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Głos w sprawie kilku zdjęć. Pewne „fotografie” Stasiuka i Dehnela

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Dzika-Jurek K.

Świat i Słowo

2009

tom Świat i Słowo 2009, nr 2 (13)

197-206

A great interest in photography, which could have been observed among our writers in the recent decades leads to the modification of the modes of reading and analysis of literary texts. The author shows, that the interpretative effort means a double analytical work: the analysis of a text and a picture, and an effort to unify the two areas of contemporary literature – the linguistic and the visual spheres. The author presents and analyses some of the possible uses of photography and the use of its specific poetics in the selected texts by Andrzej Stasiuk (Jadąc do Babadag and Fado) and by Jacek Dehnel (Lala). The act of taking pictures and the photographs presented in Stasiuk’s texts, turn the texts into a kind of reportage. At the same time the narrator of Stasiuk’s novels seems to speak as someone who does not see the reality, but rather perceives some frames which were cut out of it. In Dehnel’s works photography reveals itself as a testimony and an image which documents the history and which models the structure of narration through the use of very sensual and fragmented mode of description.