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Politika překladu. Nad korespondencí Jana Zábrany s Antonínem Přidalem

100%

Glanc T.

nr 2

165-176

This article deals with various aspects of the ‘politics of translation’ in connection with the book When the Cage Keeps Falling (subtitle The Mutual Correspondence of Antonín Přidal and Jan Zábrana, 1963–1984). The political dimension concerns translation in the narrowest sense of the word, but also the choice of text and its reception in the cultural feld, communication with the publisher, number of copies and distribution, as well as (during the period of normalization) translation under foreign names, cancellation of contracts, and the relationship between the book market and samizdat. With this aim, the author works through various examples of Zábrana’s translations from Russian in the broader context of political phenomena and strategies. These examples, in the fnal analysis, appear exceptional insofar as Russian literature was the subject of increased ideological interest during the period under review.

Jurodství a klaunství: Dvě tváře karnevalového smíchu v ruské kultuře

100%

Jesaulov I. A.

2018

tom 58

21-28

The article revises the view that the concept of “carnival” (one of the main contributions of M. M. Bakhtin in humanities worldwide) can have a single ontological nature (either negative or positive). It argues for the necessity to differentiate within this “unofficial” area of culture — based on Russian material. Holy foolishness and buffoonery are kinds of ontological extremes of “serious-laughing” space of carnival. On the surface they are similar — as a parody of dominating world order norms. However, their “deviance” has different vectors in Russian tradition. While buffoonery in one way or another gravitates towards the area of “sin”, holy foolishness in Russian culture is related by those who represent it to the area of «holiness» one way or the other. In other words, while buffoonery indicates “unlawfulness” violating the “norms” of a generally accepted Law (even though this “violation” is always performed within certain boundaries, which are defined by Law itself), holy foolishness is a “supra lawful” cultural factor and gravitates towards another axiological extreme: Grace. In Russian literature, one should differentiate between the gravitation of authors towards either holy foolishness, or buffoonery, and in some cases one can talk about the contamination of holy foolishness and buffoonery.