This study concerns the premiere of the symphonic poem Zrání (Ripening) by Josef Suk, Zdeněk Nejedlý’s opinions about Suk, and the so-called “Suk affair”, stirred up when Nejedlý accused Suk of having accepted an Austrian medal. The first chapter tells of the premiere of Zrání and the reactions to it including Nejedlý’s negative reviews. A separate chapter deals with Nejedlý’s opinions about Suk’s music and about the historical background of those opinions. There is also discussion of the personal relationship between Nejedlý and Suk. Special attention is devoted to how the so-called “Suk affair” has been viewed by scholars since Suk’s death up until the present.
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This study deals with the performances and reception of two compositions by Leoš Janáček in the character of suites for string orchestra, the Suite (1877) and Idyll (1878), and it focuses on analysis and interpretation of programmatic readings of the two works written by Janáček’s friend Berthold Žalud. These programmatic interpretations represent a serious problem for the usual understanding of these compositions as pieces of absolute music.
CS
Studie Miloše Zapletala je věnována dvěma dílům pro smyčcový orchestr "Suita" a "Idylla" od hudebního skladatele Leoše Janáčka. Autor se ve svém textu zabývá jednak recepcí těchto kompozic, druhak se zaměřuje na programní náplň, která byla reflektována i v dobovém tisku.
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