawow creators in those pages. We also encounter there the works of Elżbieta Drużbacka, Ignacy Krasicki, Franciszek Karpiński and Ludwik Kropiński. The Vilnius magazine, appreciating their creative achievements, showed thereby the continuation of eighteen-century literary tradition.

7

Charakterystyczne przykłady nurtu sielsko-sentymentalnego w polskiej liryce wokalnej pierwszej połowy XIX wieku w kontekście możliwości ich wykorzystania na wczesnym etapie pedagogiki wokalnej

70%

Ksenicz O.

|

nr 5

EN

This article attempts to describe and popularize (in the pedagogical context), a relatively little-known excerpt of Polish vocal art, which are undoubt-edly songs composed during the period of the artistic trend called European sentimentalism, or inspired by it. Due to the quantitatively poor heritage of publications basing on source materials the article puts the main emphasis on describing the wide scope of the vocal repertoire based on assumptions regarding the art of sentimentalism. Furthermore, the work also tries to discuss the suitabil-ity of individual compositions in the educational process of novice singers. Due to the fact that many of these songs haven’t won popularity so far, introducing them to the repertoire of solo singing class students seems particularly appropri-ate and instructive.

PL

Artykuł podejmuje próbę opisu i przybliżenia (w kontekście pe-dagogicznym) stosunkowo mało znanego wycinka polskiej twórczości wokalnej, jaką niewątpliwie jest pieśń artystyczna powstała w okresie nurtu sentymentali-zmu europejskiego, bądź też nim inspirowana. Główny nacisk położony został na opis szerokiego – w kontekście szczupłej spuścizny dostępnej w formie wydaw-nictw opracowanych na podstawie materiałów źródłowych – zakresu repertuaru wokalnego opartego na założeniach sentymentalizmu oraz omówienie przydat-ności poszczególnych utworów w procesie kształcenia początkujących wokalistów. Ze względu na fakt, iż wiele z omawianych utworów nie zdobyło jeszcze dotąd szerszej popularności, wprowadzenie ich do repertuaru uczniów klas śpiewu so-lowego wydaje się szczególnie wskazane i kształcące.