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EN
The article concerns the aspect of poetic imagination in the works of selected 17th century metaphysical poets and examines the way these poets were influenced by the Anglican liturgy in the Book of Common Prayer. It analyses the concept of Anglican spirituality and its theological specifics based on the Order of the Morning Prayer in the Book of Common Prayer. There is consequently a description of poetic imagination of Anglican Spirituality and the relationship between poetics and spirituality. The article briefly describes the concept of the so­called metaphysical poets. The works of three selected authors are examined to identify the poetic expressions of theological issues. The theological themes emphasised in Anglican spirituality are compared with those expressed in the metaphysical poetic imagination. The aim of this article is to examine the role of poetics in general theological discourse.
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nr 7
211-227
EN
The paper is aimed at describing the transgressive anthropological model of Leśmian’s late poetry. The research was inspired by poetic activities of the poet himself, who in his poem Zwiewność (Ethereality) created a new “mystical” poetic image, and then extracted an unusual material and metaphysical form of human existence from it. This work of poetic creation is turned in the article into the lens of imagination which allows to perceive adequately new radical forms of human existence and phenomena occurring in their creation, such as destruction, metamorphoses and transgressive fusion with the cosmos as well as the matter of this existence (rhythm and movement).  
PL
Próba opisania transgresyjnego modelu antropologicznego późnych wierszy Leśmiana. W badaniu inspiracją stały się poetyckie działania samego poety, który w liryku Zwiewność stworzył nowy „mistyczny” obraz poetycki, a następnie wysnuł z niego niezwykłą, materialno-metafizyczną formę ludzkiego bytu. Z tego dzieła poetyckiej kreacji uczyniono w artykule wyobraźniową soczewkę, umożliwiającą adekwatny ogląd nowych radykalnych form ludzkiego bytu i wydarzających się w ich powstawaniu zjawisk – destrukcji, metamorfoz i transgresyjnego scalania z Kosmosem, a także materii owego bytu (rytmu i ruchu).  
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tom 14
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nr 9
663-681
EN
The paper consists of two parts. The first one is dedicated to Przyboś as a son of Podgórze and to his relations with gothic cathedrals. The second one is dedicated the connection between the Atlantic and the Holocaust, and it is con-stituted around the idea of double vastness: the enormity of ocean waters and the martyrdom of the Jews; the poetic importance, however, lying not only in the very comparison, but in the possibility of proving its legitimacy.
EN
The given article concerns a significant problem in the reflection about the works of B. Leśmian. On his poetic ontology, i.a. M. Głowiński, J. Trznadel, Z. Łapiński, have written. The authoress arranges research perspectives. By suggesting careful reading of the works, she considers that the dominant character of the Leśmian’s poetic imagination is positive “ontology”: the strong being and the reality of the world.
PL
Artykuł dotyczy istotnego problemu w refleksji o twórczości B. Leśmiana. O jego poetyckiej ontologii pisali między innymi M. Głowiński, J. Trznadel, Z. Łapiński. Autorka porządkuje perspektywy badawcze. Proponując uważną lekturę utworów, za dominantę wyobraźni poetyckiej Leśmiana uznaje “ontologię pozytywną”: mocny byt i uznanie realności świata.
EN
The aim of the article is to analyse the relation between the mind and imagination as the main issue of Gaston Bachelard’s book The Psychoanalysis of Fire. The book was published in 1938 and originated Bachelard’s research on the poetic imagination; however, it extended the research into another project of this French philosopher which he refers to as psychoanalysis of objective cognition. That is why The Psychoanalysis of Fire is a unique book among Bachelard’s achievements – two subjects of the research are connected there: scientific cognition and poetic imagination, which in the further years of Bachelard’s activity are separated. In the context of the article’s main aim, there appears also an interesting theme of psychoanalytic inspiration, introduced by Bachelard to his philosophy in two of his works published in 1938, one of which is The Psychoanalysis of Fire itself.
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