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1 Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)
1 Slovo a smysl - Word & Sense
1 Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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Skaz a Michail Zoščenko

100%

Kosáková H.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

2019

tom 60

117-130

The present study deals with the narrative strategy which B. Eikhenbaum explored during the first two decades of the 20th century, and which is closely connected with the spontaneous verbal praxis. The Russian writer Mikhail Zoshchenko (1894–1958) offered a wide scale of application of this strategy in his work, including the communication with his readers. The goal of the study is to examine Zoshchenko’s variable types of skaz usage, and to offer alternative readings of his texts.

Koncept věci v ruském formalismu a Pražské škole

100%

Mathauser Z.

Slovo a slovesnost: časopis pro otázky teorie a kultury jazyka (Slovo a slovesnost: A journal for the theory of language and language cultivation)

2008

tom 69

nr 1-2

25-33

The cult of the thing forced itself into the spotlight in the avant-garde through all possible routes, including the denotation of the text genre as a thing. In particular, this was how the Russian avant-garde and Russian literary criticism proclaimed their renunciation of the high, ecstatic concept of art. But the roots of the prolific methods of Russian formalism and Czech structuralism were simultaneously being found in Husserl’s phenomenology. In the Czech modernist tradition, the general aesthetic concept of the work-thing as one of the most important vantage points of a work of art was more effective than the thing-genre, and it has remained meaningful even up to now. In Jan Mukařovský’s aesthetics, the concept of the work-thing underwent a radical transformation, whose results are an extraordinary contribution to the study of aesthetics. Parallel to the change in the conception of the work-thing, the strengthening of the accent on the thing-related nature of the poetic word also occurred in Mukařovský’s works on poetic expression, which again created a common denominator with his writings on the work-thing. Some of Mukařovský’s thoughts on the “work-thing – work-sign – aesthetic object – artifact” are part of his envisioning of numerous new ideas in aesthetics internationally.

Ostranenie Does Not Equal Ozvláštnění: An Issue of a Term Transferred and Misunderstood

70%

Heczková L. , Svatoňová K.

Slovo a smysl - Word & Sense

2015

tom 12

nr 24

50-58

The text focuses on the question of the transfer and translation of several Formalist concepts, such as ostranenie and tochka zrenia. The interpretation is based on Boris Uspensky’s A Poetics of Composition, it revisits the original definition provided Viktor Shklovsky and illustrates it by the work of the German photographer Barbara Probst.

Text se věnuje problematice transferu a překladu několika pojmů (ostraněnije, točka zrenija a dalších) ruské formální školy. Interpretace pojmů vychází z knihy Borise Uspenského Poetika kompozice, vrací se zpět k původnímu konceptu Viktora Šklovského a ilustruje je pomocí tvorby německé fotografky Barbary Probst.