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1
Content available Przestrzeń dźwiękowa wsi w pamięci jej mieszkańców na przykładzie wsi Janówka w powiecie augustowskim
100%
Kotarska J.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 2
68-84
EN
Janówka Village in the District of Augustów as an Instance of the Rural Soundscape in the Memory of its Inhabitants The article presents sounds of the Polish countryside illustrated by Janówka village in the district of Augustów, in the region of Podlasie. It describes the annual and family cycle with a particular emphasis put on sounds and includes changes to the rural soundscape that have taken place over several decades. Musical practices present in the phonosphere periodically, independently of the above mentioned cycles, are also an important part of the description. Beside the musical activity, the article describes sounds typical of the countryside, connected mainly with farming. Silence is another presented phenomenon – less and less common in our native soundscape.
2
Content available Posłuchaj głosu Puszczy Jodłowej. Mapa krajobrazów dźwiękowych Świętokrzyskiego Parku Narodowego
100%
Ossowska M.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 2
115-116
XX
Sprawozdanie z projektu
3
Content available Dźwięk w krajobrazie. Podejście geograficzne. Streszczenie monografii
100%
Bernat S.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 2
117-126
EN
The summary of the book
4
Content available Recenzja: Mateusz Torzecki, Okładki płyt. Rzecz o wizualnym uniwersum albumów muzycznych. Instytut Kultury Popularnej, Poznań 2015
100%
Sobczyk I.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 2(4)
106-110
5
Content available Symfonia Kosiarza, czyli chwasty, kosy, audiosfera i mir domowy
100%
Rumińska A.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 2(4)
89-99
6
Content available Perspektywy audiosferyczne Galerii Toy Piano
80%
Romańczuk P.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 1(3)
99-109
EN
Soundscape Perspectives of the Toy Piano Gallery
7
Content available Recenzja: Katarzyna Krakowiak, Andrzej Kłosak (red.), Słuchawy. Projektowanie dla ucha. Fundacja Bęc Zmiana, Warszawa 2009
80%
Janikowska A.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 2(4)
100-105
8
Content available „Mikroskop dla uszu”. O XIX-wiecznym słuchaniu Chopina
80%
Janicki M.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 1
42-51
EN
In Paris in the first half of the 19th century, the social and urban changes were accompanied by the development of two basic sonic strategies: the first (represented by Berlioz, Musard, Liszt and others, who conquered the mass public in large concert halls) was aimed at competing with the ever more aggressive, modern city soundscape, while the second (represented among others by Chopin) relied on an intimate contact between the artist and listeners gathered in a modestly sized salon. The salon becomes a ‘microscope for ears’, and Chopin’s improvisations may be read as a stream of consciousness. Listening to those improvisations in half­darkness, receiving the sound with the entire body, and ascribing to the music a mission from ‘ideal’ worlds is testimony to certain ways of musical listening being maintained, and simultaneously a change in music’s position within the hierarchy of arts, as well as a crystallization of a modern social distinction that perspired in the disciplining of the listener’s body and constructing his or her class and environmental ‘sonic identity’.
9
Content available Work With Sounds. Muzealne archiwum dźwięków pracy
80%
Widzicka M.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 1(3)
87-95
EN
Work With Sounds. Museum Archive of the Sounds of Work The aim of this paper is to present the process of creating a sound archive put together by six European museums as part of the project Work With Sounds. Methodological premises, the licensing policy, and results of the project are dis- cussed. The author reflects on the employment of recordings in building a his- torical narrative and the risk of conflating one’s own listening experience with the actual historical soundscape.
10
Content available Praktyka pogłębionego słuchania w badaniach miejskich. Wokół projektu „Pejzaż dźwiękowy ulicy Święty Marcin”
80%
Zimpel J.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 2
29-41
EN
The Practice of Deep Listening in the Urban Research. On the Soundscape of Saint Martin Street Project The article raises the issue of the use of sound based methods – including in particular the practice of the deep listening – in the research on urban cultural spaces. It posits the question of the status of the urban knowledge produced with regard to the auditive epistemologies. The considerations revolve around the assumption of the interconnection between the sonic, functional and socio-cultural dimension of the urban space. The article associates the practice of deep listening with the idea of critical engagement in urban research and with the approach of autoetnography. Its empirical basis are the results of the research project Soundscape of Saint Martin Street realized at the Institute of Cultural Studies and the Institute of Acoustics at Adam Mickiewicz University, in the academic year 2014/2015.
11
Content available Sound of culture, culture of sound – mikrorezydencje artystyczno-badawcze Hai Art, Finlandia 2015
80%
Staśko-Mazur K.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 2
97-101
12
Content available „Koncerty garków i patelek” podczas wielkich demonstracji studenckich 2012 r. w Montrealu. Sprawozdanie z publicznego, interpersonalnego i osobistego doświadczenia pejzażu dźwiękowego
80%
Kapelański M.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 2
18-28
EN
During the great 2012 student demonstrations in a period of public and political controversies in Quebec, organized banging on “pots and pans” in Montreal was key in the ensuing political turnover, referring to historic and new traditions of public moral protest. The author gives an earwitness account of the quarrelsome voices and opinions of Montrealers before the widespread introduction of “pots and pans”, and describes his complex and evolving personal experience, from a perception of acoustic space disruption to participation in social harmony, with a central role of personal “sound romance”. Question are posed about the role of sound in appropriate weighing of pressure in contemporary systems, multi-level historical references of “pots and pans”, and value difference between political, interpersonal, and personal experience. The closing reflection points out a conceptual series from “loud” and “quiet” to “kitchen” and personal revolution.
13
Content available Sztuka słuchania. „Teatr w ciemnościach” Wrocławskiego Teatru Współczesnego
80%
Janikowska A.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 2(4)
25-34
PL
The article is an analysis of a non-visual theatre in the context of sensory perception. It explores and reflects on the altered reception of plays involving the limitation of the sense of sight. The paper considers auditory artistic expression and the issue of synesthetic artistic experience.
14
Content available Ile kosztuje cisza?
80%
Strumidło Z.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 1
52-61
EN
What is important for humans can also be noticed and utilized by today’s marketing industry. Capitalist economy seduces its customers, i.e. consumers, with increasing sophistication, offering ever newer or freshly presented products and services. Contemporary, holistic marketing employs knowledge about humans, whose need to valuate everything they perceive is an inherent feature. One way to persuade customers of a given offer’s uniqueness is to refer to a particular customer group’s system of values. Silence, although physically experienced, is primarily a cultural construct with strong references to axiology. As such, it can become a widely shared carrier for aesthetic or vital values. Along with such references to cultural values, it is sometimes used to build the economic value of a product or service. The article attempts to show these dependencies and explain how the sale of such a completely immaterial and difficult to normally describe phenomenon as silence might work.
15
Content available Wprowadzenie
80%
Wieczorek S.
|
2017
|
nr 1(5)
1-3
EN
Introduction to the issue about Digital Revolution in Music
16
Content available Ucho w Wodzie” – działania dźwiękowe na Wyspie Sobieszewskiej
80%
Karalus M. , Topolski K.
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 2
107-114
PL
Sprawozdanie z projektu
17
Content available Muzyka miasta czy muzyka w mieście? Muzyka w otwartych przestrzeniach publicznych Poznania i Wrocławia
80%
Audiosfera. Koncepcje – Badania – Praktyki
|
2015
|
nr 1
20-41
EN
The article inquires about the musical urban folklore in the repertoire of to ­ day’s street musicians in Wrocław and Poznań (Poland). Considering the lac of literature on urban folklore in the discussed cities, the author utilizes pri ­ marily self­produced sources. The material gathered during fieldwork in both cities (participant observation, data collection, interviews, photographs and recordings) is subsequently analyzed. To obtain a broader context, the article contains additional information about the folklore of Lviv (presentation based on literary works), Warsaw and Vienna (ethnographic fieldwork data). The article contains quotes from interviews with buskers.
18
Content available Nasłuchując muzeum. Kilka uwag o obecności dźwięku w przestrzeni muzealnej
80%
Tańczuk R.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 1(3)
1-6
EN
Listening to Museums. Several Remarks on the Presence of Sound in Exhibition Space
19
Content available Dźwiękowa kreacja średniowiecznego Krakowa w przestrzeni muzealnej Podziemi Rynku
80%
Kutrzeba J.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 1(3)
77-86
EN
The first part of the article describes the sounds forming an integral part of On the Traces of Cracow’s European Identity in the Underground Tourist Trail in the Main Market Square with the author’s conception for the sonic exhibit. In the second part, these premises are confronted with their reception by the pub- lic. For this purpose, a survey was conducted among 100 Poles and 100 foreig­ ners who visited the exhibition in July. Respondents spoke positively about the exhibit’s audiosphere, which facilitated their feeling of travel back in time. The author writes about the challenges of reconstructing medieval city sounds – not just in terms of sonorous objects, but above all human voices. She concludes that despite difficulties, museums should continue their work on historical exhibit sonification.
20
Content available Milczenie dźwięków. Esej o tym, co słychać w muzeum
80%
Lis B.
Audiosfera. Koncepcje – Badania – Praktyki
|
2016
|
nr 1(3)
96-98
EN
Tacit Sounds. An Essay on the Auditory in Museums
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