The article is an attempt to interpret poetic works by Joanna Mueller from the point of view assumed in her 2013 book Powlekać rosąnce (apokryfy prenatalne) [To Coat the Growing (prenatal apocrypha)] – seen as both a piece of literary criticism and, in her own formulation, “autobiographical silva rerum.” The author focuses mainly on the problem of narrative's presence and function in contemporary non-narrative works; thus he will perform his research on at least three levels. Firstly, he will analyse Powlekać rosnące, especially with regard to the organising framework of subsequent parts of Christian Liturgy, pervading the work. Secondly, he will regard Mueller as a critic, who builds her – as she calls it – “anarchomystical” narrative within literary criticism, devoting it to three Polish contemporary female writers: Agnieszka Kuciak, Bianca Rolando and Lidia Amejko. Thirdly, he will concentrate on Mueller as a poet, suggesting the possible reinterpretation of her own poems in light of the model she explicitly puts forward analysing the above mention female authors. In this light, Mueller's poetry may seem postsecular in character, revealing many correlations with the idea of the “weakness of God,” developed by such authors as Gianni Vattimo and John D. Caputo.
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