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Визуелен фолклор: однос меѓу усното и визуелно сеќавање

100%

Стојановиќ Л.

Poznańskie Studia Slawistyczne

2012

nr 2

The aim of this article is to present how oral biography and photo-interviews are intertwined. In this sense, it is very important to illustrate the various methods of photo fieldwork, and also to highlight theoretical concepts (such as those of Panofsky, Collier and Barthes) in order to discover photo-analysis, the relation between oral and visual memory, and the phenomenological play between stadium and punctum. These principles are very important and useful in contemporary folklore studies.

Fotografie a paměť v díle Milady Součkové

94%

Woźniak K.

2022

tom 70

nr 4

458-474

A characteristic feature of Milada Součková’s works consists in her references to her own and her family’s memories. She often combines the memories and returns to the past with ekphrastic descriptions of the photographs. This is her way to set in order (in words and pictures) the occurrences that have already happened. The photographs become sources that enliven the memory images. They activate memory and connect memories into chains of mnemonic associations. The present article explores the references in Milada Součková’s poetry and prose texts to the photographs.

Między studium a punctum. Spotkania ze sztuką w poetyckiej twórczości Stanisława Ledóchowskiego

84%

Bajda J.

Prace Literackie

2018

tom 58

299-313

This article discusses ekphrases of the poet, sculptor, stage designer, and art critic Stanisław Ledóchowski, which were published in 2013 in his volume of poetry Liście od Krakowa and in several bibliophile editions of his individual works. The discussion concerns poems dealing with three forms of art: architecture, sculpture, and painting. Poetic interpretations of works of art were placed in the context of the terms studium and punctum introduced by Roland Barthes to describe the method of finding meaning in art on two levels. The studium concerns generally available cultural context, while the punctum is an often-intimate encounter of the viewer with an artistic work, which not only reveals the specific aesthetic awareness of the poet but also his individual sensitivity.